Tag: gratitude

  • Maintenance as a Creative | Not Broken, Just Built Differently

    Maintenance as a Creative | Not Broken, Just Built Differently

    There’s this list — never written down in one place, but always hanging over me like the hum of an old fluorescent light. It’s made of things that should be straightforward:

    • Back up the photos.
    • Untangle the art supplies.
    • Organize the sketchbooks.
    • Move the ideas from my head to a place they can breathe.
    • Put the words onto the pages.
    • Clean the brushes.
    • Organize the books.
    • Organize the ideas.

    But they are never straightforward. Not for me. Not for anyone whose mind has a thousand open windows and refuses to shut them just because the world prefers tidy blinds.

    Society has found a name for this: ADD. ADHD. Neurodivergence. The diagnosis may be true for some, but here’s what I believe — it’s not a flaw. It’s the original wiring of the artist, the philosopher, the restless creative soul. It’s the part of the mind that won’t collapse into the assembly-line cadence of “normal life.” And that refusal has always been a threat to the people who rely on compliance.

    This is why so many people who are miserable in the 9–5 grind feel like they’re constantly drowning. They fight from one day to the next just to keep their priorities in order, forgetting things, feeling scattered, wondering why life feels like a treadmill they can’t get off. It’s not because they’re lazy or incapable — it’s because they’ve been convinced, by family, by school, by the whole machinery of society, that their purpose is something other than what their soul already knows it to be.

    They’re creatives, not conformers. But they’ve spent their entire lives pouring all their energy into staying afloat in a stormy, chaotic sea they were never meant to swim in. And not only has the world’s rules kept them from living their purpose, they don’t even remember what that purpose is… and they certainly haven’t been taught how to manage or maintain reality as a creative.

    The problem is, the tools that work for type A people don’t work for type B people — and vice versa. But the world, the powers that be? They don’t want any creatives to thrive. Why? Because thriving creatives don’t line their pockets, and they can’t control what they can’t contain.

    By the late ’90s and early 2000s, the strategy had shifted. They started medicating us into focus, pressing Adderall into palms while preaching “Say no to drugs” in the same breath. It wasn’t just hypocrisy; it was the perfect kind of doublethink. They couldn’t get my generation — Gen X, especially — to trade curiosity for clock-punching, so they tried to sedate the wonder right out of us.

    It had started long before my generation. From the ’60s onward, every decade had its rebellion, but something about our era cracked the pattern wide open. We remembered how to slip back into our creative current, to say — without apology — that the system wasn’t built for us, and we weren’t going to rewire ourselves to suit it.

    The boomer generation fell for it enough to punch the clock and hold the grind in both hands. But my generation? The ones who were school-aged in the ’80s and especially high school/college aged in the ’90s, raised as latchkey kids, left to our own devices? We had just enough space to keep our own ideas and double down on our self-expression. We rejected the rhetoric outright, but we still had the foundational work ethic, the grit, the stubborn drive to show up.

    Unfortunately, that refusal was met with more control, more noise. By 2012, the hum had become a low, constant pressure. By 2016, the unexpected and unorthodox split the air like lightning, and nothing went back to sleep after that. By 2020 — and certainly by 2022 — largely thanks to Covid (which I will forever believe was a purposeful attempt to tighten the reins of control), the result wasn’t the obedience they hoped for. It was the opposite. People were waking up in numbers that mattered.

    And here we are.
    And here I am.

    Sitting with a computer that holds hundreds of gigabytes of uncataloged photographs, each one a memory or a moment, all of them waiting for me to find them a home, if not on someone’s wall then in beautiful posts they can enjoy on their computer screens. Art supplies scattered in a way that makes them impossible to ignore and yet impossible to start sorting. Projects that live half in the physical world and half in my head, where they multiply faster than any app or planner could contain.

    Digital tools have not tamed the chaos — they’ve only given it better hiding places. They’ve bred a new kind of loathing, a quieter form of procrastination and lethargy, one that makes the struggles of pre-technology life feel almost romantic in hindsight — like a fairy tale we didn’t know we were living, a beautiful dream we only learned to miss once it was gone.

    This morning, I pulled a book from my shelf. It’s been there since Ralph died:

    How to Be an Explorer of the World — Portable Art Life Museum.

