Tag: Musings

  • Sunsets and Silhouettes

    Sunsets and Silhouettes

    Lumix GX7 + DistressedFX + VSCO

    The sky did that thing again, burning from the inside out and setting the whole horizon to humming like a memory you can’t quite place.

    The trees are bare now, all ribs and silhouettes, but somehow that makes the color strike even harder; more vividly, more beautifully… an invitation to remember my long held belief that winter always exposes what summer works so hard to hide.

    I stood there for a long while, suspended in the holiness of whatever that moment was. It felt like foreshadowing, like catching a scene from a story I’ve lived before but also haven’t finished writing. Hard to explain, harder to forget, and yet some part of me feels almost commanded to try.

    Two things are certain: I’ll never stop preaching that more often than many realize, the proverbial backyard is the only cathedral you need; and no scene will ever beat sunrises/sunsets and their silhouettes to wholly captivate my spirit.

  • Revelation

    Revelation

    entry seventeen — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    iPhone 17 Pro + DistressedFX + VSCO

    The full moon always finds me in that thin place between ache and awakening. The heart softens, the past stirs, and the light insists on touching what I thought I’d hidden.

    It doesn’t shout. It simply rises. And in rising, it reveals.

    This full moon of these last few days felt like a mirror tilted by something wiser than me: clear, unguarded, almost tender in the way it offers back the truth of who I am becoming.

    Every full moon asks for release, but this one asked for understanding. It offered an opportunity for a quiet recognition of what’s been shed, what’s been carried, and what still longs to be held with gentler hands.

    Under its glow, my fractures stopped pretending to be wounds. Instead, they shined… faint, but deliberate. And grace slipped in when I wasn’t looking.

  • Things Unseen

    Things Unseen

    entry fourteen — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    Lumix GX7 + VSCO (A9Pro) + DistressedFX + Lightroom (watermark only).

    Have you ever been sitting in the woods, in the quiet and minding your own business , just breathing it all in, when out of nowhere the birds seem to spring into motion?

    One moment, they’re scattered through the trees, singing softly into the hush; the next, they take flight as one, their calls vanishing into a deathly silence. All that remains is the trembling of wings and the echo of something unspoken moving through the air.

    It’s strange how quickly stillness can shift, how a single gust or unseen presence can ripple through an entire forest. You can feel it, even if you can’t name it. The temperature drops, the light changes, and the ordinary world folds itself back like a curtain.

    And then you’re left sitting there, swallowed by wonder. Not fear, not exactly, but that beautiful, unnerving awareness that something else is here. Something wild and watching.

    For days afterward, it stays with you, that soundless moment when the forest seemed to remember itself. It makes you question what else is living in the margins, what other forms of life or spirit move just beyond the limits of our hearing.

    I think that’s when I understood that silence is not absence. It’s presence, waiting to be known.

    The forest wasn’t empty. It was full of attention.

    💜🐦‍⬛🪽

    catacosmosis // 2025

  • Vesper

    Vesper

    📷 iPhone 7 Plus.
    ⚒️ VSCO (06, +3) + Lightroom (watermark only).
    entry thirteen — scattered light, fractured grace: a quiet archive of light, loss, and what remains.

    There is a moment every single day when golden hour gives way to blue hour. In that moment, the world pauses between heartbeats.

    The warmth of the sun hasn’t fully left, but it’s fading, slipping behind the horizon while the cool hues of twilight begin to take hold. For a few fleeting minutes, everything softens. The light is neither day nor night; it’s an in-between realm where time seems to hold its breath.

    Shadows stretch. The air shifts. The gold turns to amber, then to lavender, then to blue, a slow dissolving of one truth into another. It’s the day’s last whisper and the night’s first sigh, a moment that belongs to no one and everyone at once.

    Most people miss it. But for those who are still and detached from the noise of the world enough to notice, it feels like standing at the seam of two worlds – the visible and the unseen – the known and the infinite, as light gently hands the sky over to darkness.

    If I were still as attached to the idea of controlled outcomes as I used to be, I’d still not know it exists… much less recognize it and be aware enough to take it’s photo as it occurs.

