Tag: scattered light

  • A Pause…

    A Pause…

    Yesterday on my hike, I paused for a long while. I gave nearly an hour of stillness and reverence to the nature around me, watching as butterflies moved over water and earth, dancing with the light in a way that spoke of freedom and trust. I sat with it — what felt like hours, though really only about thirty minutes — before stepping back onto the trail, camera in hand. As I rose from the creek to walk on, almost by instinct — more a photographer’s habit than intent — I pressed record.

    Later, on the drive home, I found myself reflecting on that time as I listened to one of my favorite songs — one I’ve leaned on heavily in recent years, especially since the decline and death of the last of my human teachers and spiritual guides: “Oceans (Where Feet May Fail).” The two moments merged together in my heart.

    After Ralph’s death, I finally understood where I should have been leaning all along. He — and my dad — had both tried to guide me toward this truth while alive in human form, but I depended too heavily on them. And if not on my mother in person, then on her prayers. It wasn’t until they were all gone, when I no longer had any “training wheels” to lean on, that it fully clicked at a conscious level:

    I had been depending on God all along, hearing Him, even resisting His direct guidance. I just hadn’t been consciously aware of it. That’s when I realized my faith had never left me — it had only been muted, even scapegoated, by my dependence on the faith others carried.

    It was only when I allowed this song to become a foundational prayer of my heart that His presence became tangible in a way I could no longer deny. The veil fell from my heart and my eyes, and through His grace I saw with a clarity I had once resisted — the kind of knowing that hurts, yet somehow makes the truth easier to embrace.

    The lyrics of this song speak of stepping out into places where our own strength isn’t enough, and trusting God to steady us anyway. That truth became real to me after Ralph died — especially about a year later, when I found myself in a moment of decision: to choose what I merely wanted to believe, or to stand in what I knew was real.

    I understood the magnitude of that choice. I knew it would break my human heart, and I knew it might stir misunderstanding, anger, and hurt in those around me. It was the hardest place I had ever stood. But I also knew it was time. Time to trust Him not only with my conscious mind, but with my open soul — my entire being. Time to leap.

    So I did. I quietly — nay, silently — forgave all that needed forgiveness, and I let go of everything: past, present, and future… even the things I still and always will love, but that I knew could never take root in this life. For just over a year, all that mattered outside of physical survival — food, shelter — and caring for my son was solitude in His presence.

    I chose God. I surrendered everything. And in that surrender, I rebuilt and reinforced boundaries — not only to protect what was holy from the evils that I knew would seek destroy it, but also to shield those who weren’t ready to walk the path of full and true surrender from the consequences of my choice to do so.

    Almost immediately, things began to unfold around me — things I had long since lost hope for, or had no idea how to overcome or achieve, in my life. None of it happened exactly as I would have liked, nor in the timing I would have chosen, and almost nothing came about in the way I would have planned or orchestrated it. But that was the entire point of surrender.

    And in that realization, I understood something deeper: I had spent years trying to explain surrender to others with words, but the example — living it out, letting God’s hand write the story — was far more important, and a far more powerful testimony for Him.

    Butterflies have always been a reminder to me of my grandmother, and of the simplest analogies of metamorphosis and transformation. But now? What I see most prominently in their flight is this — so fragile, yet so fearless in the air:

    They carry the story of loss and love, of veils lifted and prayers surrendered — of a journey where survival gives way to presence, and presence gives way to peace. And for all of us, just like these butterflies, it is only through full surrender to the grace and truth of something higher than ourselves that we can be — and will be — fully loved, fully supported, and able to flourish.

    Here, I’ve paired them with the piano playing of the song and these reflections as a reminder to myself, and to anyone who reads this, that even when we feel small, it is faith that keeps us aloft. I share this in hope that it might offer whoever sees it a nudge of encouragement as we continue the journey God has given us — the one He has called us to submit to and surrender.

    After decades of seeking, struggling, and trying to show and teach others (while really teaching myself), here’s what I know:

    If we ever want to find purposeful growth or true peace, we must fully surrender to the creator and orchestrator of it all — to His will, not our own.

    xo,

    c.

