Tag: nature photography

  • Aware.

    Aware.

    Tucked into the quiet corners of my yard and spilling along the back fence — where wild grass gives way to the shadowed woods and, beyond them, the familiar silhouette of my mountain — the azaleas have erupted this spring in an almost audible riot of pink, purple, and white.

    Two bushes a deeper rose at the edges, softening to a pink like the first blush of dawn on cotton-candy clouds; the purple one as deep as twilight shadows pooling in the underbrush, veined with richer amethyst; the handful of white ones pure and luminous, like scattered moonlight caught on petals. On several of them, the blooms crowd the branches so thickly that the dark green leaves vanish beneath waves of color, the bushes a generous bouquet bowed gently under its own abundance.

    📷 Lumix GX7 + Panasonic-Leica DG Macro=Elmarit
    ⚒️ VSCO + Lightroom Mobile

    I stand at the fence line with my camera, breathing in the faint, sweet honey of their fragrance carried on the breeze, and it pulls me straight back to childhood. Growing up in the valley just across from my current, adult home, right at the base of that mountain, I’d watch for the wild azaleas and mountain laurel to appear along the wood’s edge, tiny beacons at the pasture’s far side. Each warming degree and every minute longer the day became — yes, I counted the minutes — felt like permission: one more day to explore before the snakes woke fully from their winter sleep.

    With each passing day I’d step more carefully, heart racing with equal parts thrill and caution — head on a swivel, eyes scanning for copperheads or rattlers coiled just out of sight. The early days of spring were my favorite. They were the most relaxed. But the flowers made even the hot summer days worth the risk, with the promise of wild bursts of color rivaling my grandmother’s carefully tended, cultivated bushes next door, proof that beauty could thrive untamed.

    📷 Lumix GX7 + Panasonic-Leica DG Macro=Elmarit
    ⚒️ VSCO + Lightroom Mobile

    Funny the things we fear and the things we don’t. Bobcats and mountain lions hunted those slopes, yet I never once worried about them — until the story my father told years later. At three years old, toddling the forty yard path to Grandmother’s a couple of hours after nightfall, my father watching and guarding intently — something I’d, we’d, done dozens of times before without consequence — a mountain lion perched on the cellar roof five feet above me, eyes fixed, body still. Daddy watched it watch me, praying silently, knowing any sudden move or cry might trigger instinct. It never pounced. I reached the house safe, unaware. When I was safely inside my grandmother’s screened-in back porch, he scared it off with a shotgun blast into the air, and we never saw one that close again.

    I’ve thought about that story more often since losing him. He’s been gone eleven years now, and there are many things I never thought to ask, or wish I hadn’t been afraid to ask, while I still could… but this one he told me himself, more than once. I think it meant something to him that I should know it.

    What I understand now, standing on this side of parenthood, is the cost of that stillness. The discipline of it. To watch a predator watch your child and not move, not cry out, not run — to trust that motion or sound might break whatever fragile restraint was holding that animal in place, and be so steady and rooted in your faith that you pray. Just… confidently pray. Whatever else he did or didn’t get right in his life, in that moment my father was made entirely of love and terror and faith, and none of it showed on the outside. That kind of stillness cost him everything. It was paid for in utter surrender, and he surrendered to fate, and to faith, beautifully.

    📷 iPhone 17 Pro
    ⚒️ Hipstamatic X (Salvador 64 Lens + Uchitel 20 Film + Spiro Pop Flash

    I think about that when I think about my own son. Sixteen, navigating a world that doesn’t always make room for the way his mind works, walking through invisible dangers I can’t always name or intercept. And I understand something about the helplessness of parenthood now that I couldn’t have grasped as that oblivious three-year-old toddling through grace.

    You can’t always throw yourself between your child and what’s coming. Sometimes the most faithful thing is to stand still, breathe, and trust the hand that’s bigger than yours.

    📷 Lumix GX7 + Panasonic-Leica DG Macro=Elmarit
    ⚒️ VSCO + Lightroom Mobile

    These azaleas have had quieter seasons. A few years back they were sparse, almost reluctant, with a handful of blooms where there should have been abundance. I watched them without much comment, the way you watch things when your own life has gone quiet in ways that don’t invite easy conversation.

