Tag: nature

  • Where the Magic Took Root Again

    Where the Magic Took Root Again

    It started with a crown. Many crowns, really.

    The first excerpt I read today (via the DeepStash app, which I highly recommend) was the first crown in my day.

    It’s worth remembering that it is often the small steps, not the giant leaps, that bring about the most lasting change. EIIR (Queen Elizabeth II)

    Then, Sir Citrico (my tiny citrus seedling) didn’t die.

    Let me back up—one morning, while making my lemon water, I dropped a seed onto the floor. On a whim, or maybe something more, I rinsed it off, wrapped it in a paper towel, and tucked it into a plastic bag. I heard my spirit say, “Put it on top of the cabinet, and wait for further instruction.”

    So I did.

    As I do 100% of the time in this phase of my life, I followed my Higher Self’s nudge without question. A couple of weeks later, when I heard, “Time to check,” I wasn’t even surprised to find it had sprouted—delicate white roots and a tiny green stem, alive and reaching. You would’ve thought I’d witnessed a full-blown miracle by the way I squeaked and rushed to find J, beaming like a proud citrus parent. And yet, beneath the flurry of 3D excitement, my soul just sat in quiet, humble gratitude, watching me feel real joy again for the first time since Master Roshi died.

    That was a while back, and at first, he did really well. I tucked him into a tiny clay pot with some Bacto and a pinch of cactus soil—whatever I had on hand. I added a little sand, too, worried about drainage. I put him on the bookcase in front of my bedroom window, and he grew a couple of inches and seemed content.

    But a week or so ago, he fell over.

    I thought maybe I’d let him get too dry. I watered him, hoping he’d rally, but he couldn’t seem to stand back up. His green began to dull and shift in a way that didn’t feel right. He looked pitiful. Still, I kept doing what I’d been doing. He was struggling—but he was still here—so, I waited.

    This morning as I gave him his Friday morning drink, I noticed he’d grown again. His green was vibrant, no longer sickly. So I listened—again—to my spirit (guided, I’m sure, by both Master Roshi and my Mama Kay) and reached up to the top of the bookcase to see what I might find for support, and what do you think my fingers landed on?

    A key charm I used to wear on a necklace, topped with a tiny crown. I’d forgotten I even had it—much less that it was right there, waiting. “Onward,” I thought, with a quiet half smile on my face.

    Something about that silly, sweet “coincidence,” and the act of pressing the charm key-down into Sir Citrico’s pot to give him a bit of love and support with his morning drink, woke something up in me again. A flicker of the old rhythm. That feeling from the days when creating wasn’t about productivity. It was about presence.

    Sir Citrico, with his temporary crown and support.

    And then I shared it with J.

    I texted him a couple of photos and made a little joke about crowns—as one does when the coincidences start stacking. Just as I hit send, a message from him came through: a photo of speckled eggs in his dusty palm, found in the straw trailer at work with no nest in sight.

    We exchanged condolences for the eggs—the unborn and likely gone babies inside them. I said I wished we still had our incubator, even though it was probably too late anyway. He laughed about the crowns in emojis. Sir Citrico brought us both back to center again just by existing and being okay.

    From there, the conversation shifted—creeks and mushrooms and foliage we hope to stumble across on our next hike, wild clay we’d already foraged, the phoenix we’d raise from the ashes of our old fire pit when we turned it into a makeshift open kiln.

    We started remembering. Talking about past walks in the woods, daydreaming about future ones. Backyard projects we could try this weekend (weather permitting, praying hands). The kind of inspiration that makes your hands ache to touch the earth again.

    And as the brief moment—it couldn’t have been more than five minutes—passed and he returned to work, I sat there realizing, “we’re both already halfway back.”

    It’s been a really long decade. I’ve been in and out of creative energy and back and forth with sharing here. This post, though, feels like the first in a new (but old) rhythm. A return to the backyard (including the woods, and nearby nature preserves) adventures that once were my lifeblood: gathering moss, bones, and stones. Saving driftwood. Watching the forest change one quiet degree at a time. Building with what we already have.

