Tag: scattered light

  • Where Abundance Lives

    Where Abundance Lives

    It’s never been money or material success that has defined wealth for me.

    For most of my life, I chased meaning in moments loud enough to echo—grand gestures, perfect timing, outcomes wrapped in validation. But it was my most treacherous and grueling experiences—the ones that stripped me bare and rebuilt me from the soul up—that taught me something higher.

    They taught me to be still.

    To be quiet.

    To kneel at the altar of the subtle.

    A blurry cloud, simultaneously barely and boldly defining its own form, illuminated at just the right angle.

    Lumix GX7 + Lightroom (watermark only)

    A battered feather, found in the dead center of a forgotten dirt road, caught in evening light.

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    The soft hush of trees at dusk, whispering the memories of the ghosts that still roam underneath them.

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    This is abundance.

    There’s something sacred about catching these quiet offerings—the ones that ask for nothing but your presence. No performance. No hustle. Just your full attention. And I think that’s what I’ve been learning to fully morph into, slowly but surely, all my life.

    I’ve always been in love with nature, and over the past few years, I’ve begun to understand why—consciously, spiritually, viscerally:

    Nature doesn’t demand applause, but it offers everything to those who notice.

    Before caregiving and grief, nature called to me—quietly, consistently—and I always accepted her invitation to explore and to wonder. During caregiving, she became an escape. I retreated there as often as possible, weary and begging for rest that not even sleep could offer…and nature always obliged.

    Now? I don’t go to escape or to retreat, I don’t just visit. Nature meets me. Whether I’m deep in the woods or walking my yard…hiking a trail or running my neighborhood…now, I am always home.

    We live in a world trained to skim, to scroll, to monetize every breath of stillness. But this—this sky, this feather, this light that passes and never repeats—reminds me:

    Presence is the prize.

    It’s all around us, all the time, no matter where we are…but people don’t see it anymore. They no longer observe. Most have forgotten—that observation is a form of reverence. And reverence, when practiced daily, becomes a kind of homecoming.

    “Abundance is not found in money and material gain—at least, not for me. To me, it is found in nature’s unexpected surprises.”

    I wrote that in my memory while standing beneath the canopy of trees shared above as it held the last light of evening. There was no one else there. No applause. Just me, and the divine choreography of stillness.

    In that moment, nature herself invited me to remind you:

    If you’re searching for proof that you’re loved, that you belong, that there’s meaning woven through even the hardest days—

    Look up.

    Look closer.

    Be still.

    The abundance you’re looking for is already here.

    It’s been waiting for your eyes—and your heart— to land on it.

    Be present.

    Pay attention.

    Be observant.

    Your presence in the present matters.

    It’s where abundance lives.

    🪶💜✨

    catacosmosis // 2025

  • The Art of Being Alive

    The Art of Being Alive

    The real you is not a puppet which life pushes around; the real, deep down you is the whole universe. (Alan Watts)

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
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    The meaning of life is just to be alive. It is so plain and so obvious and so simple. And yet, everybody rushes around in a great panic as if it were necessary to achieve something beyond themselves. (Alan Watts)

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
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    I stood in the green hush, face to face with a bloom so intricate it felt like a secret whispered by the wild. The passionflower doesn’t need to perform. It simply is. Unapologetically strange. Beautifully complex. Alive.

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    I thought of the two Alan Watts quotes I’ve included above, and I thought of my dead loved ones. This is what I want to remember:

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    That being fully present—here, now, in the middle of whatever hurts or heals—is enough.

    That passion isn’t always loud.

    Sometimes, it curls quietly out of the forest and dares you to look closer.

    This is what death has taught me about life.

    I’m really grateful I stayed, after they were all gone.

    🪽💜✨

    catacosmosis // 2025

  • Witness

    Witness

    entry eleven — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    user-image-68787ed5877d68e8874d0289
    📷 | iPhone 12 Mini
    ⚒️ | Distressed FX, VSCO (AL1 PRO), Lightroom Mobile (watermark only).

    Witness.

    It holds the grief.

    The growth.

    The survival.

    The silence.

    It kept watch over the forest

    as the love was letting go.

    One tree saw what I became,

    as I became it—

    what death could never be.

    Alive.

  • Someday…or Night

    Someday…or Night

    entry ten — scattered light, fractured grace: a quiet archive of light, loss, and what remains.


    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    My mother always told me, in every possible circumstance a child might ever need encouragement, “Do your best, and leave the rest. It’ll all come right some day or night.” 

    It was a line from “Black Beauty, by Anna Sewell.”  