    This is the product – nay, the gift – of mindfulness. 🧘

    Detachment is not that you own nothing.
    Detachment is that nothing owns you.
    —Bhagavad Gita 2.47

    catacosmosis // 2025

  • Tipping Point

    Tipping Point

    It would seem I’ve waken up to yet another extreme of the obvious hypocrisy in what’s being demanded as “reality.” Some people genuinely still do not “get it,” while others still willfully refuse to see.

    Either way, and from all sides, there is an overarching question: Has society reached a true tipping point?

    Based on the reaction to a black man in white face, it would seem double standards have finally outstayed their welcome overall.

    Notice the general pattern of double standards over the last several years:

    Women can mock men.
    Trans can mock cis.
    Non-whites can mock whites.
    Gay can mock straight.

    Flip any of that around and you’re cooked.

    Look at the standards a little more deeply:

    The most obvious example is how men putting on “woman-face” or women putting on “man-face” isn’t just accepted — it’s demanded that everyone affirm it as their literal reality and “respect” it.

    So, logically, if that’s celebrated and that’s “reality,” then picking on any culture in jest for their quirks, failures, or oddities should be just as acceptable.

    That sums up what people are really upset about re: this skit that’s been circulating the last couple of days: it’s the double standards.

    And it’s not just white people who have had it.

    Yes, this particular skit has a lot of white people speaking out — they’re tired of being singled out as the only group not permitted to joke back, and then accused of lacking a sense of humor when it’s done to them.

    But consider society as a whole:

    Non-whites and whites alike are fed up with their own people acting like ungrateful, entitled fools — wasting the opportunities their ancestors fought to provide them and destroying the respectability they strove for.

    By now becoming loud, lazy, and disrespectful criminals, people make a mockery not only of their rights and the many opportunities they have if they would simply show up, but of their entire communities.

    Whites are fed up with Karens and Chads.

    Legal immigrants feel the same way about illegals trashing the opportunities they earned by doing things the right way — respecting the privilege of coming to another country, rebuilding responsibly, and treating that privilege with honor.

    Instead, illegals cause even legal immigrants to take the flak, lose opportunities, and be punished for things they didn’t even do.

    Masculine men are tired of being told they’re assholes instead of protectors, simply because masculinity is constantly mistaken for toxicity.

    Men of every race and personality type are sick of women parading around declaring they don’t need men, accusing and blaming men for everything wrong in the world — while in the same breath lamenting absent fathers, complaining that men don’t “show up” in general, and then demanding applause and respect for a world women absolutely didn’t build without the strength and masculinity of men.

    Women of all races and personality types are sick of being pressured to accept men in dresses not only mocking them and what it means to be a woman, but especially a mother, and having their spaces invaded and reclaimed as “everyone’s space,” only to be labeled ‘phobic’ or hateful for feeling that way.

    This isn’t only racial. It’s far broader than that, and these are only a few of many examples.

    Most, if not all, “everyday people” — all of us who are not filthy rich or sitting in positions of power — are fed up with war, crime, cruelty, and double standards. We just want to work hard, add meaning to the world, and reap the fruits of our labor: enough to survive, and enough to live — to enjoy a healthy, peaceful, happy existence.

    When did that become an unrealistic or unacceptable dream to have? It’s one that has echoed through the ages.

    Society as a whole is at a tipping point — fed up with hypocrisy, nonsense, and the double standards that no longer make sense.

    The solution, as I keep attempting to remind people, is simple across every aspect of society — yet seemingly impossible for most: for all people to embody empathy for others while taking accountability for themselves, existing in and acting from discernment.

    It is to embody some semblance of morality overall, respect nature, the planet and all its people, but especially ourselves. If we do that first — embody true self-love and self-respect — the depths of it, and not merely the mask — all the rest falls into place on its own.

    Will that be impossible for you? Or will you make it possible for yourself, and thus for others?

    Good luck out in the world today. Much love from me to you (no matter who you are).

    💜

    xo,

    c.

  • A Pause…

    A Pause…

    Yesterday on my hike, I paused for a long while. I gave nearly an hour of stillness and reverence to the nature around me, watching as butterflies moved over water and earth, dancing with the light in a way that spoke of freedom and trust. I sat with it — what felt like hours, though really only about thirty minutes — before stepping back onto the trail, camera in hand. As I rose from the creek to walk on, almost by instinct — more a photographer’s habit than intent — I pressed record.

