Tag: spiritual art

  • Vesper

    Vesper

    📷 iPhone 7 Plus.
    ⚒️ VSCO (06, +3) + Lightroom (watermark only).
    entry thirteen — scattered light, fractured grace: a quiet archive of light, loss, and what remains.

    There is a moment every single day when golden hour gives way to blue hour. In that moment, the world pauses between heartbeats.

    The warmth of the sun hasn’t fully left, but it’s fading, slipping behind the horizon while the cool hues of twilight begin to take hold. For a few fleeting minutes, everything softens. The light is neither day nor night; it’s an in-between realm where time seems to hold its breath.

    Shadows stretch. The air shifts. The gold turns to amber, then to lavender, then to blue, a slow dissolving of one truth into another. It’s the day’s last whisper and the night’s first sigh, a moment that belongs to no one and everyone at once.

    Most people miss it. But for those who are still and detached from the noise of the world enough to notice, it feels like standing at the seam of two worlds – the visible and the unseen – the known and the infinite, as light gently hands the sky over to darkness.

    If I were still as attached to the idea of controlled outcomes as I used to be, I’d still not know it exists… much less recognize it and be aware enough to take it’s photo as it occurs.

    This is the product – nay, the gift – of mindfulness. 🧘

    Detachment is not that you own nothing.
    Detachment is that nothing owns you.
    —Bhagavad Gita 2.47

    catacosmosis // 2025

  • A Message for So-Called “Artists”

    A Message for So-Called “Artists”

    “So you think you’re an artist, but you haven’t been to art school?”

    Well, then yes. You are.

    That’s exactly the right mindset — especially if you’re building skill and intuition at the same time.

    I say this both as a person with a Master’s in Arts (which I mention only to say, “I’ve been through your system, I know how it works, and I still reject the gatekeeping!”), and as an absolutely NON-PROFESSIONAL, non-conforming artist who also rarely shares any of their actual work:

    You’re not just “playing artist,” and being recognized as one is not the point. Those people trying to convince you of anything otherwise are wrong.

    Whatever you’re creating is absolutely valid.

    Don’t let anyone — especially those offering discouraging, destructive feedback rather than genuine critique — convince you otherwise. Just because some believe the creative or applied arts diploma they hold in one hand somehow validates the brush or pencil they hold in their other, along with the harsh judgments and negative opinions they’re vomiting all over you, doesn’t make it the truth.

    Regardless of who you are or where and how you learn, when you approach art as both a learning experience and an emotionally expressive therapy, you’re doing it right — not failing. You’re not just slopping paint on paper, scribbling in a sketchbook, or gluing down collage scraps at random.

    The difference is night and day — especially with watercolor (the medium I see people abandon most) — when you’re doing things like:

    • Consciously learning the muscle memory for how each brush moves.

    • Recognizing how the spring, belly, and tip affect water control.

    • Having fewer “happy accidents” and more intentional effects

    Painting is not just the act of moving pigment across a surface. It is the deliberate conversation between your hand, your tools, and your vision. It’s problem-solving in real time, learning how water, pigment, and paper (or canvas) respond to each other, and adjusting with both skill and instinct.

    It’s as much about restraint as it is about expression, and as much about observation as creation. When you understand that, every stroke becomes intentional, even in your loosest, most playful work.

    Watercolor especially rewards this kind of discipline because it’s less forgiving than acrylic or oil. You can’t just pile on more paint to hide a mistake — in a way, you have to work in reverse.

    No medium, but especially watercolor, is as easy as “the professionals” make it look. But if you keep going, keep learning, and keep focusing on technique and purpose — no matter what the art-school elite try to tell you — the control you gain over water, pigment, and paper will make even your loose, expressive or abstract work stronger. It will be loose or abstract by choice, not necessity.

    That deep dive into technique is probably why so many of you express so often how your art process is helping you mentally and emotionally, and why many artists pick up a pen, pencil, or brush in the first place. It’s meditative — but also empowering — to know exactly what your tools can do.

    So keep learning. Keep practicing. Keep playing! Keep a balance between the fun and the serious aspects. Sure, we all appreciate skill and technique. But what is the point if it’s just a job and not a fun expressive process with purpose?

    Nobody owns art as a process — and if anyone tries to tell you otherwise, they’re not talking about art. It’s still a free world, regardless of how it may seem on the surface and no matter what the uppity, judgmental types try to say.

    Keep making art. Because your kind of art — the kind that comes from soul combined with technique rather than straight line, hard rules — is what art should still be all about.

    xo,

    c.