    I haven’t opened it yet. The title alone feels like someone has tossed me a rope, and I’m still deciding whether to pull. Even without turning a page, I intuitively, automatically know — as every creative does — what waits for me inside. The “Art” in the title has been struck through and replaced with “Life” for a reason: because that’s what it truly is. A reminder that we’re not here to live as curators of someone else’s museum, dusting off exhibits we never chose. We’re here to explore — to step into new rooms, to rearrange them until they make sense to us, to claim the space as our own.

    And yet, here’s the truth I keep circling: maintenance is the perpetual loop where I always seem to get stuck.

    Not the dreaming, not the making, but the keeping. The tending. The part where you have to hold the door open for what you’ve already made so it doesn’t fall apart while you’re off chasing the next thing. Somewhere in the tug-of-war between vision and upkeep, I drop threads. And when enough threads fall, the rest of my life starts tangling with them — homeschooling, daily meals, the way the pantry and the jumble of household chores scribbled on random scraps of paper looks like a metaphor for my brain.

    This is the quiet battle no one talks about: how to keep creating without losing the things you’ve already created. How to tend your work without caging your mind. How to make room for the next idea without letting the last one turn to dust.

    For people like us, maintenance is never just maintenance. It’s a negotiation between the world’s idea of order and the wild way our minds are built to move. And maybe the truth is that we aren’t the ones in need of repair.

    Maybe the wiring was never the problem.
    Maybe it’s the world that’s broken.

    And what does all of this lead to? Yet another idea tossed onto the pile: maybe I should explore it in an in-depth series of articles here.

    Ha.

    For now, though, here’s a brief gallery of shots of my favorite tree — the oldest in my state, and one I’ve found myself referencing often lately. A couple are completely blown out. One feels especially dull to me. But while they may seem ordinary, even boring, to the casual observer, my passion for this incredible 400+ year-old short-leaf pine runs deeper than any skill or lens could ever capture.

    And that’s exactly the point — this tree is the living embodiment of what I’ve been trying to say above. The uncreative soul may never understand the pull, the quiet reverence, or the way beauty lives in the details that can’t be measured or monetized. But to those who do understand, no explanation is needed.

    I hope you enjoy these images as much as I enjoyed the process of shooting and processing them.

    xo.

    c.

  • Wilderness

    Wilderness

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    The wilderness is the oldest, truest friend a human can have, both in body and in spirit.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    It teaches in silence.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    It speaks without words.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    It holds space for your becoming, your undoing, your return.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    And it is only “dangerous” when we forget to honor it, or refuse to learn from and respect it.

  • Coffee Thoughts | #1

    Coffee Thoughts | #1

    Saw an intriguing article about Waffle House this morning.

    I never frequented Waffle House. Not many people around here did, apparently—ours closed a while back. The building was recently torn down, the lot cleared to make room for yet another gas station…or maybe another drive thru ATM. I’m not sure.

    I ate there a handful of times over there, never much caring or giving it a thought. But now, strangely, I miss it. I find myself wishing I had the chance.

    It’s become a metaphor for a lesson life keeps offering, and most people keep ignoring: You’ll miss it when it’s gone.

    It’s true. You’ll miss a lot of things you once took for granted. I certainly do.

    Waffle House isn’t a major one—but it is a reminder.

    I miss my parents.

    I miss my best friend.

    I miss my spiritual teacher, and the person who gave me Alan Watts’ The Book for Christmas two decades ago—the gift that changed the course of my inner life.

    They’re all dead. Dementia and Cancer.

    I miss the dogs I’ve loved across decades, the ones who were more than pets—they were companions with souls.

    I miss the version of myself before my hysterectomy and menopause—before synthetic HRT dulled the edge of my vitality. I wish I had chosen a more natural route, even if it had been less convenient.

    I miss my child being a child.

    I miss the eras of my life that were stunning in their beauty, even though I didn’t see it at the time—too blinded by hardship to notice the glory braided into the struggle.

    I miss my opportunities—ones I didn’t recognize until they’d passed.

    I miss what it meant to be a woman before the world started reducing us to caricatures. Despite all the so-called “feminism” and “women’s rights,” it feels like women are more undervalued than ever.