    Later, on the drive home, I found myself reflecting on that time as I listened to one of my favorite songs — one I’ve leaned on heavily in recent years, especially since the decline and death of the last of my human teachers and spiritual guides: “Oceans (Where Feet May Fail).” The two moments merged together in my heart.

    After Ralph’s death, I finally understood where I should have been leaning all along. He — and my dad — had both tried to guide me toward this truth while alive in human form, but I depended too heavily on them. And if not on my mother in person, then on her prayers. It wasn’t until they were all gone, when I no longer had any “training wheels” to lean on, that it fully clicked at a conscious level:

    I had been depending on God all along, hearing Him, even resisting His direct guidance. I just hadn’t been consciously aware of it. That’s when I realized my faith had never left me — it had only been muted, even scapegoated, by my dependence on the faith others carried.

    It was only when I allowed this song to become a foundational prayer of my heart that His presence became tangible in a way I could no longer deny. The veil fell from my heart and my eyes, and through His grace I saw with a clarity I had once resisted — the kind of knowing that hurts, yet somehow makes the truth easier to embrace.

    The lyrics of this song speak of stepping out into places where our own strength isn’t enough, and trusting God to steady us anyway. That truth became real to me after Ralph died — especially about a year later, when I found myself in a moment of decision: to choose what I merely wanted to believe, or to stand in what I knew was real.

    I understood the magnitude of that choice. I knew it would break my human heart, and I knew it might stir misunderstanding, anger, and hurt in those around me. It was the hardest place I had ever stood. But I also knew it was time. Time to trust Him not only with my conscious mind, but with my open soul — my entire being. Time to leap.

    So I did. I quietly — nay, silently — forgave all that needed forgiveness, and I let go of everything: past, present, and future… even the things I still and always will love, but that I knew could never take root in this life. For just over a year, all that mattered outside of physical survival — food, shelter — and caring for my son was solitude in His presence.

    I chose God. I surrendered everything. And in that surrender, I rebuilt and reinforced boundaries — not only to protect what was holy from the evils that I knew would seek destroy it, but also to shield those who weren’t ready to walk the path of full and true surrender from the consequences of my choice to do so.

    Almost immediately, things began to unfold around me — things I had long since lost hope for, or had no idea how to overcome or achieve, in my life. None of it happened exactly as I would have liked, nor in the timing I would have chosen, and almost nothing came about in the way I would have planned or orchestrated it. But that was the entire point of surrender.

    And in that realization, I understood something deeper: I had spent years trying to explain surrender to others with words, but the example — living it out, letting God’s hand write the story — was far more important, and a far more powerful testimony for Him.

    Butterflies have always been a reminder to me of my grandmother, and of the simplest analogies of metamorphosis and transformation. But now? What I see most prominently in their flight is this — so fragile, yet so fearless in the air:

    They carry the story of loss and love, of veils lifted and prayers surrendered — of a journey where survival gives way to presence, and presence gives way to peace. And for all of us, just like these butterflies, it is only through full surrender to the grace and truth of something higher than ourselves that we can be — and will be — fully loved, fully supported, and able to flourish.

    Here, I’ve paired them with the piano playing of the song and these reflections as a reminder to myself, and to anyone who reads this, that even when we feel small, it is faith that keeps us aloft. I share this in hope that it might offer whoever sees it a nudge of encouragement as we continue the journey God has given us — the one He has called us to submit to and surrender.

    After decades of seeking, struggling, and trying to show and teach others (while really teaching myself), here’s what I know:

    If we ever want to find purposeful growth or true peace, we must fully surrender to the creator and orchestrator of it all — to His will, not our own.

    xo,

    c.

    🦋💜🕊️

    You call me out upon the waters…
    The great unknown, where feet may fail.
    And there I find You in the mystery.
    in oceans deep my faith will stand.

    And I will call upon Your Name,
    and keep my eyes above the waves.
    When oceans rise,
    my soul will rest in Your embrace…
    for I am Yours, and You are mine.

    Your grace abounds in deepest waters.
    Your sovereign hand will be my guide.
    Where feet may fail and fear surrounds me,
    you’ve never failed, and You won’t start now.

    So I will call upon Your Name,
    and keep my eyes above the waves.
    When oceans rise,
    my soul will rest in Your embrace.
    For I am Yours, and You are mine…

    Spirit lead me where my trust is without borders.
    Let me walk upon the waters,
    wherever You would call me.
    Take me deeper than my feet could ever wander,
    and my faith will be made stronger
    in the presence of my Savior.


