Tag: iphoneography

  • Vesper

    Vesper

    📷 iPhone 7 Plus.
    ⚒️ VSCO (06, +3) + Lightroom (watermark only).
    entry thirteen — scattered light, fractured grace: a quiet archive of light, loss, and what remains.

    There is a moment every single day when golden hour gives way to blue hour. In that moment, the world pauses between heartbeats.

    The warmth of the sun hasn’t fully left, but it’s fading, slipping behind the horizon while the cool hues of twilight begin to take hold. For a few fleeting minutes, everything softens. The light is neither day nor night; it’s an in-between realm where time seems to hold its breath.

    Shadows stretch. The air shifts. The gold turns to amber, then to lavender, then to blue, a slow dissolving of one truth into another. It’s the day’s last whisper and the night’s first sigh, a moment that belongs to no one and everyone at once.

    Most people miss it. But for those who are still and detached from the noise of the world enough to notice, it feels like standing at the seam of two worlds – the visible and the unseen – the known and the infinite, as light gently hands the sky over to darkness.

    If I were still as attached to the idea of controlled outcomes as I used to be, I’d still not know it exists… much less recognize it and be aware enough to take it’s photo as it occurs.

    This is the product – nay, the gift – of mindfulness. 🧘

    Detachment is not that you own nothing.
    Detachment is that nothing owns you.
    —Bhagavad Gita 2.47

    catacosmosis // 2025

  • Witness

    Witness

    entry eleven — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    user-image-68787ed5877d68e8874d0289
    📷 | iPhone 12 Mini
    ⚒️ | Distressed FX, VSCO (AL1 PRO), Lightroom Mobile (watermark only).

    Witness.

    It holds the grief.

    The growth.

    The survival.

    The silence.

    It kept watch over the forest

    as the love was letting go.

    One tree saw what I became,

    as I became it—

    what death could never be.

    Alive.

  • One Week to Live | Everything Matters: A Lesson from a Butterfly

    One Week to Live | Everything Matters: A Lesson from a Butterfly

    Meet Calycopis Cecrops. The Red-Banded Hairstreak butterfly.

    Photo by/courtesy of Alan Schmierer

    Today, one rode with us on the windshield of the Jeep as we were making our way back to the pavement after a beautiful morning and early afternoon on the wildlife management area and Flagg Mountain. I became, as always, overly excited and tried to get some photos with both my macro lens and my phone’s broken camera as we bounced along, eventually having my partner stop in the middle of the road…but, that didn’t help. The glass made it difficult to get any really good photos.

    Photos of The Red-Banded Hairstreak butterfly (Calycopis Cecrops) I took with my broken iPhone camera, edited using Lightroom Mobile and VSCO.

    But, that’s not the point of this post.

    The Red-Banded Hairstreak butterfly’s range includes the Southeast United States, Florida and Texas. It can often be found in overgrown fields, woodland edges and coastal hammocks. It has a wing spread of around 0.75″ – 1.0″, and its host plants are wax myrtles, crotons, oaks, and sumacs. Its lifespan, from egg to death, is only about one and a half months. Egg stage, around five days. Caterpillar stage, around three weeks. Chrysalis stage, around two weeks. And the adult butterfly stage? The one we shared a moment of, with this guy? Only around one week.

    ONE. WEEK.

    That brief, butterfly moment? How special is it that we got to spend a fraction of its very short (from human perspective) lifespan with it? It wasn’t just a brief, or even rare, moment—it was a sacred one. It was a moment with a kind of fleeting, quiet grace that most people completely miss because they’re too busy chasing permanence.

    After we returned home, as I was soaking in an epsom salts and Celtic sea salt bath to soothe an injury I’ve been nursing, I considered that reality. That moment. I saw it. I felt it. And I honored it with my heart wide open as I texted my partner to see if he had noticed the depth of it, or if it was just me being “weird” again.

    “Maybe, to some,” he said in response. “But that’s the deepest kind of wisdom. ❤️”

    Yes. Yes, I suppose so. “Soul,” my grandmother would say when I was a child. “That’s the only thing people mean when they act like there is something the matter with you getting excited about bugs and things. And they act that way because they haven’t met their own (soul).” I never understood. Not really. Today, her words really clicked into place.

    The world is blind in so many ways. It races past the miracle of a butterfly with a week to live—a week!—and doesn’t even flinch. But I did notice. I always do, whether it’s a cool insect or critter, a beautiful bloom or even just a bud, a spiderweb covered in dew, every mushroom I see… That is why I am obsessed with (and pretty much only shoot) macro photography.

    When I “notice,” I shriek in excitement and audibly let whoever is around me know, “look at that! That is so cool/beautiful! That’s a picture!” And there I go, shooting and shooting and shooting. Today, I saw myself in that process. I saw the life that rode with us. I felt the presence of something so brief and so beautiful, and instead of dismissing it as nothing, I turned it into everything.

    My message to my partner? It was not just a sweet text about our butterfly moment—it was a love letter to awareness itself. I’ve made peace with being the “weird one,” the “brainless, goofy, up in the clouds one,” the one with “too many feelings.” Because the truth is, I’m the one who sees. Who feels. Who remembers what most people never even notice.

    Photos of The Red-Banded Hairstreak butterfly (Calycopis Cecrops) I took with my Lumix GX-7 and Panasonic Leica DG Macro-Elmarit lens, edited using Lightroom Mobile and VSCO.