    I miss being able to raise chickens and grow food without running into city ordinances telling me what I can and can’t do with my own land.

    I miss the forests and wild places I used to roam freely—now gated off for hunting clubs or planned graphite mines, despite the fact that nobody seems to be doing much hunting or mining.

    I miss when the weather was more stable, more alive.

    I miss a society that at least pretended to aim for peace.

    I miss healthy masculinity—not the social performance of “manhood,” but the actual divine masculine: rooted, mature, strong in spirit. The kind of strength both men and women are capable of carrying, choosing, embodying.

    I miss the wildlife. The abundance. The bees, the butterflies, the owls, the foxes, the birds, the bats. I don’t miss the mosquitoes, but I miss the balance they were once part of.

    When I look back over my life, I hear the same message whispered in memory, echoing through every loss:

    You’re going to miss it when it’s gone.

    I didn’t mean to miss it. I didn’t know I was actively, very literally missing it.
    But I did.

    My body. My femininity. My strength. My time. My freedom. Those are the things I miss the most where I am now.

    Don’t be like me.

    Do better.

    Let something as simple—even silly—as Waffle House become a gateway. A reminder. An invitation to gratitude.

    Live with more presence. Choose more wisely. Love more deeply.

    Speak more freely—not with opinion masquerading as truth, but with emotional intelligence rooted in what truly matters. Not just to be heard—but to be known. Let your words carry truth, not ego. Let them build bridges, not burn them.

    Be better, while you still can.

    It’s never too late…

  • Lifted

    Lifted

    entry twelve — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH. VSCO (A6 PRO) + DistressedFX + Lightroom (watermark only).

    There is a moment, early in a few blessed summer evenings, when the heat—the oppression—sighs and lets go.

    Not in protest, but in quiet surrender—the sun lingers, the sky softens, and a hush moves in with the rain.

    Steam rises like incense from the bones of the earth.

    You’ve felt that coveted shift.

    It’s not loud. Not showy. Just the heaviness loosening its grip on your ribs as breath returns without warning.

    This is how some battles end—

    Not with victory, but with survival.

    Not with a roar, but with a breeze.

    No fanfare—just rain through fractured light, and the ache leaving your body before you even know it’s gone.

    What remains?

    A field of yellow flowers—bent but blooming.

    Tired, but free.

    And air that smells like something holy—finally lifted.

    catacosmosis // 2025

  • Where Abundance Lives

    Where Abundance Lives

    It’s never been money or material success that has defined wealth for me.

    For most of my life, I chased meaning in moments loud enough to echo—grand gestures, perfect timing, outcomes wrapped in validation. But it was my most treacherous and grueling experiences—the ones that stripped me bare and rebuilt me from the soul up—that taught me something higher.

    They taught me to be still.

    To be quiet.

    To kneel at the altar of the subtle.

    A blurry cloud, simultaneously barely and boldly defining its own form, illuminated at just the right angle.

    Lumix GX7 + Lightroom (watermark only)

    A battered feather, found in the dead center of a forgotten dirt road, caught in evening light.

    Lumix GX7 + Lightroom (watermark only)

    The soft hush of trees at dusk, whispering the memories of the ghosts that still roam underneath them.

    Lumix GX7 + Lightroom (watermark only)

    This is abundance.

    There’s something sacred about catching these quiet offerings—the ones that ask for nothing but your presence. No performance. No hustle. Just your full attention. And I think that’s what I’ve been learning to fully morph into, slowly but surely, all my life.

    I’ve always been in love with nature, and over the past few years, I’ve begun to understand why—consciously, spiritually, viscerally:

    Nature doesn’t demand applause, but it offers everything to those who notice.

    Before caregiving and grief, nature called to me—quietly, consistently—and I always accepted her invitation to explore and to wonder. During caregiving, she became an escape. I retreated there as often as possible, weary and begging for rest that not even sleep could offer…and nature always obliged.

    Now? I don’t go to escape or to retreat, I don’t just visit. Nature meets me. Whether I’m deep in the woods or walking my yard…hiking a trail or running my neighborhood…now, I am always home.