    As I sat down with my tablet to list supplies—starting with Borax, because these ants are officially on notice—I got a notification that my old blog domain had been released. After all this time, I was finally able to repurchase Catacosmosis.com for $13 instead of the $100 redemption fee. I’d let it lapse, along with so many other things, after Master Roshi died. I tapped the notification and smiled… and what do you think I saw at the top of the page? A tiny little crown. A purple one, no less—my favorite color.

    I’ve already been collecting ideas for upcoming posts: photoblogs, step-by-step tutorials on processing wild clay, how we’ll turn our backyard fire pit into a makeshift open air kiln, color palettes and Mextures formulas for documenting spring and summer through the lens of new eyes.

    So maybe—finally—I’m stepping into writing here regularly again.

    Writing about art and energy. About the sacred mundane. About the projects that call to our hands and our hearts in equal measure. There’s no rush. No master plan. Just the inspiration. Just the slowly forming Spotify playlist:

    🌙 aetheria ✨.

    There’s only the ambient existence of time, and the understanding that it isn’t meant to be wasted on stuckness, resistance, or the fear of letting go of what’s already passed. This time, there’s true, deep healing.

    It’s been a hell of a decade, but for the past several months, there’s been this eerie, chosen quiet. There’s been the grace of being able to go inward—to hermit, soul-search, and sit with God and the trees and the spirits of the ones who never really left. They show up in their magical love notes from the Earth’s skin…where moss carpets memory, fairies stir the wind, and the invisible speaks in vibrations.

    They’ve fed me the songs on that playlist—music for the sacred unseen. Music for stone circles, forest floors, phoenixes rising from the dust—and the soft, golden ash of everything you thought you’d lost.

    And what’s left, for me?

    Just a garden of small, sacred yeses.

    And, the joy of going on the adventure again—this time with my boys, and our dogs. No one who needs 24/7 caregiving—no one who is sick, no one who is dying. No one who “needs” so much of me. Theres just the invisible magic of memory, presence, and the quiet, sovereign path we’ve chosen for this chapter. The one that’s ours… even if it’s not what the world calls “normal.”

    Because artists aren’t like other people.

    That’s one of the truths my spirit keeps showing me—especially now. Creating things from what’s around me—from cameras and acrylics and powder pigments to binders and water and dirt, to the words in my head and the Divine in my heart—it’s not just what I do. It’s who I am. For years, I’ve said I didn’t want much in the way of what money could buy, and the last few months of solitude have shown me how true that really is.

    “Your life is not normal.”

    I’ve heard that sentence more than once lately. And while I usually walk in confidence—especially since everyone died—this one time recently, the words landed harder than they should have. They made me buckle, just a little. Maybe it was because of who they came from. Maybe it was just the audacity, considering the lifestyle they’ve chosen for themselves (which is also very different to “most people”). Either way, it stung—not because it was true, but because it carried judgment where there should have been understanding.

    I know many of you have heard similar things, and ask yourself similar things at times, this like, “How do you explain your life to people who’ve only ever lived in the traditional one?” People like you and me—we wrestle with questions like that.

    “My friends think I’ve lost it after selling the big house…”

    That was something Master Roshi and I talked about often, back when he chose road retirement in his RV. We didn’t question it. We just joined him. Because we were the same. And that’s a big part of why I miss him so deeply.

    Then there’s, “I’m just so unhappy. How do you shift your life and still feel supported?”

    After everyone died, and I stopped vibing with anyone around me, I chose solitude. That question rang loud in my head for a while, too. But through that, I found my Self again, and was able to answer that one for myself as I remembered how little I really needed from anyone else—that I was my own validation—and that my relationship with God was enough.

    The truth? I don’t have all the answers. They’ll look different for every person, every season. But here’s what I do know:

    Normality is subjective. It’s based on one’s reality. And yes—my life isn’t normal to a lot of people. But there’s a growing community on this planet made up of people who also live a little differently. There is a growing population who challenge the finger that points and says, “That’s not normal.”

    Those people? They each have stories. They each face their own challenges. They each carry the wisdom that grows when you live a life you chose.