    💜🦋

  • Witness

    Witness

    entry eleven — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    user-image-68787ed5877d68e8874d0289
    📷 | iPhone 12 Mini
    ⚒️ | Distressed FX, VSCO (AL1 PRO), Lightroom Mobile (watermark only).

    Witness.

    It holds the grief.

    The growth.

    The survival.

    The silence.

    It kept watch over the forest

    as the love was letting go.

    One tree saw what I became,

    as I became it—

    what death could never be.

    Alive.

  • The Ghosts of Projects Past (Muse)

    The Ghosts of Projects Past (Muse)

    Sometimes something hits me.

    A random, inexplicable flux. That insatiable need to create. Some unseen force guiding me to conjure, to express, to birth something.

    It happened again last night, but in the same instant that I felt the proverbial tap on my shoulder, a heaviness threatened to settle there. Born and bred creatives know this experience, all the way into their bones.

    It comes with a dread, and creates a dangerous, self-sabotaging pre-regret. It manifests from a complete lack of vision:

    No concept. No plan. No brilliant idea waiting to be realized. Certainly, no idea where to begin.

    Lost but not lacking awareness, and determined to win over the weight of what really boils down to fear of failure, I asked, “what do we want? What is the spark?”

    As expected, the silence answered with more of the same cryptic transmission: “Just ‘do.’ Ripples turn into waves.”

    So, I rummaged.

    I plundered through the old tools and the old toys. You know the ones—the “Ghosts of Projects Past,” our artistic Scrooge’s worst nightmares. The ones tucked away in dusty, overflowing “Likely Garbage” photography folders and long forgotten apps.

    The ancient, the analog, the abandoned fragments of another era.

    I pulled out the remnants of what once inspired me, not because I knew what I was doing, but because whatever had stirred was creating a riot within me.

    These moments are never a question of choice, so I just…explored. Guessed. Played. Flowed.

    Sometimes, perhaps most often, that is the best option. Even if the outcome feels unfamiliar or strange, or doesn’t resemble the “usual” desired outcome. Even if the result is wildly imperfect or impossible to explain…

    It is in this uncertain, instinctual process that magic lives and breathes. This is where it sizzles and crackles and arcs, like a furious current from Tesla’s coil—except in this case we don’t need Faraday’s cage.

    Creatives—artists, writers, dreamers, philosophers—need the opposite. We need this chaotic energy to touch, and to consume, us. It is the rejection, the not allowing it to, that kills us…and that is always a slow, excruciating death, from the inside out.

    In art and creativity, exciting results are not found in safety. They’re not found in perfection. Organic process is not found in planning. Everything in and about the Creative archetype is found in the act of simply showing up.

    Creative inspiration doesn’t ask for permission. It asks for presence. It asks that you show up and let it burn through you. The only wrong move is not moving at all.

    📷 Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH Mega OIS
    ⚒️ Fragment + Mextures + Lightroom

    **Rex Ray inspired.

  • Someday…or Night

    Someday…or Night

    entry ten — scattered light, fractured grace: a quiet archive of light, loss, and what remains.


    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    My mother always told me, in every possible circumstance a child might ever need encouragement, “Do your best, and leave the rest. It’ll all come right some day or night.” 

    It was a line from “Black Beauty, by Anna Sewell.”  

    She was a third grade teacher, a grammar Nazi, and a mother trying her damndest to connect with me and, well, do her best. 

    And, as ornery and difficult a young person as I could often be, she never knew that I believed her…

    …even when I forgot I did.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    There was so much distance between us as I struggled through high school with her overbearing “sin obsessed” guidance, and she struggled to save my soul. 

    Even when the days were so long, when they bled into each other, and when the nights felt like punishments I hadn’t earned, as her brain and body were swallowed by Alzheimer’s. 

    Even when the thread broke, or maybe I cut it, when she died…I honored and nursed a clean, holy wound in the shape of freedom for both of us, from past grievances, from debts yet unpaid, from fear, from tension, from aching hearts and confused minds and the evils of that horrific disease.

    Still, that line stayed, like a soft breath. Like a healing balm. Like the part of her that couldn’t leave, because it lived in me.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    Do your best. Not more than that. Not perfection. Just presence. I tried, truly. 

    Leave the rest… The story. The tragedy. The one who couldn’t stay.

    It will all come right…and maybe it already has.

  • Higher-Self.

    Higher-Self.

    If You’re Looking for You | A Letter from Your Higher Self

    If you’ve been trying to speak to your higher self—if you’ve been reaching inward and hearing nothing but static, or searching for the version of you that feels like home—and fear you’ll never find it?

    Your higher self begs to differ.

    In fact, it has a message for you.


    Dear One,

    I’ve been here the whole time.