    We live in a world trained to skim, to scroll, to monetize every breath of stillness. But this—this sky, this feather, this light that passes and never repeats—reminds me:

    Presence is the prize.

    It’s all around us, all the time, no matter where we are…but people don’t see it anymore. They no longer observe. Most have forgotten—that observation is a form of reverence. And reverence, when practiced daily, becomes a kind of homecoming.

    “Abundance is not found in money and material gain—at least, not for me. To me, it is found in nature’s unexpected surprises.”

    I wrote that in my memory while standing beneath the canopy of trees shared above as it held the last light of evening. There was no one else there. No applause. Just me, and the divine choreography of stillness.

    In that moment, nature herself invited me to remind you:

    If you’re searching for proof that you’re loved, that you belong, that there’s meaning woven through even the hardest days—

    Look up.

    Look closer.

    Be still.

    The abundance you’re looking for is already here.

    It’s been waiting for your eyes—and your heart— to land on it.

    Be present.

    Pay attention.

    Be observant.

    Your presence in the present matters.

    It’s where abundance lives.

    🪶💜✨

    catacosmosis // 2025

  • The Art of Being Alive

    The Art of Being Alive

    The real you is not a puppet which life pushes around; the real, deep down you is the whole universe. (Alan Watts)

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    The meaning of life is just to be alive. It is so plain and so obvious and so simple. And yet, everybody rushes around in a great panic as if it were necessary to achieve something beyond themselves. (Alan Watts)

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    I stood in the green hush, face to face with a bloom so intricate it felt like a secret whispered by the wild. The passionflower doesn’t need to perform. It simply is. Unapologetically strange. Beautifully complex. Alive.

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    I thought of the two Alan Watts quotes I’ve included above, and I thought of my dead loved ones. This is what I want to remember:

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    That being fully present—here, now, in the middle of whatever hurts or heals—is enough.

    That passion isn’t always loud.

    Sometimes, it curls quietly out of the forest and dares you to look closer.

    This is what death has taught me about life.

    I’m really grateful I stayed, after they were all gone.

    🪽💜✨

    catacosmosis // 2025

  • One Decade | Sanctum

    One Decade | Sanctum

    This image wasn’t meant to carry all this, but tonight, it does. It holds the rupture I didn’t know I’d been tiptoeing around all week.

    A decade ago today, my father died. Not on the 13th, when the machines started breathing for him—that was just when I knew he was gone. On the 18th, at this hour, the veil broke open for real. And now here I am—ten years later—haunted by dreams I couldn’t explain and a sudden stillness in my creativity I couldn’t shake.

    Until now.

    I thought I was just tired. Distracted. Stuck. But it was grief. It was reverence in disguise.

    My soul remembered the date even when my mind forgot. That’s the strange thing about grief that matures—it doesn’t scream anymore. It hums, low and holy, beneath everything. It clouds the light, then sharpens it. It takes your voice, then gives it back with new timbre.

    This image—originally photographed by Mikhail Nilov—became a sort of altar. I edited it using Mextures, VSCO, DistressedFX, and Lightroom, layering texture over color, blurring presence and absence, trying to capture what it feels like when sorrow doesn’t knock—it just saturates.

    Sanctum.

    There’s chaos in this. Petals and light blurred through glass and rain. Beauty you can’t quite hold. A yellow rose—like the ones we laid at his grave—folding in on itself. A daisy, centered in clarity, yet surrounded by blur.

    That’s what this night feels like. Clarity in the middle of confusion. Stillness in the swirl.

    Earlier tonight, as I outlined these words in my head while I felt my way through the shift I felt in real-time in the energy, I said to myself:

    “You didn’t lose your creativity. You’re in holy pause. This isn’t numbness—it’s reverence. You were unconsciously grieving a resurrection-day anniversary, and your spirit bowed its head before your body could even name the loss.”

    And now, I feel it even more deeply: Tonight isn’t for making things happen. It’s for honoring what already did.

    Tonight is for prayer—prayer and intercession not only over the souls of loved ones who have already crossed over, but over one very important soul who’s still here. One who I know doesn’t understand why I had to go.

    The truth is, those crossed over souls didn’t leave to hurt me…even though it did. They left because it was time. That was my burden to bear. The lessons they left me with were my responsibility to sort through, clean up, and learn.

