Tag: year in review

  • Where the Magic Took Root Again

    Where the Magic Took Root Again

    It started with a crown. Many crowns, really.

    The first excerpt I read today (via the DeepStash app, which I highly recommend) was the first crown in my day.

    It’s worth remembering that it is often the small steps, not the giant leaps, that bring about the most lasting change. EIIR (Queen Elizabeth II)

    Then, Sir Citrico (my tiny citrus seedling) didn’t die.

    Let me back up—one morning, while making my lemon water, I dropped a seed onto the floor. On a whim, or maybe something more, I rinsed it off, wrapped it in a paper towel, and tucked it into a plastic bag. I heard my spirit say, “Put it on top of the cabinet, and wait for further instruction.”

    So I did.

    As I do 100% of the time in this phase of my life, I followed my Higher Self’s nudge without question. A couple of weeks later, when I heard, “Time to check,” I wasn’t even surprised to find it had sprouted—delicate white roots and a tiny green stem, alive and reaching. You would’ve thought I’d witnessed a full-blown miracle by the way I squeaked and rushed to find J, beaming like a proud citrus parent. And yet, beneath the flurry of 3D excitement, my soul just sat in quiet, humble gratitude, watching me feel real joy again for the first time since Master Roshi died.

    That was a while back, and at first, he did really well. I tucked him into a tiny clay pot with some Bacto and a pinch of cactus soil—whatever I had on hand. I added a little sand, too, worried about drainage. I put him on the bookcase in front of my bedroom window, and he grew a couple of inches and seemed content.

    But a week or so ago, he fell over.

    I thought maybe I’d let him get too dry. I watered him, hoping he’d rally, but he couldn’t seem to stand back up. His green began to dull and shift in a way that didn’t feel right. He looked pitiful. Still, I kept doing what I’d been doing. He was struggling—but he was still here—so, I waited.

    This morning as I gave him his Friday morning drink, I noticed he’d grown again. His green was vibrant, no longer sickly. So I listened—again—to my spirit (guided, I’m sure, by both Master Roshi and my Mama Kay) and reached up to the top of the bookcase to see what I might find for support, and what do you think my fingers landed on?

    A key charm I used to wear on a necklace, topped with a tiny crown. I’d forgotten I even had it—much less that it was right there, waiting. “Onward,” I thought, with a quiet half smile on my face.

    Something about that silly, sweet “coincidence,” and the act of pressing the charm key-down into Sir Citrico’s pot to give him a bit of love and support with his morning drink, woke something up in me again. A flicker of the old rhythm. That feeling from the days when creating wasn’t about productivity. It was about presence.

    Sir Citrico, with his temporary crown and support.

    And then I shared it with J.

    I texted him a couple of photos and made a little joke about crowns—as one does when the coincidences start stacking. Just as I hit send, a message from him came through: a photo of speckled eggs in his dusty palm, found in the straw trailer at work with no nest in sight.

    We exchanged condolences for the eggs—the unborn and likely gone babies inside them. I said I wished we still had our incubator, even though it was probably too late anyway. He laughed about the crowns in emojis. Sir Citrico brought us both back to center again just by existing and being okay.

    From there, the conversation shifted—creeks and mushrooms and foliage we hope to stumble across on our next hike, wild clay we’d already foraged, the phoenix we’d raise from the ashes of our old fire pit when we turned it into a makeshift open kiln.

    We started remembering. Talking about past walks in the woods, daydreaming about future ones. Backyard projects we could try this weekend (weather permitting, praying hands). The kind of inspiration that makes your hands ache to touch the earth again.

    And as the brief moment—it couldn’t have been more than five minutes—passed and he returned to work, I sat there realizing, “we’re both already halfway back.”

    It’s been a really long decade. I’ve been in and out of creative energy and back and forth with sharing here. This post, though, feels like the first in a new (but old) rhythm. A return to the backyard (including the woods, and nearby nature preserves) adventures that once were my lifeblood: gathering moss, bones, and stones. Saving driftwood. Watching the forest change one quiet degree at a time. Building with what we already have.