    Loss has a way of muting everything: the yard, the mornings, the impulse to pick up a camera at all. Grief and illness and the particular exhaustion that comes from giving what you have left to people you love… all of it settles like a kind of winter that has nothing to do with temperature. I’ve had a few of those winters. Longer than I’d like to admit.

    So this spring, when every single bush along the fence erupted like they were making up for lost time, I stood there and felt something catch in my chest. That’s part of why I photograph at all — not just to capture beauty, but to bear witness to it. To say, with the deliberate act of framing a shot, I see this. This is real. This happened. The camera makes me slow down enough to actually look, and looking is a form of gratitude I can access even when words fail me.

    📷 Lumix GX7 + Panasonic-Leica DG Macro=Elmarit
    ⚒️ VSCO + Lightroom Mobile

    As a child, maybe I sensed some invisible shield, or maybe I was just young enough to believe in magic. As an adult, looking at these cultivated echoes of those wild blooms now thriving in my own yard, I know the truth: protection was there all along. Not arrogance, but grace.

    God’s hand has turned aside far greater dangers than I ever knew were there. The mountain lion I never saw, the losses I somehow survived, the moments where the math shouldn’t have worked out in my favor and it did anyway. These azaleas, blooming so fully this year after quieter seasons, feel like a quiet reminder of that mercy, a gift unfolding right where the tame meets the wild, the past meets the present, under the watchful gaze of my mountain.

    I don’t take that lightly. I don’t take it for granted. I take photographs of it, and I tell the stories that go with them, because that’s how I know to say thank you.

    Mere backyard glory doesn’t begin to cover it. It’s memory, wonder, and gratitude all tangled in petals.

  • Stargazer

    Stargazer

    iPhone 17 Pro + DistressedFX + VSCO

    Stargazer—
    eyes lift past obstacles;
    night opens.

    I wrote that on January 8 when I shared this edit of an iPhone shot I captured in my back yard to Vero and VSCO, and then just… moved right past sharing the image or the words here. I’ve been becoming.

    I’ve been lost in introspection, peeling back layers, observing, feeling it out, integrating it – all of this over and over in this time non-adjacent, beautiful cycle of infinity, that I kind of forgot… most everything lately. I used to think it was just the caregiving and/or the surgical menopause. I thought for a short time, when I surrendered the last earthly thing I had left that had for so long been the treasure of my heart, that I’d finally just overloaded and lost my mind.

    In reality, ultimate surrender to God, truly following where He leads, had removed and continues to remove me from everything, and evolved me into this extremely quiet girl who just stands under the sky and lets it undo her. Not just in posting, but at every level, including who I remember myself to be.

    Coming to Christ – not just saying the words but the evolution itself – hasn’t just been “I believe.” I have believed since I was a child. It hasn’t just been, “I accept, I surrender, I heal, God changes my heart and I change my habits.” It’s been this slow, surgical unmaking down in the deepest parts, and I’ve been metamorphosing through it since the night Ralph died.

    It’s been soaking in depths even I never imagined. And that’s saying something. It’s been being truly alone, except for His presence, and the Holy Spirit’s, and it’s been… excruciatingly, exquisitely beautiful.

    It’s not trauma, it’s not grief. It’s not even grief-induced – not wholly. That’s all nonsense, at least in the way the Western world and Western medicine and psychology and new age and new thought belief systems tell it. It’s more real, more spiritual, more invisibly tangible, than all of that ever thought about being. It was just… time.

    It’s been about the things I thought I understood, the places where I thought I had to earn worth, the parts of me that were performing the gifts of the spirit – the discernment, the temperance, the hard-earned wisdom, the surrender – that I was so desperate to truly embody. It’s been no longer sharing or trying to grow and evolve that with anyone else. It’s been walking into the desert, embracing solitude instead of simply being in it by circumstance, and just… belonging to Him.