    That community is rising. Connecting. Becoming its own new normal. I think the real divide only happens when we compare each other’s “normal.” But if we allow for difference—and embrace it—then we create space for all of us to live the lives that suit us best.

    That means celebrating all kinds of normal:

    The traditional homes. The 9-to-5s. The “starving artists,” the couch-surfing writers, the stay-at-home moms, the dirtbag van-lifers, the families living out of buses and backpacks and intuition.

    There’s room for all of it. There’s room for all of us.

    My two cents?

    The best thing we can do is make peace with the chaos in our own minds. Keep being exactly as different as we need to be to build the lives we want to live. Let the judgment come. Let the questions linger. Let it all teach and grow us. Embrace it.

    And then…

    Let them watch, regardless of judgments, as we settle in—and thrive—in our own unique ways.

    Maybe that’s the whole point.

    The comment I made earlier—about how we’re already halfway back—has been echoing in my spirit ever since. At the time, it felt like a casual observation. But now, as I finish writing this, I see it for what it was: a recognition.

    It was a realization that somewhere between the grief and the stillness, the long walks and quiet days, the moss and music and small, sacred yeses—I had already crossed the threshold. Without fanfare. Without fireworks. Just… step by step.

    The world didn’t shift all at once. I did. And now, standing here in the soft light of this new chapter, I think about Queen Elizabeth II’s words again:

    It’s worth remembering that it is often the small steps, not the giant leaps, that bring about the most lasting change.

    She was right.

    The change was never just one big choice. It was every tiny act of trust. Every time I listened to Hid and my higher self, no matter what it “cost” me. Every time I kept going when no one else could see what I was building.

    And somehow, without even realizing it, I arrived.

  • Lovely Death

    Lovely Death

    Dried leaves in repose,
    macro lens unveils their tale.
    Lovely death, frozen.

    (Lumix+Panasonica/Leica Macro DG Elmarit, VSCO, Mextures, Lightroom)

    In my mid-20s, I experienced an interesting exploration of death as a subject in my work, professionally and creatively. Delving into the intricate realms of death became an unexpected but necessary journey. Originating from my research and work in psychology, the fascination found a niche in the recesses of my mind, dancing at a newly discovered crossroad: psychology and spirituality.

    The illusion of immortality, a comforting notion in my youth, began to unravel, and a sobering awareness seeped in – a gentle reminder that time, despite our desires, marches on. This realization stirred occasional anxiety, yet it birthed within me an artistic sanctuary. While my “irl” associates and friends were rather put off by such a topic of discussion, it was given tangible validity within the “lovely dead stuff” community on Instagram.

    Back then, Instagram thrived on genuine connections, nearly two decades ago during its inception. Communities flourished, spanning from technical visual elements, like layering textures and tones, to profound philosophical discussions embedded in art. It was within the latter that the “lovely dead stuff” tag/community found its home. While the platform’s landscape may have evolved, I suspect its essence endures, adapting to the shifting tides of philosophy and the world’s unfolding events.

    The “lovely dead stuff” community, a haven for kindred spirits, provided a liberating space where my inquisitive mind and creative endeavors harmonized. In those formative years, it fostered an environment that not only embraced my curiosity but also guided me in the art of amalgamating thought and creativity. It became a conduit for transforming introspection into tangible expressions, a timeless journey that shaped both my understanding of mortality and my artistic identity.

    During that formative time in my spirituality, I realized that the connections between psychology and spirituality were becoming a pressing issue in my still immortal mind — I think I wanted to, like many, freeze time and never die and there was this underlying current of consciousness beginning to happen to me that screamed, “you’re not as immortal as you think you are, young ‘un!”

    It would sometimes create a lot of anxiety, those explorations, but I am so grateful that I found an outlet in the “lovely dead stuff” artistic community on Instagram. It was a liberating community that embraced all those levels of me (brain, heart, and soul) and helped me learn to employ them simultaneously for the first time in my life (I’d never been allowed that prior to that time in my life). I was able to create some tangible reality out of it all.