    As I sat down with my tablet to list supplies—starting with Borax, because these ants are officially on notice—I got a notification that my old blog domain had been released. After all this time, I was finally able to repurchase Catacosmosis.com for $13 instead of the $100 redemption fee. I’d let it lapse, along with so many other things, after Master Roshi died. I tapped the notification and smiled… and what do you think I saw at the top of the page? A tiny little crown. A purple one, no less—my favorite color.

    I’ve already been collecting ideas for upcoming posts: photoblogs, step-by-step tutorials on processing wild clay, how we’ll turn our backyard fire pit into a makeshift open air kiln, color palettes and Mextures formulas for documenting spring and summer through the lens of new eyes.

    So maybe—finally—I’m stepping into writing here regularly again.

    Writing about art and energy. About the sacred mundane. About the projects that call to our hands and our hearts in equal measure. There’s no rush. No master plan. Just the inspiration. Just the slowly forming Spotify playlist:

    🌙 aetheria ✨.

    There’s only the ambient existence of time, and the understanding that it isn’t meant to be wasted on stuckness, resistance, or the fear of letting go of what’s already passed. This time, there’s true, deep healing.

    It’s been a hell of a decade, but for the past several months, there’s been this eerie, chosen quiet. There’s been the grace of being able to go inward—to hermit, soul-search, and sit with God and the trees and the spirits of the ones who never really left. They show up in their magical love notes from the Earth’s skin…where moss carpets memory, fairies stir the wind, and the invisible speaks in vibrations.

    They’ve fed me the songs on that playlist—music for the sacred unseen. Music for stone circles, forest floors, phoenixes rising from the dust—and the soft, golden ash of everything you thought you’d lost.

    And what’s left, for me?

    Just a garden of small, sacred yeses.

    And, the joy of going on the adventure again—this time with my boys, and our dogs. No one who needs 24/7 caregiving—no one who is sick, no one who is dying. No one who “needs” so much of me. Theres just the invisible magic of memory, presence, and the quiet, sovereign path we’ve chosen for this chapter. The one that’s ours… even if it’s not what the world calls “normal.”

    Because artists aren’t like other people.

    That’s one of the truths my spirit keeps showing me—especially now. Creating things from what’s around me—from cameras and acrylics and powder pigments to binders and water and dirt, to the words in my head and the Divine in my heart—it’s not just what I do. It’s who I am. For years, I’ve said I didn’t want much in the way of what money could buy, and the last few months of solitude have shown me how true that really is.

    “Your life is not normal.”

    I’ve heard that sentence more than once lately. And while I usually walk in confidence—especially since everyone died—this one time recently, the words landed harder than they should have. They made me buckle, just a little. Maybe it was because of who they came from. Maybe it was just the audacity, considering the lifestyle they’ve chosen for themselves (which is also very different to “most people”). Either way, it stung—not because it was true, but because it carried judgment where there should have been understanding.

    I know many of you have heard similar things, and ask yourself similar things at times, this like, “How do you explain your life to people who’ve only ever lived in the traditional one?” People like you and me—we wrestle with questions like that.

    “My friends think I’ve lost it after selling the big house…”

    That was something Master Roshi and I talked about often, back when he chose road retirement in his RV. We didn’t question it. We just joined him. Because we were the same. And that’s a big part of why I miss him so deeply.

    Then there’s, “I’m just so unhappy. How do you shift your life and still feel supported?”

    After everyone died, and I stopped vibing with anyone around me, I chose solitude. That question rang loud in my head for a while, too. But through that, I found my Self again, and was able to answer that one for myself as I remembered how little I really needed from anyone else—that I was my own validation—and that my relationship with God was enough.

    The truth? I don’t have all the answers. They’ll look different for every person, every season. But here’s what I do know:

    Normality is subjective. It’s based on one’s reality. And yes—my life isn’t normal to a lot of people. But there’s a growing community on this planet made up of people who also live a little differently. There is a growing population who challenge the finger that points and says, “That’s not normal.”

    Those people? They each have stories. They each face their own challenges. They each carry the wisdom that grows when you live a life you chose.

    That community is rising. Connecting. Becoming its own new normal. I think the real divide only happens when we compare each other’s “normal.” But if we allow for difference—and embrace it—then we create space for all of us to live the lives that suit us best.

