Tag: summer

  • A Pause…

    A Pause…

    Yesterday on my hike, I paused for a long while. I gave nearly an hour of stillness and reverence to the nature around me, watching as butterflies moved over water and earth, dancing with the light in a way that spoke of freedom and trust. I sat with it — what felt like hours, though really only about thirty minutes — before stepping back onto the trail, camera in hand. As I rose from the creek to walk on, almost by instinct — more a photographer’s habit than intent — I pressed record.

    Later, on the drive home, I found myself reflecting on that time as I listened to one of my favorite songs — one I’ve leaned on heavily in recent years, especially since the decline and death of the last of my human teachers and spiritual guides: “Oceans (Where Feet May Fail).” The two moments merged together in my heart.

    After Ralph’s death, I finally understood where I should have been leaning all along. He — and my dad — had both tried to guide me toward this truth while alive in human form, but I depended too heavily on them. And if not on my mother in person, then on her prayers. It wasn’t until they were all gone, when I no longer had any “training wheels” to lean on, that it fully clicked at a conscious level:

    I had been depending on God all along, hearing Him, even resisting His direct guidance. I just hadn’t been consciously aware of it. That’s when I realized my faith had never left me — it had only been muted, even scapegoated, by my dependence on the faith others carried.

    It was only when I allowed this song to become a foundational prayer of my heart that His presence became tangible in a way I could no longer deny. The veil fell from my heart and my eyes, and through His grace I saw with a clarity I had once resisted — the kind of knowing that hurts, yet somehow makes the truth easier to embrace.

    The lyrics of this song speak of stepping out into places where our own strength isn’t enough, and trusting God to steady us anyway. That truth became real to me after Ralph died — especially about a year later, when I found myself in a moment of decision: to choose what I merely wanted to believe, or to stand in what I knew was real.

    I understood the magnitude of that choice. I knew it would break my human heart, and I knew it might stir misunderstanding, anger, and hurt in those around me. It was the hardest place I had ever stood. But I also knew it was time. Time to trust Him not only with my conscious mind, but with my open soul — my entire being. Time to leap.

    So I did. I quietly — nay, silently — forgave all that needed forgiveness, and I let go of everything: past, present, and future… even the things I still and always will love, but that I knew could never take root in this life. For just over a year, all that mattered outside of physical survival — food, shelter — and caring for my son was solitude in His presence.

    I chose God. I surrendered everything. And in that surrender, I rebuilt and reinforced boundaries — not only to protect what was holy from the evils that I knew would seek destroy it, but also to shield those who weren’t ready to walk the path of full and true surrender from the consequences of my choice to do so.

    Almost immediately, things began to unfold around me — things I had long since lost hope for, or had no idea how to overcome or achieve, in my life. None of it happened exactly as I would have liked, nor in the timing I would have chosen, and almost nothing came about in the way I would have planned or orchestrated it. But that was the entire point of surrender.

    And in that realization, I understood something deeper: I had spent years trying to explain surrender to others with words, but the example — living it out, letting God’s hand write the story — was far more important, and a far more powerful testimony for Him.

    Butterflies have always been a reminder to me of my grandmother, and of the simplest analogies of metamorphosis and transformation. But now? What I see most prominently in their flight is this — so fragile, yet so fearless in the air:

    They carry the story of loss and love, of veils lifted and prayers surrendered — of a journey where survival gives way to presence, and presence gives way to peace. And for all of us, just like these butterflies, it is only through full surrender to the grace and truth of something higher than ourselves that we can be — and will be — fully loved, fully supported, and able to flourish.

    Here, I’ve paired them with the piano playing of the song and these reflections as a reminder to myself, and to anyone who reads this, that even when we feel small, it is faith that keeps us aloft. I share this in hope that it might offer whoever sees it a nudge of encouragement as we continue the journey God has given us — the one He has called us to submit to and surrender.

    After decades of seeking, struggling, and trying to show and teach others (while really teaching myself), here’s what I know:

    If we ever want to find purposeful growth or true peace, we must fully surrender to the creator and orchestrator of it all — to His will, not our own.

    xo,

    c.

    🦋💜🕊️

    You call me out upon the waters…
    The great unknown, where feet may fail.
    And there I find You in the mystery.
    in oceans deep my faith will stand.

    And I will call upon Your Name,
    and keep my eyes above the waves.
    When oceans rise,
    my soul will rest in Your embrace…
    for I am Yours, and You are mine.

    Your grace abounds in deepest waters.
    Your sovereign hand will be my guide.
    Where feet may fail and fear surrounds me,
    you’ve never failed, and You won’t start now.