    🦋💜🕊️

    You call me out upon the waters…
    The great unknown, where feet may fail.
    And there I find You in the mystery.
    in oceans deep my faith will stand.

    And I will call upon Your Name,
    and keep my eyes above the waves.
    When oceans rise,
    my soul will rest in Your embrace…
    for I am Yours, and You are mine.

    Your grace abounds in deepest waters.
    Your sovereign hand will be my guide.
    Where feet may fail and fear surrounds me,
    you’ve never failed, and You won’t start now.

    So I will call upon Your Name,
    and keep my eyes above the waves.
    When oceans rise,
    my soul will rest in Your embrace.
    For I am Yours, and You are mine…

    Spirit lead me where my trust is without borders.
    Let me walk upon the waters,
    wherever You would call me.
    Take me deeper than my feet could ever wander,
    and my faith will be made stronger
    in the presence of my Savior.


    Oceans (Where Feet May Fail), written by Joel Houston / Matt Crocker / Salomon Lighthelm.
  • I died, and it… was okay. | Notes from the Other Side

    I died, and it… was okay. | Notes from the Other Side

    The First Illusion

    How can an illusion free an illusion?

    It can’t.

    Impossible.

    And yet, freedom itself is not impossible.

    But what we often mistake for freedom is only substitution. We trade one mask for another, one prison for another, one dream for another.

    Replacing one illusion with another does not set us free. It does not bring liberation. It simply shifts us deeper into what I sometimes call non-happening happening — the endless cycle of movement that looks like change but never truly is.

    So where, then, is freedom?

    Maybe it’s in understanding that simple truth.

    Maybe it’s in seeing clearly that nothing we have called “freedom” has ever been real freedom at all.

    Maybe that was the point, all along.

    Is that awakening?

    Awakening as Death

    Awakening is the death of the familiar.

    Because what is “familiar” to us — what we call “our life,” “our personality,” “our world” — is illusion.

    Nothing we are familiar with is actually real. None of it is actually us.

    We are not real. We are not what we think — what we are told — we are. And yet, here we are.

    So when awakening comes, it feels like death. Because it is death — the falling away of everything we thought was “me.”

    And without that death, there is no birth of what was real all along.

    Meaning Before and After

    Before awakening, there is no meaning of our own.

    The only meaning available to us is what others have told us is meaningful. Parents, teachers, religions, governments, lovers, friends, enemies, cultures, systems — all of them have fed us their meanings.

    And we absorbed them as if they were truth.

    We were conditioned to believe meaning is handed down, not discovered.

    We were punished for expressing anything antithetical.

    Yes, that is a word. I did not make it up. I checked, as always, when I returned from the other side.

    I digress.

    Even when we think we are thinking for ourselves — are we? Have we ever? Do we even know how?

    This is the prison of the familiar.

    But those of us who have never been able to simply swallow it — those of us who have spent our lives being told we are crazy, too deep, over-analytical, antithetical — maybe we’ve always been a little closer to freedom.

    Because we have always been with ourselves. We have always lived in the company of our own questioning. Our own introspection.

    And that has saved us.

    Moving Through Darkness into Light

    My entire life has been this movement — through darkness into light.

    And then again. And again.

    I never stayed still in a 3D thought long enough to let ideology calcify around me. Never settled enough into the world’s definitions of reality to say: “Yes, this is it. This is reality. This is me. This is final.”

    No.

    I couldn’t.

    Always, incessantly, I questioned. I sought. I chased myself. I chased I am.

    Because each time I reached for that exactness, that rigidity, something in me would die. And something deeper would awaken.

    So instead, I’ve kept moving. Through darkness, into light.

    Through lies, into truth.

    Through death, into life.

    Over and over again.

    And each time, what I found was not more of “me,” but less.

    Until I began to understand that the “me” I thought was the center of the story was never the point at all.

    And then, I actually… died.

    And then, I came back!

    What?

    I know. That’s what I said, too.