    That means celebrating all kinds of normal:

    The traditional homes. The 9-to-5s. The “starving artists,” the couch-surfing writers, the stay-at-home moms, the dirtbag van-lifers, the families living out of buses and backpacks and intuition.

    There’s room for all of it. There’s room for all of us.

    My two cents?

    The best thing we can do is make peace with the chaos in our own minds. Keep being exactly as different as we need to be to build the lives we want to live. Let the judgment come. Let the questions linger. Let it all teach and grow us. Embrace it.

    And then…

    Let them watch, regardless of judgments, as we settle in—and thrive—in our own unique ways.

    Maybe that’s the whole point.

    The comment I made earlier—about how we’re already halfway back—has been echoing in my spirit ever since. At the time, it felt like a casual observation. But now, as I finish writing this, I see it for what it was: a recognition.

    It was a realization that somewhere between the grief and the stillness, the long walks and quiet days, the moss and music and small, sacred yeses—I had already crossed the threshold. Without fanfare. Without fireworks. Just… step by step.

    The world didn’t shift all at once. I did. And now, standing here in the soft light of this new chapter, I think about Queen Elizabeth II’s words again:

    It’s worth remembering that it is often the small steps, not the giant leaps, that bring about the most lasting change.

    She was right.

    The change was never just one big choice. It was every tiny act of trust. Every time I listened to Hid and my higher self, no matter what it “cost” me. Every time I kept going when no one else could see what I was building.

    And somehow, without even realizing it, I arrived.

  • My IG Top Ten: Flowers

    My IG Top Ten: Flowers

    Flowers!?? Of course, flowers! How could I not start this whole top five/top ten thing with anything else when that is what I shoot the most?? OK – it’s probably a tie with droplets, but even those are technically flower shots. ((blows raspberry)

    Specifically, as you’ll remember me mentioning Nicole if you read my last post, flowers are what she first asked me to choose as a top five list. I’m going to have to go with ten, though, because I share almost exclusively flowers. It was too difficult for me to choose just five. In fact, it was extremely difficult for me to put these in any sort of order as far as my own “top” choices. The rest of these will likely be “five” lists. This one was definitely the hardest.

    10. Blue

    I love this one because it combines different visual elements but still keeps the flower  as the focal point. Another reason this one is special is because I shot it to complete a calendar I was doing for my Mom. This flower was one from one of the sprays given in memory of my father at his wake, and it also reminds me of the blue and white ceramics that she collects. Things so often tie together like that, in my perception and creativity.

    **Sony Alpha (a37), Tamron macro 90mm f2.8, manual focus on full, tripod, external flash. Unedited, aside from crop.

    09. Calla

    I love this flower edit, done with DistressedFX on the fly. I shot this Calla lily at the oil change place with my phone. It was February, and I was attempting to leave for New Orleans for the third time in two weeks. I was so desperate to get there and find something. This flower, before I even embarked on my journey, was the first thing I “found.” What I was looking for in New Orleans exactly, I’m still not sure, but, all told, I found a lot more than I bargained for.

    My plan to stay once I arrived there was foiled by understanding and learning in a very tangible way that you can’t  always escape reality, and that when you love someone you’ll always return to them. My dad fell ill and that’s why I ended up coming home in the end – which I wasn’t planning to do at all…and from there my life began to unfold a chain of events that would forever change it – but not all for the bad.

    **iPhone 5

    08. Finding It

    This cute little flower was hanging out on my cousin Gail’s porch at the farm. I shot this during a time when I felt so…overwhelmingly lost. It was a day when I simply didn’t know how to breathe without my father’s presence in my life, and was struggling to find meaning in ever leaving my room again, and when I saw this flower and spent thirty minutes photographing it and even longer playing with the DistressedFX/Mextures edit, I found a ray of meaning to get out of bed the next day: a desire to find more flowers to shoot. It was a very meaningful day because of this tiny little flower.

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld.

    07. Energetic Shift

    I found these daisies on clearance at Home Depot around mid-spring this year. This experience was something on many levels that I can’t even put into words…but this shot is visually one of my favorites because of the angle, focus and colors.