    Somewhere in that process, I lost track of a lot of things. A lot of people. Somewhere in the slow, surgical unmaking of solitude, I lost track of almost everything I used to believe was real. I’ve been letting Jesus have the layers, not just the words. Letting Him name me again, in the dark, where nobody’s clapping, where it’s just me and the sky and the God who knows my real name, and actually treasures, doesn’t just hold, my heart.

    I’m not sure what this post really is. I’m returning this scrap of sky to this quiet place, in part because I hope it helps someone else, as always… but also because I don’t want the girl who stares up and ultimately surrenders to the peace of solitude and to the Creator Himself to be a footnote in her own story. I don’t want the becoming to swallow the one who simply is. This is me remembering me, and thanking God for the long, slow unmaking that made room for the becoming in the first place.

    Even if it meant losing almost everyone I ever loved, I’ve found a love within myself I never could have imagined, and it all comes from and returns to Him.

    Catastrophe in osmosis. That’s where catacosmosis began. And the name won’t change, though the person has, because that’s the entire point of that journey.

    Tetelestai (ܬܫܠܡ). John 19:30

    And yet, for me, it feels like it’s only just begun.

  • Veil. 

    Veil. 

    entry twenty two — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    iPhone 17 Pro + DistressedFX (Final Edit)

    Sometimes it feels like there is a different, almost literal space between seconds. A pause the world does not announce.

    There is intimacy in those spaces. Love. Beauty. A kind of quiet permission.

    There is me, and the moon, and what I remember without remembering. Something about home. Something about spirit. Something about soul.

    In those spaces, which turn into a place, then into awareness, then into something conscious without warning, I find myself again. Not arriving. Not searching. Just remembering how to be.

    It feels like standing in a doorway I have crossed a thousand times but cannot name. Familiar without history. Known without proof.

    And always, even when I wish it were not so, there she is too. 

    There are all of them. The pieces of my life that have already returned to Source, leaving me here to feel them but never hold them, to love without helping, to remember without any hope of their human realities returning.

    Home, not as a location, but as a frequency. And for a moment, I am inside it.

    catacosmosis // 2026

  • A Reflection on the Behavior of Creek Water and the Mirror of Myself as the Mother of an Autistic Boy

    A Reflection on the Behavior of Creek Water and the Mirror of Myself as the Mother of an Autistic Boy

    Lumix GF3 + Mextures + VSCO

    Haze blurs his profile.
    I grip the thin stem of hope.
    Current keeps moving.


    I came across this photo from a camping/hiking weekend in December 2018 this morning, and it opened something in me… or awakened it.

    In the photo, the woods are one giant lens flare: the late-fall sun punches clean holes in the canopy, throws every leaf into over-saturated neon, while the creek becomes a mirror so sharp you feel you could step through it into another forest.

    That’s what this last year with my son has been doing to the dial inside me. Faith cranked so high it hums, reality just as loud, and me caught in the bright slash between. I used to soften one side or the other: pray the hard parts dimmer, work until the wonder felt manageable. But the creek refuses to choose between glare and reflection; it holds both, lets them ricochet until you can’t tell which side of the surface is real.

    I can see now that I am – or prefer to be – the creek. I practice that same double exposure of my roles, but it has all blurred and blinded me in recent days. In reality, all it adds up to is the fierce mother part of me – scheduling therapies, ordering visual timers, and trying to learn an entirely new language that has no words – and the gentler, whole me. The part of me that still leaves room for hope and comfort in the impossible color of his laugh when a dragonfly lands on his sleeve.

    Balance isn’t compromise; it’s letting the light stay blinding and the shadows stay knife-edged, trusting the picture only makes sense when neither is edited out.

    Onward.

    c.

  • Post-Diagnosis

    Post-Diagnosis

    iPhone 17 Pro + DistressedFX + Mextures

    Looking down at those leaves, loosened from their season, clinging by the thinnest threads of stem… I see myself. They hover over moving water, suspended between staying and letting go, their edges softened and pulled apart by the trembling creek. The surface never stills long enough for clarity; it stretches every familiar thing into wavering uncertainty.