    Likewise, I didn’t leave the living out of anger or rejection, or even lack of love. I left because God Himself guided me in a different direction, even if they didn’t want to go that way, or grow that way, too. I will never have a choice above God. And I know that hurts…it hurts me, too.

    Forgiveness is an ongoing action, reflected not in words but in the quiet practice of letting go. The love is, and always will be, unconditional. “Anyway love” always is. And my soul will carry a piece of all of their souls within it. Always.

    A lot of things are coming full circle for me tonight. Invisible messages carried by unseen energies are releasing a kind of clarity within me—one of deeper substance and fuller understanding, puzzles pieces arriving and falling into place in a way I’ve never experienced before. The spiritual warfare, the dreams full of ghosts, the aching grief—none of that is new. But the understanding I have tonight…it reaches deeper than anything I’ve ever touched before.

    Tonight isn’t for sorting through the rubble, cleaning up the floors of my memory, or putting all the lessons learned into neat little compartments in my mind. After all, I’ve already been processing through that, and slowly overcoming it all, for some time now.

    No, tonight isn’t for being swallowed by the hauntings of my own heart. Tonight is for letting grief rain gently through the window, washing my soul—and watching how even the blur, when looked at with love and patience, can be textured out, shaped into a symbolic snapshot in time—capturing both the beauty and the chaos—and become art.

    It is the emblem of the closure of what has, all at once, been the most painful and the most beautiful decade of my life: the one where, in the end, I finally met God.


    I speak the name of Jesus over you
    In your hurting, in your sorrow
    I will ask my God to move
    I speak the name ’cause it’s all that I can do
    In desperation, I’ll seek Heaven
    And pray this for you:

    I pray for your healing
    That circumstances will change
    I pray that the fear inside will flee in Jesus name
    I pray that a breakthrough
    Would happen today
    I pray miracles over your life in Jesus name
    I pray for revival
    For restoration of faith
    I pray that the dead will come alive in Jesus name

    In Jesus name…

    -Katy Nichole, In Jesus Name (God Of Possible)

  • A Reminder to Self (But We ALL Need It)

    A Reminder to Self (But We ALL Need It)

    Reminder to self:

    Disconnection makes you stop reflecting and start reacting. It’s not because you’re a bad person. It’s because you’re lost in the noise.

    Disconnection from awareness breeds reactivity. Connection with awareness invites response.

    📷 Shot handheld with Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH.
    🛠️ VSCO (06, 2.5) + Lightroom (clarity +7 + watermark).

    When you’re connected, you pause. You listen, and ask better questions. You observe your own patterns, and stop attacking or blaming others for theirs.

    When you’re connected, you become a space of calm in a world of storms rather than another disruptive, destructive wave in a sea of chaos.

    When you forget how to listen inward, when you stop grounding in self-awareness, you lose your anchor.

    Check yourself before you wreck yourself. It’s not about being perfect. It’s about being aware.

    Pause, and come back to yourself.

    Reconnect, and become the clarity you’ve been searching for.

    Remain connected, and become the clarity that helps to guide others home.

    🕊️💜✨

  • Music Made Me Do It | Just Some Words

    Music Made Me Do It | Just Some Words

    Hi.

    It’s the end of the world as we know it…and I do not, in fact, feel fine.

    I just heard that song on the radio. It inspired introspection, which is more than I can say for most current popular radio. Bill, Peter, Michael and Mike may have felt fine when the world ended in 1987—but 2025’s version? It’s a different beast entirely.

    I’m not disassociating to the beat of their catchy chorus. No chorus, really…

    No matter what music I play, what books I lose myself in, or how many hours I spend painting, collaging, shooting and processing images, praying, meditating, or absorbing art—I can’t not pay attention.

    It’s like God has made it impossible for me to look away.

    No matter how many creative rabbit holes I disappear into, my soul keeps returning to the same painful truth: I still see the world clearly. And I still care.

    I’ve already finished 31 books this year. Some I began a year ago and it’s taken that long to finish them, but still. I’ve read a lot this year (speaking of which, what are you reading? Here’s my list, if you’d like some suggestions…).

    I’ve listen to over 200 albums, all told (2.717 tracks, according to LastFM).