    I was not expecting to revisit those memories or that topic today, but I found myself considering it as I “walked the yard” (a Dorie thing that some of you may remember) this morning in search of moss to photograph for a mixed media project I was working on to commemorate my mother’s birthday. Amidst the quiet canvas of nature, the stark contrast between the lingering death of winter and the emerging promises of spring captured my attention. Winter’s remnants, laid bare and hanging in the air, echoed the transient beauty of life’s inevitable cycles. Meanwhile, the subtle signs of spring’s awakening breathed new life into the scene, embodying the enduring spirit of renewal and the continuous dance between life and its inevitable counterpart.

    It served as a poignant reminder that, like the seasons, our perspectives too undergo a perpetual transformation, each moment holding within it the delicate balance of both closure and new beginnings. Here’s to remembering and retrying forgotten editing skills, and to whatever comes next…

    Happy birthday, Mama. Thank you for the lessons, and the love. I miss you…

  • Devil’s Backbone (Again)

    Devil’s Backbone (Again)

    Some shots from Devil’s Backbone…

    You don’t know what someone is dealing with…what they’re going through. Sometimes a person can be confident and also anxious, look healthy but be sick, look happy and be miserable, look good but feel ugly, act hopeful but feel hopeless, smile and be broken, or never smile at all and be happy… You don’t know. So unless you ask, don’t judge. Don’t assume. Sometimes a person you see every single day or think you know very well can be fighting battles you know nothing about.

    Be kind.

  • My IG Top Ten: Flowers

    My IG Top Ten: Flowers

    Flowers!?? Of course, flowers! How could I not start this whole top five/top ten thing with anything else when that is what I shoot the most?? OK – it’s probably a tie with droplets, but even those are technically flower shots. ((blows raspberry)

    Specifically, as you’ll remember me mentioning Nicole if you read my last post, flowers are what she first asked me to choose as a top five list. I’m going to have to go with ten, though, because I share almost exclusively flowers. It was too difficult for me to choose just five. In fact, it was extremely difficult for me to put these in any sort of order as far as my own “top” choices. The rest of these will likely be “five” lists. This one was definitely the hardest.

    10. Blue

    I love this one because it combines different visual elements but still keeps the flower  as the focal point. Another reason this one is special is because I shot it to complete a calendar I was doing for my Mom. This flower was one from one of the sprays given in memory of my father at his wake, and it also reminds me of the blue and white ceramics that she collects. Things so often tie together like that, in my perception and creativity.

    **Sony Alpha (a37), Tamron macro 90mm f2.8, manual focus on full, tripod, external flash. Unedited, aside from crop.

    09. Calla

    I love this flower edit, done with DistressedFX on the fly. I shot this Calla lily at the oil change place with my phone. It was February, and I was attempting to leave for New Orleans for the third time in two weeks. I was so desperate to get there and find something. This flower, before I even embarked on my journey, was the first thing I “found.” What I was looking for in New Orleans exactly, I’m still not sure, but, all told, I found a lot more than I bargained for.

    My plan to stay once I arrived there was foiled by understanding and learning in a very tangible way that you can’t  always escape reality, and that when you love someone you’ll always return to them. My dad fell ill and that’s why I ended up coming home in the end – which I wasn’t planning to do at all…and from there my life began to unfold a chain of events that would forever change it – but not all for the bad.

    **iPhone 5

    08. Finding It

    This cute little flower was hanging out on my cousin Gail’s porch at the farm. I shot this during a time when I felt so…overwhelmingly lost. It was a day when I simply didn’t know how to breathe without my father’s presence in my life, and was struggling to find meaning in ever leaving my room again, and when I saw this flower and spent thirty minutes photographing it and even longer playing with the DistressedFX/Mextures edit, I found a ray of meaning to get out of bed the next day: a desire to find more flowers to shoot. It was a very meaningful day because of this tiny little flower.

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld.

    07. Energetic Shift

    I found these daisies on clearance at Home Depot around mid-spring this year. This experience was something on many levels that I can’t even put into words…but this shot is visually one of my favorites because of the angle, focus and colors.

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld.

    06. Refuge

    Some form of wild sage, I think. I shot these while walking in the woods somewhere in Oak Ridge, Tennessee. I love these little purple flowers, and I didn’t have any super special experience for or equipment with this shot. I just love the textured edit I did with it using Mextures.