    Since watching my teenage son slip backward, words he’d owned suddenly foreign in his mouth, routines he’d mastered dissolving overnight, and since the autism label arrived with its chorus of “you should have pushed harder, earlier, medicated sooner,” this is where I live:

    Perched on a fragile edge, tangled in reflections I can’t seize, balancing on a stem that thins a little each day. I haven’t fallen, but I feel the current waiting to carry me off, a motion I never chose and can never control.

    I have experienced sickness, the trauma of caregiving, the many horrors of diseases I pray not one of you ever meet in your life, death and loss and funerals… the last decade of my life has been a nightmare with beautiful trimmings. But of all the moments of utter lost-ness and grief during those experiences (a description which puts it lightly, in fact), this is the most difficult and complicated and heart-wrenching thing I have ever experienced in my life. Not my son, but battling a system far worse than the one I last met two years ago, with his Godfather. Pediatric medicine in the US in 2026.

    His therapists and specialists tell me love wasn’t enough and never will be. I still think it was the only thing that kept us both from drowning.

    I’m not sure what this blog, or other art sharing platforms, will look like for me in 2026 (let’s be real – when have I ever?), That’s why I have yet to write the yearly “first post.” So, tonight I begin the year with this, with the truth and with reality:

    I don’t know what lies ahead, but I do know who is driving. I thank God daily it’s not me, but Him.

    xo,

    c.

  • Unhidden

    Unhidden

    entry twenty — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    Lumix GX7 + DistressedFX + Mextures

    I’ve been thinking about how easily we overlook what does not bloom on command. How quickly we decide something is less valuable when its rhythms are quiet or unusual or slow to reveal themselves. How we are conditioned by convenience to turn away from what requires a different or more tender kind of attention, unless we are its mother.

    As mothers, the expectations begin to pile up, even as the help quietly disappears… if it ever shows up to begin with. It showed up for me recently, with my son’s diagnosis of autism, and then the weight shifted again. The label alone added a layer of juggling and balancing that feels impossible, even in ways that his father may never fully know…

    …but these small remnants of #lovelydeadcrap in my backyard have been teaching me how to package it all and express what’s inside.

    Lumix GX7 + DistressedFX + Mextures

    In their faded textures and fragile lines, I find a gentler truth. Beauty is not always loud, nor peace immediate. Sometimes neither are easily interpreted. Sometimes they appear in the very things the world has already dismissed as unremarkable because they do not fit the desire or expectation.

    When my son was diagnosed with moderate to severe autism, the world tried to hand me a script of loss and limitation. But the more I sit with the reality of who he is and what I know he has experienced in his life, the more I understand that nothing essential has been diminished.

    Lumix GX7 + DistressedFX + Mextures

    Not unlike #lovelydeadcrap, the reality of his story simply asks to be read with a different kind of seeing. The light lands from another direction. The beauty moves at its own pace. That is what this winter season is teaching me:

    To honor what does not conform. To stay open to the quiet forms of life and value that do not perform for anyone’s comfort. To recognize that some truths require presence rather than projection.

    Lumix GX7 + DistressedFX + Mextures

    My son is not less. He is not broken. He is not something to mourn. He is fully himself, unfiltered and unhidden, and there is a sacred beauty in that.

    May we all learn to truly see what stands before us, not merely what we were taught to expect.

  • December Sunrise

    December Sunrise

    entry nineteen — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    iPhone 17 Pro + DistressedFX + Mextures + VSCO

    There’s a softness to this kind of morning light… the kind that slips in without ceremony and still manages to uncover what the heart has tried to tuck away. The silhouettes stand like witnesses, thin and unassuming, yet somehow they hold the whole ache of the season.

    And maybe this the truest gift of December: that almost nothing blooms, yet everything speaks.

    The sky daily turns itself into a quiet oracle, whispering that even in the stripped-back places, even in the stark-cold bare and in-between, there is still beauty gathering itself at the edges, waiting to rise every morning with the sun.

  • Sunsets and Silhouettes

    Sunsets and Silhouettes

    Lumix GX7 + DistressedFX + VSCO

    The sky did that thing again, burning from the inside out and setting the whole horizon to humming like a memory you can’t quite place.