    Oceans (Where Feet May Fail), written by Joel Houston / Matt Crocker / Salomon Lighthelm.
  • I died, and it… was okay. | Notes from the Other Side

    I died, and it… was okay. | Notes from the Other Side

    The First Illusion

    How can an illusion free an illusion?

    It can’t.

    Impossible.

    And yet, freedom itself is not impossible.

    But what we often mistake for freedom is only substitution. We trade one mask for another, one prison for another, one dream for another.

    Replacing one illusion with another does not set us free. It does not bring liberation. It simply shifts us deeper into what I sometimes call non-happening happening — the endless cycle of movement that looks like change but never truly is.

    So where, then, is freedom?

    Maybe it’s in understanding that simple truth.

    Maybe it’s in seeing clearly that nothing we have called “freedom” has ever been real freedom at all.

    Maybe that was the point, all along.

    Is that awakening?

    Awakening as Death

    Awakening is the death of the familiar.

    Because what is “familiar” to us — what we call “our life,” “our personality,” “our world” — is illusion.

    Nothing we are familiar with is actually real. None of it is actually us.

    We are not real. We are not what we think — what we are told — we are. And yet, here we are.

    So when awakening comes, it feels like death. Because it is death — the falling away of everything we thought was “me.”

    And without that death, there is no birth of what was real all along.

    Meaning Before and After

    Before awakening, there is no meaning of our own.

    The only meaning available to us is what others have told us is meaningful. Parents, teachers, religions, governments, lovers, friends, enemies, cultures, systems — all of them have fed us their meanings.

    And we absorbed them as if they were truth.

    We were conditioned to believe meaning is handed down, not discovered.

    We were punished for expressing anything antithetical.

    Yes, that is a word. I did not make it up. I checked, as always, when I returned from the other side.

    I digress.

    Even when we think we are thinking for ourselves — are we? Have we ever? Do we even know how?

    This is the prison of the familiar.

    But those of us who have never been able to simply swallow it — those of us who have spent our lives being told we are crazy, too deep, over-analytical, antithetical — maybe we’ve always been a little closer to freedom.

    Because we have always been with ourselves. We have always lived in the company of our own questioning. Our own introspection.

    And that has saved us.

    Moving Through Darkness into Light

    My entire life has been this movement — through darkness into light.

    And then again. And again.

    I never stayed still in a 3D thought long enough to let ideology calcify around me. Never settled enough into the world’s definitions of reality to say: “Yes, this is it. This is reality. This is me. This is final.”

    No.

    I couldn’t.

    Always, incessantly, I questioned. I sought. I chased myself. I chased I am.

    Because each time I reached for that exactness, that rigidity, something in me would die. And something deeper would awaken.

    So instead, I’ve kept moving. Through darkness, into light.

    Through lies, into truth.

    Through death, into life.

    Over and over again.

    And each time, what I found was not more of “me,” but less.

    Until I began to understand that the “me” I thought was the center of the story was never the point at all.

    And then, I actually… died.

    And then, I came back!

    What?

    I know. That’s what I said, too.

    And that is when the fullness of both illusion and irrelevance were clear to me, and the illusion and irrelevance… both shattered.

    Freedom.

    The Irrelevance of “Me”

    “Me” is irrelevant.

    Yet somehow, everything has always been about me.

    That’s the paradox.

    The small “me” — the conditioned self, the mask, the name, the history — means nothing. It is dust. Illusion. A temporary construction.

    But the deeper “I” — the one who moves through the dying and the awakening, the one who is aware of even that dust falling away — that “I” has always been the ground of everything.

    So in a sense, “me” does not exist.

    And in another sense, “me” is all that has ever existed.

    It was always… the I Am.

    The Misunderstanding

    This will be misunderstood.

    Mostly by anyone and everyone who reads it.

    If they even make it past the first few lines.

    Because illusion defends itself. It doesn’t like being called what it is.

    But misunderstanding doesn’t matter.

    Life takes care of itself.

    Life Happens

    Even when you are not there to see it, life still happens.

    Everything still unfolds — rivers flow, winds move, earth shifts.