    **iPhone 5. Mextures Formula Code – TWTIYIE

    05. Lightroom

    With this shot, I was playing with Lightroom – which, at the time, I hadn’t done for a very long time. I’d been using mobile apps and devices and hadn’t touched my computer for months (ok, truth be told, years). Here I was trying some different styles with some shots from earlier in the year, and I was especially addicted to some Lightroom presets I’d gotten from Creative Market. Mixing presets and filters with Mextures formulas and effects from other apps, like DistressedFX and Stackables, is fun and you get some pretty cool results.

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld.

    04. Soul Dance

    I chose to include this image because I love the gradient of the colors in the edit, but when I looked back at the original post I remembered very clearly how I felt on that day and why I called it “Soul Dance.” It was all down to music – a song called “Crystallize,” by Lindsey Sterling – as my moods often are. Internally, I was having such a hard time. I remember how light and how empowered that music made me feel, and as I was editing this image whilst listening to it and was trying to imagine my spirit flying like these dandelion seeds soon would be, I titled it after the song.

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld.

    03. Sun Goes Down

    Continuing with my dandelion obsession this year, this shot is one of my all time favorites. I shot this while walking a trail at Norris Dam State Park, located on the Clinch River in Campbell County, Tennessee. I was sitting down, talking on the phone with my Dad (one of the last times I ever spoke with him before his illness and death), and he was telling me he was still not feeling well. It was at that point that he was going back in to the doctors to request more blood work and I was very scared and concerned and asked if I needed to come home. He said no, he’d be ok.

    I remember telling him that the sun was going down and I saw this shot I wanted to try to get while I’d been sitting on the path talking with him (this shot), and I had to go, but I’d call him later that evening when I was back at the place where I was camping. That return phone call was when I told him about my art show in Knoxville, and he was so excited about it and didn’t say a whole lot about his health the rest of the time I was on that trip. It was just a couple weeks after I returned home that he went into a diabetic coma.

    Sigh. It’s sometimes very emotional for me to see how things fit together when I look back on them. I’m so grateful that I got a good shot of this. It’s funny to me now that half the dandelion is missing – half of me is missing now, too…

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld. Unedited, aside from crop.

    02. Invisible

    A very recent edit and a new favorite, I shot this the same day that I shot the blue flower at number 10. I was still experimenting with the external flash, and decided to play with this paper white bloom that had fallen to the floor when I’d moved things around for the blue flower shoot. I love the way the shot turned out, and edited it to further blend into the lighting with Mextures and the Stackables app. One of my all time favorites of my edited shots.

    ****Sony Alpha (a37), Tamron macro 90mm f2.8, manual focus on full, tripod, external flash.

    01. Eternity

    My number one favorite flower image is this macro image of a rose that was in one of the many gorgeous vases that were delivered to my house the day after my Dad passed away. I suppose we all know that flowers are my favorite, they are my friends, and I photograph them more than anything else. I just absolutely love flowers and have a fascination with them at many levels. This is something, interestingly enough, that I shared in common with my Dad. I kept my sanity during the weekend before we were to plan his funeral by shooting these flowers, somewhere in my heart hoping that he was there with me, invisibly enjoying them, too.

    As I was shooting this particular flower, I had one of my first spiritual experiences with my dead father, as well as my first completely overwhelming, breathtaking, soul wrenching moment of grief. I remember falling to the floor and just completely breaking down for the first time that afternoon. I began to talk to my Dad, out loud, and I remember having this revelation that got me through that night and the next morning (the funeral home, picking out the casket and all that happiness).

    As I shared on the original post:

    I used to think that nothing lasts forever. Now I know…the love of a father does. I feel it all around me, especially when I close my eyes, and especially when I cry…even though he is gone. What a beautiful thing.

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld.

  • S t e a m y . . .

    S t e a m y . . .