    And that is when the fullness of both illusion and irrelevance were clear to me, and the illusion and irrelevance… both shattered.

    Freedom.

    The Irrelevance of “Me”

    “Me” is irrelevant.

    Yet somehow, everything has always been about me.

    That’s the paradox.

    The small “me” — the conditioned self, the mask, the name, the history — means nothing. It is dust. Illusion. A temporary construction.

    But the deeper “I” — the one who moves through the dying and the awakening, the one who is aware of even that dust falling away — that “I” has always been the ground of everything.

    So in a sense, “me” does not exist.

    And in another sense, “me” is all that has ever existed.

    It was always… the I Am.

    The Misunderstanding

    This will be misunderstood.

    Mostly by anyone and everyone who reads it.

    If they even make it past the first few lines.

    Because illusion defends itself. It doesn’t like being called what it is.

    But misunderstanding doesn’t matter.

    Life takes care of itself.

    Life Happens

    Even when you are not there to see it, life still happens.

    Everything still unfolds — rivers flow, winds move, earth shifts.

    Even if you choose inaction — even if you refuse to eat, drink, or sleep — things still happen. The body dies, yes, but death itself is a happening.

    Because everything is always happening. Always in motion.

    Even in stillness, there is happening.

    And everything that happens has a result. Even nothingness produces consequence.

    Life is self-correcting. Even ungrounded, it finds its own balance.

    Sometimes that balance looks toxic. Sometimes it looks destructive. But it is always balance. Always motion. Always happening.

    Death Must Occur

    Death, then, is necessary.

    Not the physical death we fear — not suicide, not the cutting short of the body’s days.

    Though that death is really not all that bad, in my experience.

    The dying part itself is no fun.

    The death?

    Too many words — words are funny for this one; there is not a word, other than death.

    It is nothing, and everything.

    Alpha, omega.

    I am.

    Here? What must die is the illusory self.

    The self we defend, cling to, and worship without even knowing it. The self we call “me.”

    That death is the doorway.

    The Last Illusion

    And yet, even here, there is a final paradox:

    If the self is illusion, then death is illusion too.

    Which means — death cannot free us either.

    Because an illusion cannot free an illusion.

    I do not fear.

    Why is none of this terrifying to me?

    Maybe because fear only exists where there is something to lose. And what I am losing was never real in the first place.

    Maybe because I have already died a thousand small deaths, the fear has already been burnt out of me.

    Maybe because I saw it:

    That what I am cannot die.

    And maybe that — quiet, simple, unshaken — is what freedom has always been.

    ✨

    xo,

    c.

  • The Oldest Tree and the Newest Truth

    The Oldest Tree and the Newest Truth

    Yesterday, I went shooting. I collected over 1,500 photographs in a single morning.

    It’s been a long time since I’ve been that focused, that immersed in the creative energy that sustains me. It felt good to be so deeply aligned with The Flow—Nature’s and God’s flow, not mine, not anyone else’s.

    For hours upon hours, I alternated exploration and randomly sitting still with nature, and with my favorite tree—the oldest documented in my state—for a long time. I quietly observed every detail, inner and outer, letting my mind wander and my spirit settle.

    So long, in fact, the chiggers are still feasting on me. A worthy price, though, for what was finally made clear to me—the missing puzzle piece that’s been keeping me from being able to help others fully grasp my perspective when I talk about grounding and meditation:

    So many people deeply misunderstand meditation.

    Lumix GX7 + Panasonic Lumix 100-300mm Telephoto. VSCO (G6 PRO) + Lightroom (watermark only).

    It’s not about escaping the body, 3D reality, or floating above your life. It’s not about leaving. Healthy, true meditation is the opposite of escape.

    Meditation is about stillness, observation, and rooting in. It’s about grounding into the physical body, and the earth itself, consciously connecting with both.

    It’s about sinking into the body—not running from it. Anything rooted in “escape” isn’t meditation. At any spiritual or energetic level, escapism is a cop-out. Worse, it’s a lie.