    She was a third grade teacher, a grammar Nazi, and a mother trying her damndest to connect with me and, well, do her best. 

    And, as ornery and difficult a young person as I could often be, she never knew that I believed her…

    …even when I forgot I did.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    There was so much distance between us as I struggled through high school with her overbearing “sin obsessed” guidance, and she struggled to save my soul. 

    Even when the days were so long, when they bled into each other, and when the nights felt like punishments I hadn’t earned, as her brain and body were swallowed by Alzheimer’s. 

    Even when the thread broke, or maybe I cut it, when she died…I honored and nursed a clean, holy wound in the shape of freedom for both of us, from past grievances, from debts yet unpaid, from fear, from tension, from aching hearts and confused minds and the evils of that horrific disease.

    Still, that line stayed, like a soft breath. Like a healing balm. Like the part of her that couldn’t leave, because it lived in me.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    Do your best. Not more than that. Not perfection. Just presence. I tried, truly. 

    Leave the rest… The story. The tragedy. The one who couldn’t stay.

    It will all come right…and maybe it already has.

  • Petalweight (Yield)

    Petalweight (Yield)

    entry nine — scattered light, fractured grace: a quiet archive of light, loss, and what remains.


    Weevil (Meibomeus musculus), a quiet laborer of the forest and the fields…carrying the weight of being, petal by petal. 
    Vision: Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S.
    Tools: VSCO (KP3), Mextures (personalized texture formula: QBHASZK), Lightroom Mobile (watermark only).

    There is a kind of presence that doesn’t announce itself.

    No sound. No shimmer. No need to be noticed. Just a body doing what it does.

    Clinging to a petal, breathing the moment, belonging to the quiet. Sometimes, that is the work.

    Not saving, not proving. Just being.

    And somehow…it shifts the entire forest, the entire field.

    For some souls, there is a burden in being seen —not the fear of visibility, but the ache of being misread when presence itself was the offering.

    This is the shape of a soul made for stillness.

    This is the purpose of a hidden heart.

  • Crop

    Crop

    entry eight — scattered light, fractured grace: a quiet archive of light, loss, and what remains.

    Bicolor Bush Clover (Lespedeza bicolor), a humble member of the wild clover family. Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (HB3 PRO), Lightroom Mobile (watermark only).

    Zooming in, pulling back, reframing…
    …it’s the practice of shifting perspectives.
    Cropping is discernment.

    It’s important in photography,
    and in life.

    Focusing closely.
    Examining the details.
    Leaning into the moment.
    Studying the layers.
    Trying different angles—
    then pulling back to take in the whole.

    I do this with my art, my edits, my healing…
    …and my priorities.

    Bicolor Bush Clover (Lespedeza bicolor), a humble member of the wild clover family. Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (HB3 PRO), Lightroom Mobile (watermark only).

    Cropping, and discernment.
    Both are framing what matters—
    letting the noise blur into the background.

    It’s not just a gift,
    not just a tool.
    It’s a process.

    With practice, it teaches clarity through choice.
    Over time, it becomes discernment embodied.

    Cropping alters perspective.
    It is learning to see again…

    …as many times as it takes to actualize the vision.

  • Black-Winged Hush

    Black-Winged Hush

    entry seven — scattered light, fractured grace: a quiet archive of light, loss, and what remains.

    Black Bee (Melissodes bimaculatus). Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A8 PRO), Lightroom Mobile (watermark only).

    Even the smallest life—

    black-winged, humble, and intent on its task—

    carries beauty enough to hush the noise of the world.

    We rush past so many moments like this.

    Moments where grace is not loud, not dramatic, not grand or sweeping.

    Just… present. Quiet. Steady.

    Doing the sacred work of being alive.

    To sit still long enough to witness it is to remember.

    Not some distant, complicated truth, but a very simple one:

    The miracle is not in the event.

    It’s in the noticing.

    Grace doesn’t need permission to land.

    It only asks that we pay attention.

    💜✨

  • Climb

    entry six — scattered light, fractured grace: a quiet archive of light, loss, and what remains.

    Vision: Lumix GX7 + Panasonic 14mm f/2.5 pancake lens.
    Tools: VSCO (E8 3.5 + Bloom 1.5), Lightroom Mobile (watermark only).

    Uphill climbs don’t always look like mountains.

    Sometimes they look like breathless pauses in the woods—

    a slant of green light through canopy, and a silence that steadies you just long enough to keep going.

    Some paths don’t warn you how steep they truly are.

    But, with a little faith and grit, grace still finds you mid-climb.