    S t e a m y 💧🔥🌫

    • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

    Now stir the fire, and close the shudders fast, Let fall the curtains, wheel the sofa round, And while the bubbling and loud-hissing urn; Throws up a steamy column, and the cups, That cheer but not inebriate, wait on each, So let us welcome peaceful evening in. -William Cowper

    • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

    Tools: Mextures (formula KNABVCX)

    Vision: Unsplash, Ameen Fahmy

     

  • C l e a n . . . 

    C l e a n . . . 

    C l e a n . . .

    • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

    As I have practiced it, photography produces pleasure by simplicity. I see something special and show it to the camera. A picture is produced. The moment is held until someone sees it. Then it is theirs. -Sam Abell

    • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

    Tools: Mextures (formula KFVIEXP)

    Vision: Unsplash, Hotae Kim

  • summer 🔥 heat 

    summer 🔥 heat 

    ~ summer🔥heat ~
    ~ b u r n 🔥 b a b y 🔥 b u r n ~
    Vision: Lumix GX7, Leica Macro Lens
    Tools: Mextures (formula BJRKZVU)
    (Both Images)
  • New Mextures Formulas! Enjoy!!

    New Mextures Formulas! Enjoy!!

    Hey, y’all. Happy Thursday – hope you’re having a good one. I have been very busy for the past couple of days, but in my down time I’ve sat and worked with a few of the iPhone images I took during my Christmas holiday and I’ve saved quite a few new Mextures formulas from that arting/art therapy adventure. I have a lot more formulas to share in the near future, also, as I created many during the fall.

    I hope you enjoy these formulas and find some use for them in your own Mextures adventures. As always, remember that blend modes of layers (and layer opacity) may require tweaking depending on the light/style/tone of your image and they will not necessarily look exactly the same on your images as they do in the provided versions.

    If you have any questions about Mextures or using formulas, feel free to ask them in comments or via e-mail or social media/messaging.

    **All of these images were shot with iPhone using the “stock” camera app…

    Formula Name: Light Fog
    Formula Code: SLCUKDK
     Formula Name: Forest Sunset
    Formula Code: TFJKCGK
      Formula Name: Pine Sunset
    Formula Code: ZQRFZPT

     Formula Name: Digital Darling
    Formula Code: GBEMCQT

  • My IG Top Five: Macro

    My IG Top Five: Macro

    Welcome to another installment of Instagram top picks from my gallery. Those of you who have followed my photography for a while know that my strong suit and the genre I love is macro photography. I love getting in close, I love seeing things in a different way, and I love the little details (of both nature and life). I pay attention to EVERYTHING, and I find so much inspiration in the details. This post is a list of my top five favorite macro shots currently in my Instagram gallery (not including droplets, which will be a post in itself). I hope you enjoy it!

    05. Little Green Curls

    There is infinite beauty in nature, and many lessons in its detail.

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld.

    04. Bokeh

    My favorite bokeh shot I’ve ever done, because the bokeh in this wasn’t done on purpose. It’s just sort of what happened, and this shot introduced me to working with bokeh on purpose.

    The plant in this shot was laying on a glass patio table and it made unexpected prettiness with macro filters.

    **Pentax K110d, 18-55mm kit lens, +4 macro filter attached, manual focus and handheld.

    03. Colors 

    “Life begins with a beautiful mind.”

    **Pentax K110d, 18-55mm kit lens, +2/+4/+10 macro filters attached (stacked), manual focus and handheld.

    02. Skeleton 

    I have developed an affinity for death and decay over the last couple of years – I find it strangely beautiful and comforting. Very fitting I suppose, since the summer of this year. I love the detail of the skeleton of this leaf. It tells as beautiful a story to me as the green leaf would have on the tree, or as the fiery leaf would have in it’s fall splendor.

    **Sony Alpha 37, 35mm prime f1.8, +1/+2/+4/+10 macro filters attached (stacked), manual focus and handheld.

    01. Zen Honeysuckle

    My top favorite macro shot is my favorite for a lot of reasons. I love the simplicity, the minimalistic feel, the color, the framing, honeysuckle is special to me (so special that’s what I have tattooed on my left foot/leg, in memory of my Mama Kay), but mostly I love this shot because I did this after mowing my dad’s grass one day this past summer not long before he fell ill, and he was with me when I shot it, watching me work my camera magic and asking me questions about it.

