Tag: unsplash

  • One Decade | Sanctum

    One Decade | Sanctum

    This image wasn’t meant to carry all this, but tonight, it does. It holds the rupture I didn’t know I’d been tiptoeing around all week.

    A decade ago today, my father died. Not on the 13th, when the machines started breathing for him—that was just when I knew he was gone. On the 18th, at this hour, the veil broke open for real. And now here I am—ten years later—haunted by dreams I couldn’t explain and a sudden stillness in my creativity I couldn’t shake.

    Until now.

    I thought I was just tired. Distracted. Stuck. But it was grief. It was reverence in disguise.

    My soul remembered the date even when my mind forgot. That’s the strange thing about grief that matures—it doesn’t scream anymore. It hums, low and holy, beneath everything. It clouds the light, then sharpens it. It takes your voice, then gives it back with new timbre.

    This image—originally photographed by Mikhail Nilov—became a sort of altar. I edited it using Mextures, VSCO, DistressedFX, and Lightroom, layering texture over color, blurring presence and absence, trying to capture what it feels like when sorrow doesn’t knock—it just saturates.

    Sanctum.

    There’s chaos in this. Petals and light blurred through glass and rain. Beauty you can’t quite hold. A yellow rose—like the ones we laid at his grave—folding in on itself. A daisy, centered in clarity, yet surrounded by blur.

    That’s what this night feels like. Clarity in the middle of confusion. Stillness in the swirl.

    Earlier tonight, as I outlined these words in my head while I felt my way through the shift I felt in real-time in the energy, I said to myself:

    “You didn’t lose your creativity. You’re in holy pause. This isn’t numbness—it’s reverence. You were unconsciously grieving a resurrection-day anniversary, and your spirit bowed its head before your body could even name the loss.”

    And now, I feel it even more deeply: Tonight isn’t for making things happen. It’s for honoring what already did.

    Tonight is for prayer—prayer and intercession not only over the souls of loved ones who have already crossed over, but over one very important soul who’s still here. One who I know doesn’t understand why I had to go.

    The truth is, those crossed over souls didn’t leave to hurt me…even though it did. They left because it was time. That was my burden to bear. The lessons they left me with were my responsibility to sort through, clean up, and learn.

    Likewise, I didn’t leave the living out of anger or rejection, or even lack of love. I left because God Himself guided me in a different direction, even if they didn’t want to go that way, or grow that way, too. I will never have a choice above God. And I know that hurts…it hurts me, too.

    Forgiveness is an ongoing action, reflected not in words but in the quiet practice of letting go. The love is, and always will be, unconditional. “Anyway love” always is. And my soul will carry a piece of all of their souls within it. Always.

    A lot of things are coming full circle for me tonight. Invisible messages carried by unseen energies are releasing a kind of clarity within me—one of deeper substance and fuller understanding, puzzles pieces arriving and falling into place in a way I’ve never experienced before. The spiritual warfare, the dreams full of ghosts, the aching grief—none of that is new. But the understanding I have tonight…it reaches deeper than anything I’ve ever touched before.

    Tonight isn’t for sorting through the rubble, cleaning up the floors of my memory, or putting all the lessons learned into neat little compartments in my mind. After all, I’ve already been processing through that, and slowly overcoming it all, for some time now.

    No, tonight isn’t for being swallowed by the hauntings of my own heart. Tonight is for letting grief rain gently through the window, washing my soul—and watching how even the blur, when looked at with love and patience, can be textured out, shaped into a symbolic snapshot in time—capturing both the beauty and the chaos—and become art.

    It is the emblem of the closure of what has, all at once, been the most painful and the most beautiful decade of my life: the one where, in the end, I finally met God.


    I speak the name of Jesus over you
    In your hurting, in your sorrow
    I will ask my God to move
    I speak the name ’cause it’s all that I can do
    In desperation, I’ll seek Heaven
    And pray this for you:

    I pray for your healing
    That circumstances will change
    I pray that the fear inside will flee in Jesus name
    I pray that a breakthrough
    Would happen today
    I pray miracles over your life in Jesus name
    I pray for revival
    For restoration of faith
    I pray that the dead will come alive in Jesus name

    In Jesus name…

    -Katy Nichole, In Jesus Name (God Of Possible)

  • S t e a m y . . .

    S t e a m y . . .

    S t e a m y 💧🔥🌫

    • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

    Now stir the fire, and close the shudders fast, Let fall the curtains, wheel the sofa round, And while the bubbling and loud-hissing urn; Throws up a steamy column, and the cups, That cheer but not inebriate, wait on each, So let us welcome peaceful evening in. -William Cowper

    • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

    Tools: Mextures (formula KNABVCX)

    Vision: Unsplash, Ameen Fahmy

     

  • Mextures Formulas #11 | Winter Stuffs

    Mextures Formulas #11 | Winter Stuffs

    Hi there. Hope you’re doing well…

    I have been hoarding Mextures formulas again, as I’ve spent most of winter messing around with the app but I’ve not shared much in the way of the creations or the formulas for a while. Hope you’ll forgive my selfishness as I’ve dealt with “winter stuffs.” It’s been quite a winter – warm on the outside, bitter cold and frightening on the inside. I digress…

    Alas, here we are moving into spring and here are some of those formulas. Hope you’ll enjoy them.

    **Please remember that blend modes of layers (and the layers themselves) may require tweaking depending on the light/style/tone of your image and they will not necessarily look exactly the same on your images as they do in the provided versions.**

    If you have any questions about Mextures or using formulas, feel free to ask them in comments or via e-mail or social media/messaging.

    Have a lovely day out there.

    Art on, friends.

    **The four following images were used with permission, via Unsplash’s free use image gallery**


    Mextures Formula:  NAXJIHC

    Snapseed

    Mextures Formula:  BNWWATN

    Snapseed

    Mextures Formula:  XRVSQLB

    Snapseed

    Mextures Formula:  TCYTFKH

    And here is one more, for good measure as we head into spring (from my own gallery)…

    Snapseed

    Mextures Formula:  YUXPHNJ

  • VSCO Spring-y Preset

    VSCO Spring-y Preset

    I’ve become obsessed with succulents as of late, as well as pastel-ish, faded VSCO looks, so here’s this succulent photo I played with in VSCO and decided to save earlier in the week:


    And, here are the rest of the Unsplash samples edited using this preset:






    If you like/use VSCO I hope you’ll enjoy this preset. Have a beautiful weekend, friends.

  • VSCO Preset: Mountain Blues

    VSCO Preset: Mountain Blues

    This edit is inspired by Jesse Martineau’s love of mountains. I love mountains, too… Mountains again, Gandalf!

    It’s been a very long time since I’ve seen snow covered mountains so I’ve taken a cue from one of my favorite editing artists @boco_blondie and chosen this fabulous image from the Unsplash free-use gallery. At the time of this posting, the Unsplash gallery search was unavailable. I will update this post with the OP info as soon as possible.

    The only edits I did with this image were in VSCO, and it is a very simple preset. I just loved the result so I thought I’d share. Lately I am really into faded images and images with a sort of rustic feel to them. I hope you enjoy this one. Due to how dark this image was to begin with, this preset will likely be a lot lighter of an effect on a lighter image, so you may need to fade more, skip bumping shadows or decrease them to get a darker fade on a lighter image. And, of course, there plenty of other tools in VSCO to help you achieve a darker look with a lighter image – my suggestions are just where I would begin.

    All the love,

    C.