    So I will call upon Your Name,
    and keep my eyes above the waves.
    When oceans rise,
    my soul will rest in Your embrace.
    For I am Yours, and You are mine…

    Spirit lead me where my trust is without borders.
    Let me walk upon the waters,
    wherever You would call me.
    Take me deeper than my feet could ever wander,
    and my faith will be made stronger
    in the presence of my Savior.


    Oceans (Where Feet May Fail), written by Joel Houston / Matt Crocker / Salomon Lighthelm.
  • Wilderness

    Wilderness

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    The wilderness is the oldest, truest friend a human can have, both in body and in spirit.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    It teaches in silence.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    It speaks without words.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    It holds space for your becoming, your undoing, your return.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    And it is only “dangerous” when we forget to honor it, or refuse to learn from and respect it.

  • Lifted

    Lifted

    entry twelve — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH. VSCO (A6 PRO) + DistressedFX + Lightroom (watermark only).

    There is a moment, early in a few blessed summer evenings, when the heat—the oppression—sighs and lets go.

    Not in protest, but in quiet surrender—the sun lingers, the sky softens, and a hush moves in with the rain.

    Steam rises like incense from the bones of the earth.

    You’ve felt that coveted shift.

    It’s not loud. Not showy. Just the heaviness loosening its grip on your ribs as breath returns without warning.

    This is how some battles end—

    Not with victory, but with survival.

    Not with a roar, but with a breeze.

    No fanfare—just rain through fractured light, and the ache leaving your body before you even know it’s gone.

    What remains?

    A field of yellow flowers—bent but blooming.

    Tired, but free.

    And air that smells like something holy—finally lifted.

    catacosmosis // 2025

  • Where Abundance Lives

    Where Abundance Lives

    It’s never been money or material success that has defined wealth for me.

    For most of my life, I chased meaning in moments loud enough to echo—grand gestures, perfect timing, outcomes wrapped in validation. But it was my most treacherous and grueling experiences—the ones that stripped me bare and rebuilt me from the soul up—that taught me something higher.

    They taught me to be still.

    To be quiet.

    To kneel at the altar of the subtle.

    A blurry cloud, simultaneously barely and boldly defining its own form, illuminated at just the right angle.

    Lumix GX7 + Lightroom (watermark only)

    A battered feather, found in the dead center of a forgotten dirt road, caught in evening light.

    Lumix GX7 + Lightroom (watermark only)

    The soft hush of trees at dusk, whispering the memories of the ghosts that still roam underneath them.

    Lumix GX7 + Lightroom (watermark only)

    This is abundance.

    There’s something sacred about catching these quiet offerings—the ones that ask for nothing but your presence. No performance. No hustle. Just your full attention. And I think that’s what I’ve been learning to fully morph into, slowly but surely, all my life.

    I’ve always been in love with nature, and over the past few years, I’ve begun to understand why—consciously, spiritually, viscerally:

    Nature doesn’t demand applause, but it offers everything to those who notice.

    Before caregiving and grief, nature called to me—quietly, consistently—and I always accepted her invitation to explore and to wonder. During caregiving, she became an escape. I retreated there as often as possible, weary and begging for rest that not even sleep could offer…and nature always obliged.

    Now? I don’t go to escape or to retreat, I don’t just visit. Nature meets me. Whether I’m deep in the woods or walking my yard…hiking a trail or running my neighborhood…now, I am always home.

    We live in a world trained to skim, to scroll, to monetize every breath of stillness. But this—this sky, this feather, this light that passes and never repeats—reminds me:

    Presence is the prize.

    It’s all around us, all the time, no matter where we are…but people don’t see it anymore. They no longer observe. Most have forgotten—that observation is a form of reverence. And reverence, when practiced daily, becomes a kind of homecoming.

    “Abundance is not found in money and material gain—at least, not for me. To me, it is found in nature’s unexpected surprises.”

    I wrote that in my memory while standing beneath the canopy of trees shared above as it held the last light of evening. There was no one else there. No applause. Just me, and the divine choreography of stillness.

    In that moment, nature herself invited me to remind you:

    If you’re searching for proof that you’re loved, that you belong, that there’s meaning woven through even the hardest days—

    Look up.

    Look closer.

    Be still.

    The abundance you’re looking for is already here.

    It’s been waiting for your eyes—and your heart— to land on it.

    Be present.

    Pay attention.

    Be observant.

    Your presence in the present matters.

    It’s where abundance lives.