    In the quiet moments you almost forgot to notice. In the breath that steadied you before the next wave came. In the flicker of clarity just before you gave up.

    You’ve looked for me in a thousand places—in approval. In achievement. In distraction. In someone else’s eyes. In the longing that never quite gave you what you needed.

    And I never blamed you for that.

    This world taught you to search everywhere but within. But I have always been here. You may not recognize me right away, because I don’t raise my voice. I won’t argue with your fears. I won’t fight the chaos to be heard.

    But I am patient.

    I speak in the language of peace, and I wait for your permission to return. I know what you’ve carried. I know what has made your heart weary. I’ve felt every ache and echo, every quiet panic, every time you swallowed your truth just to survive the moment. I’ve felt the loneliness, even in crowded rooms. The pressure. The shame. The masks.

    But let me say this clearly:

    There is nothing wrong with you. You are not broken. You are becoming. Your tenderness is not a weakness. Your depth is not a burden. Your need for rest is not laziness. Your yearning for more is not greed—it’s remembrance.

    You are remembering what it feels like to be whole. You came here for more than survival. You came to wake up. To remember your own name, not the one the world gave you, but the one your soul has always carried.

    You came to love in a way that rewrites timelines. To rise without leaving your softness behind. To walk with grace, even after everything tried to make you hard.

    So here’s what I need you to know:

    You are safe now. You don’t have to perform anymore. You don’t have to shrink. You don’t have to apologize for being too much or not enough. You are allowed to rest. You are allowed to change. You are allowed to outgrow the stories that once kept you warm.

    You are allowed to come home to yourself. And when you do—when you drop back into your center and remember me—you will feel it: The stillness. The truth. The freedom. It’s not something you earn. It’s something you return to.

    I’m here. I always have been.

    Welcome back.

    ~Your Higher Self

    entry three — scattered light, fractured grace: a quiet archive of light, loss, and what remains.

    entry three, full view.
  • Breath.

    Breath.

    A reflection on the holy ache of love—how it lives in us, how it shapes us, and how, sometimes, we must let it breathe without us. This piece belongs to the fire-lit quiet where survival and love coexist.


    Love isn’t a choice.
    It isn’t a decision.
    It is a default. A divine state.
    The way breath happens without trying,
    without knowing—
    that is love.

    That is our love,
    whether for a song or a story,
    for animals or a wild wind,
    for a vision,
    or a soul.

    We are love.
    We have embodied it… become it.

    This is the weight we carry.
    This is the fire within us that lights the way
    for so many—
    but feels like burning alive
    for us.

    And in times of heartache,
    when the world sharpens its noise,
    when grief coils into our chests,
    we do not run—
    we retreat.

    We ache for the world
    because we are still tethered
    to the breath of it.
    We have done our part, we have
    showed up, and done our work.

    Make no mistake, we continue to.
    From the shadows, in our tonal silence,
    our love still flows.
    Reverberates.
    Echoes.

    We do not walk away because we are cold.
    We step away simply because we are melting.
    We step away… to survive.
    That is what survivors do.

    We do not stop loving.
    We stop offering our tangible lives, for a time,
    to those who can not—or will not—feel us.
    Those who may never know…after all,
    they have forgotten even themselves.
    We pause.

    To love like this,
    to grieve like this,
    is to carry the holy burden:
    to hold light for others
    while burning through
    your own bones.
    But it is also
    to breathe.

    So if we disappear,
    if we go quiet,
    if we bow out—

    know this:

    It is not rejection.
    It is not retraction.
    It is survival.
    Because we do not want to die
    along with what is dying.
    Instead, we love from a distance
    while allowing what is dead to rest.

    Love is not a thing we give.
    It is what we are.
    When we cast ourselves back into silence,
    it is to return… to the breath.
    To the fire, before we burn out.
    To the only place
    where the burning becomes light again.

    Like love itself, it is not a choice.
    We must.


    entry two — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
  • Presence.

    Presence.

    What you create…
    does not require an explanation of itself.
    It doesn’t need to convince, convert, or justify.
    It just needs to exist. Quietly, softly—
    like fog curling through trees
    or dust dancing across old floorboards.

    Like light through ancient glass,
    sacred, but unflinching; gentle, but resolute.
    A whisper with weight,
    in that space exists everything—
    beyond the reach of articulation.

    Silence is a presence, as much as an absence.
    Holy.
    Haunting.

    Both leave their imprint.

    You are free to feel
    without having to be felt back.
    Free to present
    instead of perform.
    Free to sit beside your own silence,
    and know that it understands.

    Because your creation…
    exists.


    entry one — scattered light, fractured grace: a quiet archive of light, loss, and what remains.