    Even if you choose inaction — even if you refuse to eat, drink, or sleep — things still happen. The body dies, yes, but death itself is a happening.

    Because everything is always happening. Always in motion.

    Even in stillness, there is happening.

    And everything that happens has a result. Even nothingness produces consequence.

    Life is self-correcting. Even ungrounded, it finds its own balance.

    Sometimes that balance looks toxic. Sometimes it looks destructive. But it is always balance. Always motion. Always happening.

    Death Must Occur

    Death, then, is necessary.

    Not the physical death we fear — not suicide, not the cutting short of the body’s days.

    Though that death is really not all that bad, in my experience.

    The dying part itself is no fun.

    The death?

    Too many words — words are funny for this one; there is not a word, other than death.

    It is nothing, and everything.

    Alpha, omega.

    I am.

    Here? What must die is the illusory self.

    The self we defend, cling to, and worship without even knowing it. The self we call “me.”

    That death is the doorway.

    The Last Illusion

    And yet, even here, there is a final paradox:

    If the self is illusion, then death is illusion too.

    Which means — death cannot free us either.

    Because an illusion cannot free an illusion.

    I do not fear.

    Why is none of this terrifying to me?

    Maybe because fear only exists where there is something to lose. And what I am losing was never real in the first place.

    Maybe because I have already died a thousand small deaths, the fear has already been burnt out of me.

    Maybe because I saw it:

    That what I am cannot die.

    And maybe that — quiet, simple, unshaken — is what freedom has always been.

    xo,

    c.

  • A Message for So-Called “Artists”

    A Message for So-Called “Artists”

    “So you think you’re an artist, but you haven’t been to art school?”

    Well, then yes. You are.

    That’s exactly the right mindset — especially if you’re building skill and intuition at the same time.

    I say this both as a person with a Master’s in Arts (which I mention only to say, “I’ve been through your system, I know how it works, and I still reject the gatekeeping!”), and as an absolutely NON-PROFESSIONAL, non-conforming artist who also rarely shares any of their actual work:

    You’re not just “playing artist,” and being recognized as one is not the point. Those people trying to convince you of anything otherwise are wrong.

    Whatever you’re creating is absolutely valid.

    Don’t let anyone — especially those offering discouraging, destructive feedback rather than genuine critique — convince you otherwise. Just because some believe the creative or applied arts diploma they hold in one hand somehow validates the brush or pencil they hold in their other, along with the harsh judgments and negative opinions they’re vomiting all over you, doesn’t make it the truth.

    Regardless of who you are or where and how you learn, when you approach art as both a learning experience and an emotionally expressive therapy, you’re doing it right — not failing. You’re not just slopping paint on paper, scribbling in a sketchbook, or gluing down collage scraps at random.

    The difference is night and day — especially with watercolor (the medium I see people abandon most) — when you’re doing things like:

    • Consciously learning the muscle memory for how each brush moves.

    • Recognizing how the spring, belly, and tip affect water control.

    • Having fewer “happy accidents” and more intentional effects

    Painting is not just the act of moving pigment across a surface. It is the deliberate conversation between your hand, your tools, and your vision. It’s problem-solving in real time, learning how water, pigment, and paper (or canvas) respond to each other, and adjusting with both skill and instinct.

    It’s as much about restraint as it is about expression, and as much about observation as creation. When you understand that, every stroke becomes intentional, even in your loosest, most playful work.

    Watercolor especially rewards this kind of discipline because it’s less forgiving than acrylic or oil. You can’t just pile on more paint to hide a mistake — in a way, you have to work in reverse.

    No medium, but especially watercolor, is as easy as “the professionals” make it look. But if you keep going, keep learning, and keep focusing on technique and purpose — no matter what the art-school elite try to tell you — the control you gain over water, pigment, and paper will make even your loose, expressive or abstract work stronger. It will be loose or abstract by choice, not necessity.

    That deep dive into technique is probably why so many of you express so often how your art process is helping you mentally and emotionally, and why many artists pick up a pen, pencil, or brush in the first place. It’s meditative — but also empowering — to know exactly what your tools can do.

    So keep learning. Keep practicing. Keep playing! Keep a balance between the fun and the serious aspects. Sure, we all appreciate skill and technique. But what is the point if it’s just a job and not a fun expressive process with purpose?