    Meditation is about bringing the physical, mental, and emotional into balance so that rising energetically, emotionally, and intellectually becomes not only natural… but possible in the first place.

    This shift in understanding can (and will) change everything for anyone who is willing to open their minds and hearts enough embrace it.

    🙏🦋🕊️

  • Wilderness

    Wilderness

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    The wilderness is the oldest, truest friend a human can have, both in body and in spirit.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    It teaches in silence.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    It speaks without words.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    It holds space for your becoming, your undoing, your return.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    And it is only “dangerous” when we forget to honor it, or refuse to learn from and respect it.

  • Lifted

    Lifted

    entry twelve — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH. VSCO (A6 PRO) + DistressedFX + Lightroom (watermark only).

    There is a moment, early in a few blessed summer evenings, when the heat—the oppression—sighs and lets go.

    Not in protest, but in quiet surrender—the sun lingers, the sky softens, and a hush moves in with the rain.

    Steam rises like incense from the bones of the earth.

    You’ve felt that coveted shift.

    It’s not loud. Not showy. Just the heaviness loosening its grip on your ribs as breath returns without warning.

    This is how some battles end—

    Not with victory, but with survival.

    Not with a roar, but with a breeze.

    No fanfare—just rain through fractured light, and the ache leaving your body before you even know it’s gone.

    What remains?

    A field of yellow flowers—bent but blooming.

    Tired, but free.

    And air that smells like something holy—finally lifted.

    catacosmosis // 2025

  • Where Abundance Lives

    Where Abundance Lives

    It’s never been money or material success that has defined wealth for me.

    For most of my life, I chased meaning in moments loud enough to echo—grand gestures, perfect timing, outcomes wrapped in validation. But it was my most treacherous and grueling experiences—the ones that stripped me bare and rebuilt me from the soul up—that taught me something higher.

    They taught me to be still.

    To be quiet.

    To kneel at the altar of the subtle.

    A blurry cloud, simultaneously barely and boldly defining its own form, illuminated at just the right angle.

    Lumix GX7 + Lightroom (watermark only)

    A battered feather, found in the dead center of a forgotten dirt road, caught in evening light.

    Lumix GX7 + Lightroom (watermark only)

    The soft hush of trees at dusk, whispering the memories of the ghosts that still roam underneath them.

    Lumix GX7 + Lightroom (watermark only)

    This is abundance.

    There’s something sacred about catching these quiet offerings—the ones that ask for nothing but your presence. No performance. No hustle. Just your full attention. And I think that’s what I’ve been learning to fully morph into, slowly but surely, all my life.

    I’ve always been in love with nature, and over the past few years, I’ve begun to understand why—consciously, spiritually, viscerally:

    Nature doesn’t demand applause, but it offers everything to those who notice.

    Before caregiving and grief, nature called to me—quietly, consistently—and I always accepted her invitation to explore and to wonder. During caregiving, she became an escape. I retreated there as often as possible, weary and begging for rest that not even sleep could offer…and nature always obliged.

    Now? I don’t go to escape or to retreat, I don’t just visit. Nature meets me. Whether I’m deep in the woods or walking my yard…hiking a trail or running my neighborhood…now, I am always home.

    We live in a world trained to skim, to scroll, to monetize every breath of stillness. But this—this sky, this feather, this light that passes and never repeats—reminds me:

    Presence is the prize.

    It’s all around us, all the time, no matter where we are…but people don’t see it anymore. They no longer observe. Most have forgotten—that observation is a form of reverence. And reverence, when practiced daily, becomes a kind of homecoming.

    “Abundance is not found in money and material gain—at least, not for me. To me, it is found in nature’s unexpected surprises.”

    I wrote that in my memory while standing beneath the canopy of trees shared above as it held the last light of evening. There was no one else there. No applause. Just me, and the divine choreography of stillness.

    In that moment, nature herself invited me to remind you:

    If you’re searching for proof that you’re loved, that you belong, that there’s meaning woven through even the hardest days—

    Look up.

    Look closer.

    Be still.

    The abundance you’re looking for is already here.