    Daddy loved my photography and always encouraged and supported me doing it by being actively involved in it, asking things and being fascinated by it and always telling me encouraging things… He was just an awesome dad.

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld.

  • Mextures Artist Feature | @joannakatd

    Mextures Artist Feature | @joannakatd

    It’s Monday and that means it’s time for another Mextures artist feature. Sorry this one is coming to you so late – it’s been one hell of a weekend in my world and I’ve only just had a moment to sit down and write it up for you. Today we’re featuring @joannakatd, an amazing Mextures artist and photographer whose gallery focuses around nature and landscape photography. I hope you’ll enjoy our interview and her beautiful art! As always, thank you for visiting the blog and don’t forget to visit Joanna’s Instagram gallery (@joannakatd) and show her your love and support!

     

    Getting to know @joannakatd

    So, to start off, who are you?

    I am Joanna, I just turned 42, I go by joannakatd on Instagram as my middle name is Katherine, and d is the initial of my last name. I was born and raised in Calgary, Alberta and I don’t think I could live anywhere else. I’ve tried, moving to Northern Manitoba in my early 20s but after 2 years I came right back. I’m also a moderator for 3 hubs on Instagram. @mellow_mextures @cloudzdelight and most recently @macro_mextures. It keeps me busy in my spare time!

    Canada is such a beautiful place! I hope to visit someday… Modding on IG is a fun thing to do in your spare time. What is your “job?”

    I’m a cataloguer for books of public libraries. I’ve always loved books, and I used to write poetry daily. If I come across any photography book, or poetry book at work, my productivity really slows down as I look deeply at the art, or read the poems. In my spare time I edit photos I’ve taken on the weekend, or I look for things around the house to photograph and then to edit. I think I love the editing process as much as I love collecting the photos. Collecting the photos is always an adventure we have as a family. We usually go for drives on the weekends outside the city or to parks inside the city. It always turns out to be a memorable time for all of us as we go about exploring.

    Books. I’m a bibliophile, myself… How did you get involved with Instagram?

    I’m not sure how I discovered the app, but I remember one day about 4 years ago being out for coffee with my brother and telling him about it. I was so excited that it was an easy way to connect with people through pictures. I’ve never been into Facebook, so this was perfect for me! I especially loved the filters and the way they turned my photos into something much more interesting. I had no idea about hashtags back then!

    Facebook never worked well for me for photos, and then I just finally tired of it. It’s so much drama and junk…I find that Instagram is much less silly and much more inspiring. How did you get involved with Mextures?

    I think what changed everything for me was one day searching through Instagram and coming across a photo that had what looked like brush strokes on it, as if it had been painted. Someone asked what app was used, and the answer was Stackables App. I immediately downloaded the app, and my photos then became transformed. Soon after I discovered Mextures. It took me awhile to really grasp it and all it had to offer, but as soon as I did, I was hooked. I edit most of my photos with Mextures now.

    I LOVE Stackables – I enjoy mixing Stackables and Mextures together, myself! What is it that keeps you interested in Instagram and Mextures/Photography?

    I guess what keeps me interested in Instagram and Mextures/Photography is my goal of one daily post. 4 1/2 years ago I was diagnosed with a not so nice disease (begins with the letter C) and my way of coping is to focus on one photo a day, to look for the beauty in life and to share it. I’ve always been a very private person, so to share my photography and edits with so many people was at first scary! But now I know that it is such a blessing! And the encouragement and support I get from Instagram is incredible.

    Oh no – not another mention of the C word!! In seriousness, it’s wonderful that you found a release and process through your art. I think that’s a very important aspect of coping with any sort of hard part in life, so I’m super glad you chose to share in the way you did! What’s your background in photography – when/how did you start out and get to where you are now?

    Honestly, I don’t really have a background in photography. I know I’ve always been drawn to it, I’ve always loved looking at it. While at college, in front of a computer at a lecture, I only wanted to look at wonderful photographs so I’d Google whatever I could think of (usually some sort of animal) – long before Instagram existed. Instagram was a real game changer for me 12 years later. I started with suggestions of photo-a-day themes, but I soon found that to be much too forced. Once I found these editing apps, everything changed. I found that nature photography was for me. Mextures enhanced the beauty. Images I saw on Instagram were so inspiring and I’ve learned so much through them.