    Watched 50+ documentaries—science, history, mythology, medicine, art, folklore, theology, religion, all sorts (according to my watch history on Amazon and YouTube).

    But no matter what I consume or create throughout these days and nights spent in the studio or my own den or bedroom, my heart always circles back to the chaos we’re living in.

    The blame shifting. The addiction and obsession and lack of self-control. The emotional manipulation—by the media, by governments, by people you thought you could trust.

    The hatred. The division. The apathy.

    Even the weather feels weaponized now—whether by nature or man, we may never know. And most days? It feels like we’re collapsing. Not just politically or economically—but spiritually.

    When children’s deaths are celebrated, when cruelty trends, when people are told, “it’s OK to mask your real pain by pretending to be someone you’re really not,” and/or real pain is ignored in favor of performance and profit…how do you call that anything but collapse?

    And still…I feel their pain, too.

    The ones lashing out. The ones clinging to false power. Even the ones I disagree with or who’ve attacked me—and the ones in real life who wish I would “just die”—I can feel the torment beneath their rage. Because it takes serious misdirected conditioning and trauma to become someone who cheers for suffering.

    I know what it is. I know myself and so many others have been purposely called to employ it. “Charged” with it, if you will. But I also understand now that that number is mighty small.

    It’s empathy.

    It’s spiritual discernment.

    It’s energy.

    And it’s real. That’s the loudest truth in me. I preach it, in comments and voiceovers and prose, and I practice it through my actions. I continue to do this, even if it makes me seem “crazy” to a world that calls numbness normal (and to some, that makes me a “glutton for punishment”).

    I cry with strangers on the internet more than I ever admit. Sometimes when I log on just to post art or check an email, I’m immediately met with headlines about another shooting, another suicide, another senseless death. And still, I pray. Because Spirit won’t let me stop seeing—and won’t let me stop loving, either.

    Prayer isn’t useless. Many feel that it is, and I understand why. But they’re wrong. Prayer isn’t useless—especially not when more than one person is praying.

    It creates ripples. It fuels the art, the writing, the stillness, the hope. It’s a frequency of resistance that can’t be monetized or hijacked.

    And maybe, as the world is in an overwhelming energy of doubt, fear, and anger, that’s the most powerful rebellion of all right now: to stay in the vibration of love, even when everything begs you to sink into rage or despair.

    So if you’re not feeling fine either—but you’re still holding on to your humanity, still radiating clarity, still praying or creating or showing up gently?

    You’re not alone.

    There’s sacred clarity in this discomfort. Keep not-feeling-fine. It means you’re still awake. And just in case nobody’s said it today:

    I love you. I’d like to bring goodness into your world. I’m sending it out to you whether you like it, or me, or not. I hope you’ll receive it.

    🌻🙏✨

    xo…

    c.

  • Someday…or Night

    Someday…or Night

    entry ten — scattered light, fractured grace: a quiet archive of light, loss, and what remains.


    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    My mother always told me, in every possible circumstance a child might ever need encouragement, “Do your best, and leave the rest. It’ll all come right some day or night.” 

    It was a line from “Black Beauty, by Anna Sewell.”  

    She was a third grade teacher, a grammar Nazi, and a mother trying her damndest to connect with me and, well, do her best. 

    And, as ornery and difficult a young person as I could often be, she never knew that I believed her…

    …even when I forgot I did.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    There was so much distance between us as I struggled through high school with her overbearing “sin obsessed” guidance, and she struggled to save my soul. 

    Even when the days were so long, when they bled into each other, and when the nights felt like punishments I hadn’t earned, as her brain and body were swallowed by Alzheimer’s. 

    Even when the thread broke, or maybe I cut it, when she died…I honored and nursed a clean, holy wound in the shape of freedom for both of us, from past grievances, from debts yet unpaid, from fear, from tension, from aching hearts and confused minds and the evils of that horrific disease.

    Still, that line stayed, like a soft breath. Like a healing balm. Like the part of her that couldn’t leave, because it lived in me.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    Do your best. Not more than that. Not perfection. Just presence. I tried, truly. 

    Leave the rest… The story. The tragedy. The one who couldn’t stay.

    It will all come right…and maybe it already has.