    The trees are bare now, all ribs and silhouettes, but somehow that makes the color strike even harder; more vividly, more beautifully… an invitation to remember my long held belief that winter always exposes what summer works so hard to hide.

    I stood there for a long while, suspended in the holiness of whatever that moment was. It felt like foreshadowing, like catching a scene from a story I’ve lived before but also haven’t finished writing. Hard to explain, harder to forget, and yet some part of me feels almost commanded to try.

    Two things are certain: I’ll never stop preaching that more often than many realize, the proverbial backyard is the only cathedral you need; and no scene will ever beat sunrises/sunsets and their silhouettes to wholly captivate my spirit.

  • Revelation

    Revelation

    entry eighteen — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    iPhone 17 Pro + DistressedFX + VSCO

    The full moon always finds me in that thin place between ache and awakening. The heart softens, the past stirs, and the light insists on touching what I thought I’d hidden.

    It doesn’t shout. It simply rises. And in rising, it reveals.

    This full moon of these last few days felt like a mirror tilted by something wiser than me: clear, unguarded, almost tender in the way it offers back the truth of who I am becoming.

    Every full moon asks for release, but this one asked for understanding. It offered an opportunity for a quiet recognition of what’s been shed, what’s been carried, and what still longs to be held with gentler hands.

    Under its glow, my fractures stopped pretending to be wounds. Instead, they shined… faint, but deliberate. And grace slipped in when I wasn’t looking.

  • Entropy

    Entropy

    entry seventeen — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    Lumix GX8 + Leica DG Macro‑Elmarit +
    Hipstamatic (Salvador 84 + Miles TMax)

    Twenty twenty-five bleeds into me like a half-lit nightmare,

    Stephen King and Tim Burton laughing in the corners.

    AI hums in the air, a static pulse I cannot unhear.

    I want to scream and break the sky…

    …but the real and the familiar fragments of me rein temperance in, in quiet revolt.

    Twenty twenty-six waits like a shadowed carnival, and I am here,

    trembling with light in a society fractured by entropy…

    …still standing.


    When I started exploring textures and analog styles using mobile camera and editing apps like Mextures and DistressedFX a decade ago and Hipstamatic closer to two decades ago, I remember the beef among photographers about how it was cheating.

    Even when shooting DSLR or scanning 35mm negatives and importing to iPhone to manually edit creations, on deviantART it was utter blasphemy to call that work photography… which is the majority of the reason I left that site (alongside the unnecessary drama, petty competition and childishness of it all).

    I remember the same attitudes when the DSLR was introduced as a more convenient option for shooting (as compared to film) back in the nineties, and even more strongly opposed by what I like to call the “haughty and holier than thou professional” photographers (many of whom had never been published, mind you).

    It was all just a whole lot of projection… yet here we are in 2025’s much broader version of those things, getting ready to wake up to a 2026 that looks like a Stephen King and Tim Burton co-conspired reality, and I now find myself itching to raise the same ruckus about AI. I fight the daily urge to scream at the top of my lungs that I hate AI, and that it will absolutely be the death of raw human creativity, not a help or a tool for it.

    Mark my words, and I say this not just from the creative part of myself but from the psychology and computer science educated and experienced parts, from the professor in me, and from the emotionally and spiritually evolved pieces of myself, from my entire being and from the depths of my soul:

    AI is a mistake of biblical proportions, and not just for creatives.

    I have watched what it does to attention, to imagination, to the inner world, to the very scaffolding of how a human becomes themselves. I have already watched it practically eat my child alive, and I banned it from our sphere entirely. I will die on this hill if necessary.

    AI may not be evil incarnate, though I have my suspicions that it is, but it will certainly cause more evil than we can stand or cope with to manifest in this already imploding world.

    The ASMR, the funny animal and parody videos, and the art may be cute today, but tomorrow it will look like proverbial mushroom clouds around the globe.

    With AI more prominently in the mix, the end of true freedom is nearer than you might think… and it is all by design.

    💣😘

    xo