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld.

    06. Refuge

    Some form of wild sage, I think. I shot these while walking in the woods somewhere in Oak Ridge, Tennessee. I love these little purple flowers, and I didn’t have any super special experience for or equipment with this shot. I just love the textured edit I did with it using Mextures.

    **iPhone 5. Mextures Formula Code – TWTIYIE

    05. Lightroom

    With this shot, I was playing with Lightroom – which, at the time, I hadn’t done for a very long time. I’d been using mobile apps and devices and hadn’t touched my computer for months (ok, truth be told, years). Here I was trying some different styles with some shots from earlier in the year, and I was especially addicted to some Lightroom presets I’d gotten from Creative Market. Mixing presets and filters with Mextures formulas and effects from other apps, like DistressedFX and Stackables, is fun and you get some pretty cool results.

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld.

    04. Soul Dance

    I chose to include this image because I love the gradient of the colors in the edit, but when I looked back at the original post I remembered very clearly how I felt on that day and why I called it “Soul Dance.” It was all down to music – a song called “Crystallize,” by Lindsey Sterling – as my moods often are. Internally, I was having such a hard time. I remember how light and how empowered that music made me feel, and as I was editing this image whilst listening to it and was trying to imagine my spirit flying like these dandelion seeds soon would be, I titled it after the song.

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld.

    03. Sun Goes Down

    Continuing with my dandelion obsession this year, this shot is one of my all time favorites. I shot this while walking a trail at Norris Dam State Park, located on the Clinch River in Campbell County, Tennessee. I was sitting down, talking on the phone with my Dad (one of the last times I ever spoke with him before his illness and death), and he was telling me he was still not feeling well. It was at that point that he was going back in to the doctors to request more blood work and I was very scared and concerned and asked if I needed to come home. He said no, he’d be ok.

    I remember telling him that the sun was going down and I saw this shot I wanted to try to get while I’d been sitting on the path talking with him (this shot), and I had to go, but I’d call him later that evening when I was back at the place where I was camping. That return phone call was when I told him about my art show in Knoxville, and he was so excited about it and didn’t say a whole lot about his health the rest of the time I was on that trip. It was just a couple weeks after I returned home that he went into a diabetic coma.

    Sigh. It’s sometimes very emotional for me to see how things fit together when I look back on them. I’m so grateful that I got a good shot of this. It’s funny to me now that half the dandelion is missing – half of me is missing now, too…

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld. Unedited, aside from crop.

    02. Invisible

    A very recent edit and a new favorite, I shot this the same day that I shot the blue flower at number 10. I was still experimenting with the external flash, and decided to play with this paper white bloom that had fallen to the floor when I’d moved things around for the blue flower shoot. I love the way the shot turned out, and edited it to further blend into the lighting with Mextures and the Stackables app. One of my all time favorites of my edited shots.

    ****Sony Alpha (a37), Tamron macro 90mm f2.8, manual focus on full, tripod, external flash.

    01. Eternity

    My number one favorite flower image is this macro image of a rose that was in one of the many gorgeous vases that were delivered to my house the day after my Dad passed away. I suppose we all know that flowers are my favorite, they are my friends, and I photograph them more than anything else. I just absolutely love flowers and have a fascination with them at many levels. This is something, interestingly enough, that I shared in common with my Dad. I kept my sanity during the weekend before we were to plan his funeral by shooting these flowers, somewhere in my heart hoping that he was there with me, invisibly enjoying them, too.

    As I was shooting this particular flower, I had one of my first spiritual experiences with my dead father, as well as my first completely overwhelming, breathtaking, soul wrenching moment of grief. I remember falling to the floor and just completely breaking down for the first time that afternoon. I began to talk to my Dad, out loud, and I remember having this revelation that got me through that night and the next morning (the funeral home, picking out the casket and all that happiness).

    As I shared on the original post:

    I used to think that nothing lasts forever. Now I know…the love of a father does. I feel it all around me, especially when I close my eyes, and especially when I cry…even though he is gone. What a beautiful thing.

    **Lumix GF3, Panasonic Leica DG Macro-Elmarit 45mm f2.8, manual focus on full, handheld.