    Not lost, just learning how to breathe on the incline.

    Every root you trip over, a lesson not yet learned.

    Every step upward revises the story the bottom once told.

    A new perspective in the making—

    fluid and becoming in the shelter of the trees, and at the top…

    …found.

  • Aperture

    Aperture

    entry five — scattered light, fractured grace: a quiet archive of light, loss, and what remains.

    “He who has peace of mind disturbs neither himself nor another.” —Epicurus

    Lumix GX7 + Panasonic 14mm f/2.5 pancake lens + macro filter stack (QuantaRay +10, Bower +4, Bower +2) mounted w/46–52mm step-up ring.

    VSCO (SS1 Pro), Lightroom Mobile (watermark only).

    Aperture

    There is a kind of light that doesn’t just shine, but also fractures.

    It breaks open the moment with something softer than silence and more honest than certainty.

    You don’t chase it, you receive it.

    This image wasn’t planned.

    This frame wasn’t forced.

    There’s a stillness even the flowers seemed to know, and reflect back to me.

    It is not the stillness of silence, but of surrender.

    Not of bracing against beauty or the process of becoming-in-progress, or of apologizing for taking up space mid-bloom…but of letting the light have its way.

    I simply stood still long enough for the light to offer itself—scattered, wild, and full of grace.

    I saw what was really there:

    Buds preparing to bloom and light wafting in, yet also ambient and still.

    The entire moment was an aperture through which grace entered, unbothered and whole, needing no permission.

    And in that quiet moment, it became a mirror for all of us—one that perhaps none of us knew we needed, and that many would automatically overlook.

    How often do we chase clarity instead of becoming it?

    How often do we disturb ourselves, or disturb the world while attempting to distract ourselves, by blaming everyone else?

    How often are those moments merely us trying to be louder than what already speaks through us?

    There is no control in peace.

    No performance in healing.

    Only presence.

    And in that presence, we disturb no one—not even ourselves.

    We become the quiet offering.

    We become the still center in a world unraveling at the edges.

    Today, as I stood still in the midst of both internal and external war, peace didn’t arrive with fanfare.

    It arrived as fractured light through pine trees.

    As a silent, oft unnoticed breath.

    As a reminder that maybe the most sacred work is not to act, but merely to remain open.

    Not to close.

    Not to harden.

    Not to explain ourselves into exhaustion, but to become aperture.

    To simultaneously remain wide enough to hold what’s real and narrow enough to let illusion fall away.

    And, to be balanced enough in both intellect and empathy to know the difference.

    This is the answer: detachment.

    Not from emotion, but from illusion.

    It is not denial, not distance.

    Rather, it is the quiet rerouting of both emotion and cognition back to stillness.

    A return to clarity, not an absence of care.

    And somehow, by not reacting, by not reaching, we find we are already held.

  • Fragrance, Memory, and the Air Between

    Fragrance, Memory, and the Air Between

    The Quiet Power of Things That Don’t Stay

    Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.

    Not everything soft is weak.

    Not everything brief is forgotten.

    The mimosa blooms like a passing thought—pink, feathery, fragrant, gone before you’re ready. But even in its short season, it rewrites the air.

    And maybe that’s the point:

    To offer sweetness without needing permanence. To make magic in the margins.

    💚🌿✨

    Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.

    The Mimosa tree (Albizia julibrissin) is commonly known as the silk tree or Persian silk tree. Albizia julibrissin isn’t actually a true mimosa—though it’s been lovingly misnamed for generations. Native to Asia, this delicate tree has made its way into southern landscapes with grace and stubbornness alike.

    Its blooms are light as breath—powdery tufts that attract butterflies, bees, and human daydreamers. They bloom at dusk, shimmer in the wind, and drop silently—often leaving a petal-scattered sidewalk like a love note no one signed.

    Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.

    Though it’s sometimes called invasive, there’s no denying its presence feels like a portal: part nostalgia, part perfume, part dream.

    Its scientific name, julibrissin, comes from the Persian gul-i abrisham—“silk flower.” A name that suits it perfectly.

    Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.

    In folk medicine—especially within Traditional Chinese Medicine—the mimosa tree is known as the “Tree of Happiness.” Its fragrant pink blossoms and bark have long been used to lift the spirit, ease grief, calm the heart, and quiet a restless mind.

    The flowers are brewed into gentle teas, while the bark is sometimes tinctured for deeper emotional support. Often given to those moving through sorrow or heartbreak, the mimosa is considered a natural ally for joy, resilience, and emotional rebirth.

    #Nature // #Mimosa // #TreeOfHappiness