    Nobody owns art as a process — and if anyone tries to tell you otherwise, they’re not talking about art. It’s still a free world, regardless of how it may seem on the surface and no matter what the uppity, judgmental types try to say.

    Keep making art. Because your kind of art — the kind that comes from soul combined with technique rather than straight line, hard rules — is what art should still be all about.

    xo,

    c.

    💜🦋

  • Maintenance as a Creative | Not Broken, Just Built Differently

    Maintenance as a Creative | Not Broken, Just Built Differently

    There’s this list — never written down in one place, but always hanging over me like the hum of an old fluorescent light. It’s made of things that should be straightforward:

    • Back up the photos.
    • Untangle the art supplies.
    • Organize the sketchbooks.
    • Move the ideas from my head to a place they can breathe.
    • Put the words onto the pages.
    • Clean the brushes.
    • Organize the books.
    • Organize the ideas.

    But they are never straightforward. Not for me. Not for anyone whose mind has a thousand open windows and refuses to shut them just because the world prefers tidy blinds.

    Society has found a name for this: ADD. ADHD. Neurodivergence. The diagnosis may be true for some, but here’s what I believe — it’s not a flaw. It’s the original wiring of the artist, the philosopher, the restless creative soul. It’s the part of the mind that won’t collapse into the assembly-line cadence of “normal life.” And that refusal has always been a threat to the people who rely on compliance.

    This is why so many people who are miserable in the 9–5 grind feel like they’re constantly drowning. They fight from one day to the next just to keep their priorities in order, forgetting things, feeling scattered, wondering why life feels like a treadmill they can’t get off. It’s not because they’re lazy or incapable — it’s because they’ve been convinced, by family, by school, by the whole machinery of society, that their purpose is something other than what their soul already knows it to be.

    They’re creatives, not conformers. But they’ve spent their entire lives pouring all their energy into staying afloat in a stormy, chaotic sea they were never meant to swim in. And not only has the world’s rules kept them from living their purpose, they don’t even remember what that purpose is… and they certainly haven’t been taught how to manage or maintain reality as a creative.

    The problem is, the tools that work for type A people don’t work for type B people — and vice versa. But the world, the powers that be? They don’t want any creatives to thrive. Why? Because thriving creatives don’t line their pockets, and they can’t control what they can’t contain.

    By the late ’90s and early 2000s, the strategy had shifted. They started medicating us into focus, pressing Adderall into palms while preaching “Say no to drugs” in the same breath. It wasn’t just hypocrisy; it was the perfect kind of doublethink. They couldn’t get my generation — Gen X, especially — to trade curiosity for clock-punching, so they tried to sedate the wonder right out of us.

    It had started long before my generation. From the ’60s onward, every decade had its rebellion, but something about our era cracked the pattern wide open. We remembered how to slip back into our creative current, to say — without apology — that the system wasn’t built for us, and we weren’t going to rewire ourselves to suit it.

    The boomer generation fell for it enough to punch the clock and hold the grind in both hands. But my generation? The ones who were school-aged in the ’80s and especially high school/college aged in the ’90s, raised as latchkey kids, left to our own devices? We had just enough space to keep our own ideas and double down on our self-expression. We rejected the rhetoric outright, but we still had the foundational work ethic, the grit, the stubborn drive to show up.

    Unfortunately, that refusal was met with more control, more noise. By 2012, the hum had become a low, constant pressure. By 2016, the unexpected and unorthodox split the air like lightning, and nothing went back to sleep after that. By 2020 — and certainly by 2022 — largely thanks to Covid (which I will forever believe was a purposeful attempt to tighten the reins of control), the result wasn’t the obedience they hoped for. It was the opposite. People were waking up in numbers that mattered.

    And here we are.
    And here I am.

    Sitting with a computer that holds hundreds of gigabytes of uncataloged photographs, each one a memory or a moment, all of them waiting for me to find them a home, if not on someone’s wall then in beautiful posts they can enjoy on their computer screens. Art supplies scattered in a way that makes them impossible to ignore and yet impossible to start sorting. Projects that live half in the physical world and half in my head, where they multiply faster than any app or planner could contain.

    Digital tools have not tamed the chaos — they’ve only given it better hiding places. They’ve bred a new kind of loathing, a quieter form of procrastination and lethargy, one that makes the struggles of pre-technology life feel almost romantic in hindsight — like a fairy tale we didn’t know we were living, a beautiful dream we only learned to miss once it was gone.