    🪶💜✨

    catacosmosis // 2025

  • The Art of Being Alive

    The Art of Being Alive

    The real you is not a puppet which life pushes around; the real, deep down you is the whole universe. (Alan Watts)

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    The meaning of life is just to be alive. It is so plain and so obvious and so simple. And yet, everybody rushes around in a great panic as if it were necessary to achieve something beyond themselves. (Alan Watts)

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    I stood in the green hush, face to face with a bloom so intricate it felt like a secret whispered by the wild. The passionflower doesn’t need to perform. It simply is. Unapologetically strange. Beautifully complex. Alive.

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    I thought of the two Alan Watts quotes I’ve included above, and I thought of my dead loved ones. This is what I want to remember:

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    That being fully present—here, now, in the middle of whatever hurts or heals—is enough.

    That passion isn’t always loud.

    Sometimes, it curls quietly out of the forest and dares you to look closer.

    This is what death has taught me about life.

    I’m really grateful I stayed, after they were all gone.

    🪽💜✨

    catacosmosis // 2025

  • A Reminder to Self (But We ALL Need It)

    A Reminder to Self (But We ALL Need It)

    Reminder to self:

    Disconnection makes you stop reflecting and start reacting. It’s not because you’re a bad person. It’s because you’re lost in the noise.

    Disconnection from awareness breeds reactivity. Connection with awareness invites response.

    📷 Shot handheld with Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH.
    🛠️ VSCO (06, 2.5) + Lightroom (clarity +7 + watermark).

    When you’re connected, you pause. You listen, and ask better questions. You observe your own patterns, and stop attacking or blaming others for theirs.

    When you’re connected, you become a space of calm in a world of storms rather than another disruptive, destructive wave in a sea of chaos.

    When you forget how to listen inward, when you stop grounding in self-awareness, you lose your anchor.

    Check yourself before you wreck yourself. It’s not about being perfect. It’s about being aware.

    Pause, and come back to yourself.

    Reconnect, and become the clarity you’ve been searching for.

    Remain connected, and become the clarity that helps to guide others home.

    🕊️💜✨

  • Music Made Me Do It | Just Some Words

    Music Made Me Do It | Just Some Words

    Hi.

    It’s the end of the world as we know it…and I do not, in fact, feel fine.

    I just heard that song on the radio. It inspired introspection, which is more than I can say for most current popular radio. Bill, Peter, Michael and Mike may have felt fine when the world ended in 1987—but 2025’s version? It’s a different beast entirely.

    I’m not disassociating to the beat of their catchy chorus. No chorus, really…

    No matter what music I play, what books I lose myself in, or how many hours I spend painting, collaging, shooting and processing images, praying, meditating, or absorbing art—I can’t not pay attention.

    It’s like God has made it impossible for me to look away.

    No matter how many creative rabbit holes I disappear into, my soul keeps returning to the same painful truth: I still see the world clearly. And I still care.

    I’ve already finished 31 books this year. Some I began a year ago and it’s taken that long to finish them, but still. I’ve read a lot this year (speaking of which, what are you reading? Here’s my list, if you’d like some suggestions…).

    I’ve listen to over 200 albums, all told (2.717 tracks, according to LastFM).

    Watched 50+ documentaries—science, history, mythology, medicine, art, folklore, theology, religion, all sorts (according to my watch history on Amazon and YouTube).

    But no matter what I consume or create throughout these days and nights spent in the studio or my own den or bedroom, my heart always circles back to the chaos we’re living in.

    The blame shifting. The addiction and obsession and lack of self-control. The emotional manipulation—by the media, by governments, by people you thought you could trust.

    The hatred. The division. The apathy.

    Even the weather feels weaponized now—whether by nature or man, we may never know. And most days? It feels like we’re collapsing. Not just politically or economically—but spiritually.

    When children’s deaths are celebrated, when cruelty trends, when people are told, “it’s OK to mask your real pain by pretending to be someone you’re really not,” and/or real pain is ignored in favor of performance and profit…how do you call that anything but collapse?

    And still…I feel their pain, too.

    The ones lashing out. The ones clinging to false power. Even the ones I disagree with or who’ve attacked me—and the ones in real life who wish I would “just die”—I can feel the torment beneath their rage. Because it takes serious misdirected conditioning and trauma to become someone who cheers for suffering.

    I know what it is. I know myself and so many others have been purposely called to employ it. “Charged” with it, if you will. But I also understand now that that number is mighty small.

    It’s empathy.

    It’s spiritual discernment.

    It’s energy.

    And it’s real. That’s the loudest truth in me. I preach it, in comments and voiceovers and prose, and I practice it through my actions. I continue to do this, even if it makes me seem “crazy” to a world that calls numbness normal (and to some, that makes me a “glutton for punishment”).