    How has your practice with art/photography changed over time?

    I think my photography can only get better as I keep learning every day from such wonderful artists on Instagram. Living in Alberta I have such amazing landscapes to photograph. There’s the mountains to the West, the prairies to the East, and the foothills to the South.

    What do you enjoy the most about your art/photography?

    What I enjoy most about my photography is going for our weekend country drives to get photographs as a family. Because of Instagram, it motivates us to get out and search for beautiful things and in the process it’s giving us all wonderful memories. As an example, we were driving down a country road and I saw some wonderful old barns. I had my husband turn around and we drove right into the old property. My kids complained and moaned, ‘do you HAVE to take pictures of this??’ Yes, I do. We all got out to explore and it turned out to be one of my kids favorite times ever. Searching abandoned chicken coops and running to the silos to find grain, then running all over to ‘plant’ that grain. Eating it, my son trying to spit it out the car window only to have the wind splatter it all over his face…. We laughed so hard! (If only I’d got a picture of that!) One of my photos from that day was featured on @rsa_rural.

    I love that! My son loves taking photos (probably because he grew up around people who were constantly taking photos) and we often do the same. Can’t say that I can get anyone else in my house into it but my son and I have a blast sharing the hobby. It’s interesting to see the difference in themes from his photos compared to mine. What themes do you pursue?

    I love landscapes – mountains especially because I’m always in awe of them, but what I would love to get more into is macro. I always love galleries with macro shots. They’re always so elegant looking.

    What inspires you the most (anything – from music to food to people to places to anything that you find inspiration from)?

    What inspires me most is all the amazing artists on Instagram. I’ve learned so much from them through this app and the artists who use mextures to transform their photos into works of art. I’m always so impressed with the creativity and it always pushes me to try harder, to go further with a formula, or an edit.

    Agreed – it’s hard NOT to be inspired by that amazing artists and art in the Instagram community! In fact, you are one of those inspiring artists for so many! What is your dream project?

    Since I have a lot of poems collecting dust in their books in a box in my closet, my dream would be to one day pair those poems with images and create some sort of photo book.

    That sounds like a brilliant project. I did a similar project years ago, just for myself and not to sell, and it was very healing for me during that time. Do you have any professional goals with your art?

    No, this is all for pleasure, something I just love doing.

    Same here! I used to try to grow it into this “professional” thing, mostly because people would always tell me how well I would do, but I never did well with it. I finally realized that the reason was that my heart was in the art itself, not the business of it, and so I just continued on as my heart wished – to enjoy myself and the art. What couldn’t you do without regarding your art?

    I couldn’t do without the constant support I get from all the wonderful friends I’ve met on Instagram. They feed me, they give me confidence, and motivation and inspiration. The community here is incredible.

    I couldn’t either, come to think of it! And finally, for a fun ending to our chat, if you could have any superpower, what would it be and why?

    I would love to have super human strength.  That way if my car was ever stuck in slush in the winter, I could just pick it up and move it. Or it would be super easy to vacuum under couches, or beds, or dressers, etc. Wouldn’t that be nice?

    Hahaha!! Yes!!! As a homemaker and stay at home mom, I would LOVE to share that cleaning super power with you. Thank you so much for being a part of this adventure with us, Joanna. I’ve enjoyed this chat, loved your answers and getting to know you better, and I know everyone who reads this will, as well. You’re a fabulous artist and Instagrammer and we all wish you all the best as you continue to grow and share your amazing visions and art with us! And thank you for all you do in the community as a mod and cheerleader for so many artists!!

     

     

    Sampling of Joanna’s Mextures Formulas

    It’s Like This – HQMEGRX

    Cold – JXCJBRG

    Waiting for the Sun – VSCBUNH

    One – YSRCKDP

    Hideaway – BJPHKTT

     

     

    Art from the Instagram Gallery of @joannakatd