    It’s been waiting for your eyes—and your heart— to land on it.

    Be present.

    Pay attention.

    Be observant.

    Your presence in the present matters.

    It’s where abundance lives.

    🪶💜✨

    catacosmosis // 2025

  • The Art of Being Alive

    The Art of Being Alive

    The real you is not a puppet which life pushes around; the real, deep down you is the whole universe. (Alan Watts)

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    The meaning of life is just to be alive. It is so plain and so obvious and so simple. And yet, everybody rushes around in a great panic as if it were necessary to achieve something beyond themselves. (Alan Watts)

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    I stood in the green hush, face to face with a bloom so intricate it felt like a secret whispered by the wild. The passionflower doesn’t need to perform. It simply is. Unapologetically strange. Beautifully complex. Alive.

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    I thought of the two Alan Watts quotes I’ve included above, and I thought of my dead loved ones. This is what I want to remember:

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    That being fully present—here, now, in the middle of whatever hurts or heals—is enough.

    That passion isn’t always loud.

    Sometimes, it curls quietly out of the forest and dares you to look closer.

    This is what death has taught me about life.

    I’m really grateful I stayed, after they were all gone.

    🪽💜✨

    catacosmosis // 2025

  • Witness

    Witness

    entry eleven — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    user-image-68787ed5877d68e8874d0289
    📷 | iPhone 12 Mini
    ⚒️ | Distressed FX, VSCO (AL1 PRO), Lightroom Mobile (watermark only).

    Witness.

    It holds the grief.

    The growth.

    The survival.

    The silence.

    It kept watch over the forest

    as the love was letting go.

    One tree saw what I became,

    as I became it—

    what death could never be.

    Alive.

  • Someday…or Night

    Someday…or Night

    entry ten — scattered light, fractured grace: a quiet archive of light, loss, and what remains.


    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    My mother always told me, in every possible circumstance a child might ever need encouragement, “Do your best, and leave the rest. It’ll all come right some day or night.” 

    It was a line from “Black Beauty, by Anna Sewell.”  

    She was a third grade teacher, a grammar Nazi, and a mother trying her damndest to connect with me and, well, do her best. 

    And, as ornery and difficult a young person as I could often be, she never knew that I believed her…

    …even when I forgot I did.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    There was so much distance between us as I struggled through high school with her overbearing “sin obsessed” guidance, and she struggled to save my soul. 

    Even when the days were so long, when they bled into each other, and when the nights felt like punishments I hadn’t earned, as her brain and body were swallowed by Alzheimer’s. 

    Even when the thread broke, or maybe I cut it, when she died…I honored and nursed a clean, holy wound in the shape of freedom for both of us, from past grievances, from debts yet unpaid, from fear, from tension, from aching hearts and confused minds and the evils of that horrific disease.

    Still, that line stayed, like a soft breath. Like a healing balm. Like the part of her that couldn’t leave, because it lived in me.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    Do your best. Not more than that. Not perfection. Just presence. I tried, truly. 

    Leave the rest… The story. The tragedy. The one who couldn’t stay.

    It will all come right…and maybe it already has.

  • Petalweight (Yield)

    Petalweight (Yield)

    entry nine — scattered light, fractured grace: a quiet archive of light, loss, and what remains.


    Weevil (Meibomeus musculus), a quiet laborer of the forest and the fields…carrying the weight of being, petal by petal. 
    Vision: Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S.
    Tools: VSCO (KP3), Mextures (personalized texture formula: QBHASZK), Lightroom Mobile (watermark only).

    There is a kind of presence that doesn’t announce itself.

    No sound. No shimmer. No need to be noticed. Just a body doing what it does.

    Clinging to a petal, breathing the moment, belonging to the quiet. Sometimes, that is the work.

    Not saving, not proving. Just being.

    And somehow…it shifts the entire forest, the entire field.

    For some souls, there is a burden in being seen —not the fear of visibility, but the ache of being misread when presence itself was the offering.

    This is the shape of a soul made for stillness.

    This is the purpose of a hidden heart.