    I cry with strangers on the internet more than I ever admit. Sometimes when I log on just to post art or check an email, I’m immediately met with headlines about another shooting, another suicide, another senseless death. And still, I pray. Because Spirit won’t let me stop seeing—and won’t let me stop loving, either.

    Prayer isn’t useless. Many feel that it is, and I understand why. But they’re wrong. Prayer isn’t useless—especially not when more than one person is praying.

    It creates ripples. It fuels the art, the writing, the stillness, the hope. It’s a frequency of resistance that can’t be monetized or hijacked.

    And maybe, as the world is in an overwhelming energy of doubt, fear, and anger, that’s the most powerful rebellion of all right now: to stay in the vibration of love, even when everything begs you to sink into rage or despair.

    So if you’re not feeling fine either—but you’re still holding on to your humanity, still radiating clarity, still praying or creating or showing up gently?

    You’re not alone.

    There’s sacred clarity in this discomfort. Keep not-feeling-fine. It means you’re still awake. And just in case nobody’s said it today:

    I love you. I’d like to bring goodness into your world. I’m sending it out to you whether you like it, or me, or not. I hope you’ll receive it.

    🌻🙏✨

    xo…

    c.

  • Someday…or Night

    Someday…or Night

    entry ten — scattered light, fractured grace: a quiet archive of light, loss, and what remains.


    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    My mother always told me, in every possible circumstance a child might ever need encouragement, “Do your best, and leave the rest. It’ll all come right some day or night.” 

    It was a line from “Black Beauty, by Anna Sewell.”  

    She was a third grade teacher, a grammar Nazi, and a mother trying her damndest to connect with me and, well, do her best. 

    And, as ornery and difficult a young person as I could often be, she never knew that I believed her…

    …even when I forgot I did.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    There was so much distance between us as I struggled through high school with her overbearing “sin obsessed” guidance, and she struggled to save my soul. 

    Even when the days were so long, when they bled into each other, and when the nights felt like punishments I hadn’t earned, as her brain and body were swallowed by Alzheimer’s. 

    Even when the thread broke, or maybe I cut it, when she died…I honored and nursed a clean, holy wound in the shape of freedom for both of us, from past grievances, from debts yet unpaid, from fear, from tension, from aching hearts and confused minds and the evils of that horrific disease.

    Still, that line stayed, like a soft breath. Like a healing balm. Like the part of her that couldn’t leave, because it lived in me.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    Do your best. Not more than that. Not perfection. Just presence. I tried, truly. 

    Leave the rest… The story. The tragedy. The one who couldn’t stay.

    It will all come right…and maybe it already has.

  • Crop

    Crop

    entry eight — scattered light, fractured grace: a quiet archive of light, loss, and what remains.

    Bicolor Bush Clover (Lespedeza bicolor), a humble member of the wild clover family. Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (HB3 PRO), Lightroom Mobile (watermark only).

    Zooming in, pulling back, reframing…
    …it’s the practice of shifting perspectives.
    Cropping is discernment.

    It’s important in photography,
    and in life.

    Focusing closely.
    Examining the details.
    Leaning into the moment.
    Studying the layers.
    Trying different angles—
    then pulling back to take in the whole.

    I do this with my art, my edits, my healing…
    …and my priorities.

    Bicolor Bush Clover (Lespedeza bicolor), a humble member of the wild clover family. Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (HB3 PRO), Lightroom Mobile (watermark only).

    Cropping, and discernment.
    Both are framing what matters—
    letting the noise blur into the background.

    It’s not just a gift,
    not just a tool.
    It’s a process.

    With practice, it teaches clarity through choice.
    Over time, it becomes discernment embodied.

    Cropping alters perspective.
    It is learning to see again…

    …as many times as it takes to actualize the vision.

  • Black-Winged Hush

    Black-Winged Hush

    entry seven — scattered light, fractured grace: a quiet archive of light, loss, and what remains.

    Black Bee (Melissodes bimaculatus). Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A8 PRO), Lightroom Mobile (watermark only).

    Even the smallest life—

    black-winged, humble, and intent on its task—

    carries beauty enough to hush the noise of the world.

    We rush past so many moments like this.

    Moments where grace is not loud, not dramatic, not grand or sweeping.

    Just… present. Quiet. Steady.

    Doing the sacred work of being alive.

    To sit still long enough to witness it is to remember.

    Not some distant, complicated truth, but a very simple one:

    The miracle is not in the event.

    It’s in the noticing.

    Grace doesn’t need permission to land.

    It only asks that we pay attention.

    💜✨