    This morning, I pulled a book from my shelf. It’s been there since Ralph died:

    How to Be an Explorer of the World — Portable Art Life Museum.

    I haven’t opened it yet. The title alone feels like someone has tossed me a rope, and I’m still deciding whether to pull. Even without turning a page, I intuitively, automatically know — as every creative does — what waits for me inside. The “Art” in the title has been struck through and replaced with “Life” for a reason: because that’s what it truly is. A reminder that we’re not here to live as curators of someone else’s museum, dusting off exhibits we never chose. We’re here to explore — to step into new rooms, to rearrange them until they make sense to us, to claim the space as our own.

    And yet, here’s the truth I keep circling: maintenance is the perpetual loop where I always seem to get stuck.

    Not the dreaming, not the making, but the keeping. The tending. The part where you have to hold the door open for what you’ve already made so it doesn’t fall apart while you’re off chasing the next thing. Somewhere in the tug-of-war between vision and upkeep, I drop threads. And when enough threads fall, the rest of my life starts tangling with them — homeschooling, daily meals, the way the pantry and the jumble of household chores scribbled on random scraps of paper looks like a metaphor for my brain.

    This is the quiet battle no one talks about: how to keep creating without losing the things you’ve already created. How to tend your work without caging your mind. How to make room for the next idea without letting the last one turn to dust.

    For people like us, maintenance is never just maintenance. It’s a negotiation between the world’s idea of order and the wild way our minds are built to move. And maybe the truth is that we aren’t the ones in need of repair.

    Maybe the wiring was never the problem.
    Maybe it’s the world that’s broken.

    And what does all of this lead to? Yet another idea tossed onto the pile: maybe I should explore it in an in-depth series of articles here.

    Ha.

    For now, though, here’s a brief gallery of shots of my favorite tree — the oldest in my state, and one I’ve found myself referencing often lately. A couple are completely blown out. One feels especially dull to me. But while they may seem ordinary, even boring, to the casual observer, my passion for this incredible 400+ year-old short-leaf pine runs deeper than any skill or lens could ever capture.

    And that’s exactly the point — this tree is the living embodiment of what I’ve been trying to say above. The uncreative soul may never understand the pull, the quiet reverence, or the way beauty lives in the details that can’t be measured or monetized. But to those who do understand, no explanation is needed.

    I hope you enjoy these images as much as I enjoyed the process of shooting and processing them.

    xo.

    c.

  • Fragrance, Memory, and the Air Between

    Fragrance, Memory, and the Air Between

    The Quiet Power of Things That Don’t Stay

    Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.

    Not everything soft is weak.

    Not everything brief is forgotten.

    The mimosa blooms like a passing thought—pink, feathery, fragrant, gone before you’re ready. But even in its short season, it rewrites the air.

    And maybe that’s the point:

    To offer sweetness without needing permanence. To make magic in the margins.

    💚🌿✨

    Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.

    The Mimosa tree (Albizia julibrissin) is commonly known as the silk tree or Persian silk tree. Albizia julibrissin isn’t actually a true mimosa—though it’s been lovingly misnamed for generations. Native to Asia, this delicate tree has made its way into southern landscapes with grace and stubbornness alike.

    Its blooms are light as breath—powdery tufts that attract butterflies, bees, and human daydreamers. They bloom at dusk, shimmer in the wind, and drop silently—often leaving a petal-scattered sidewalk like a love note no one signed.

    Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.

    Though it’s sometimes called invasive, there’s no denying its presence feels like a portal: part nostalgia, part perfume, part dream.

    Its scientific name, julibrissin, comes from the Persian gul-i abrisham—“silk flower.” A name that suits it perfectly.

    Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.

    In folk medicine—especially within Traditional Chinese Medicine—the mimosa tree is known as the “Tree of Happiness.” Its fragrant pink blossoms and bark have long been used to lift the spirit, ease grief, calm the heart, and quiet a restless mind.

    The flowers are brewed into gentle teas, while the bark is sometimes tinctured for deeper emotional support. Often given to those moving through sorrow or heartbreak, the mimosa is considered a natural ally for joy, resilience, and emotional rebirth.

    #Nature // #Mimosa // #TreeOfHappiness