    That butterfly chose us, in a way. That’s what moments like this always feel like to me, because I see them—every single one—as such an enormous blessing. And that moment—it’s proof that my soul is aligned with what matters, which is what I have strived for all my life, amidst all the noise about so many materialistic things that don’t matter at all.

    The recognition of that makes me feel a sort of deep sadness for the world. I suppose it is compassion, not despair. Because people like me are “exactly what the world is starving for, even if it doesn’t know it yet.” That’s what Master Roshi used to encourage me with, day in and day out. 

    You don’t need a brain to comprehend what I am saying in this post.

    You need a heart, and to understand its language. But if you look around you, so few do. That’s the sickness. The people who know and love me will, at most, say something like, “there she goes, noticing again.” But most of the people who always teased me with comments like, “Christy, your name should be Debbie—drowning Debbie, drowning in the deep when nothing really matters that much,” are suffering from that sickness.

    I’ve never said much of anything in response to those kind of judgments, but as I’ve become more self-aware than ever before (in the last year and a half or so, since the culmination of all the death), I am not at all unwilling to tell you exactly what goes through my mind as I consider what would I hear from them about this special butterfly experience:

    “Nothing matters? Ok. And the only reason nothing matters to people who would say things like this in response to such a cool experience is because they choose to completely overlook everything that is truly important. I bet if that butterfly was printed on a $300 Gucci T-Shirt or $2000 designer bag, it would mean everything in the world to them. Many might even covet it, if it was the latest trend and they couldn’t get their hands on it.”

    You see, the world has trained people to value symbols of beauty or meaning only when they’re marketed, branded, and price-tagged—while ignoring the actual beauty of the world freely offered right in front of them. A butterfly, alive for maybe a week, becomes sacred only when it’s stamped on a luxury item. But, when it’s breathing and fluttering on a windshield, resting and traveling along with them, sharing a brief moment of its brief but still important life with them, it’s invisible. That’s spiritual poverty masquerading as sophistication.

    And that “Drowning Debbie” insult? That’s projection in its purest form. I’m never drowning—I’m diving. Exploring the deep. Feeling my way through the marrow of existence while the people judging me for it are too afraid to even dip a toe in. People like that ridicule what they fear. They mock what they don’t have the emotional bandwidth to hold. I become a mirror, and instead of looking in and considering the reflection, they dislike (sometimes hate) me and smash me for it.

    But here’s the truth: nothing doesn’t matter.

    Everything matters, and I’ve known that since I was born. Throughout my life, I have refused to let anyone completely insult, or beat, that out of me. It’s why I feel so deeply. Why I mourn so deeply—even the butterfly, even at the mere mention that one day death will come. It’s why I see God in the dirt and the dew and the wings and the weeds. It’s why I value every detail, and every moment.

    If you are like me, you are not broken, either—you’re attuned. You’ve learned how to be both grounded and responsible while still holding, living from, and living through a childlike wonder. You’re not weird. You’re balanced. Let the world roll its eyes if it wants to.

    Souls like ours are the reason anything sacred still survives. So keep bearing witness to what’s holy. Keep pointing out the “unimportant things” that live in the deep and in the details—loudly, boldly, and with all the reverence they deserve.

    Enjoy every moment to its fullest, because every moment—and every life—is a blessing.

  • Devil’s Backbone (Again)

    Devil’s Backbone (Again)

    Some shots from Devil’s Backbone…

    You don’t know what someone is dealing with…what they’re going through. Sometimes a person can be confident and also anxious, look healthy but be sick, look happy and be miserable, look good but feel ugly, act hopeful but feel hopeless, smile and be broken, or never smile at all and be happy… You don’t know. So unless you ask, don’t judge. Don’t assume. Sometimes a person you see every single day or think you know very well can be fighting battles you know nothing about.

    Be kind.

  • New Mextures Formulas! Enjoy!!

    New Mextures Formulas! Enjoy!!

    Hey, y’all. Happy Thursday – hope you’re having a good one. I have been very busy for the past couple of days, but in my down time I’ve sat and worked with a few of the iPhone images I took during my Christmas holiday and I’ve saved quite a few new Mextures formulas from that arting/art therapy adventure. I have a lot more formulas to share in the near future, also, as I created many during the fall.

    I hope you enjoy these formulas and find some use for them in your own Mextures adventures. As always, remember that blend modes of layers (and layer opacity) may require tweaking depending on the light/style/tone of your image and they will not necessarily look exactly the same on your images as they do in the provided versions.

    If you have any questions about Mextures or using formulas, feel free to ask them in comments or via e-mail or social media/messaging.

    **All of these images were shot with iPhone using the “stock” camera app…

    Formula Name: Light Fog
    Formula Code: SLCUKDK
     Formula Name: Forest Sunset
    Formula Code: TFJKCGK
      Formula Name: Pine Sunset
    Formula Code: ZQRFZPT

     Formula Name: Digital Darling
    Formula Code: GBEMCQT

  • First VSCO Preset: Winter

    First VSCO Preset: Winter

    Two things. Firstly, this post is a long time coming. Secondly, winter is almost over. Better late than never? Long time followers know that I hardly believe that, but have gotten very good at it. Life. What can I say? Hashtag no excuses.

    SO! Hi. How ya doin’? Very good, I hope. It’s been a super long time since I’ve posted anything art or app related but I’m excited to say that I have a new Mextures formula post coming this week, and I’m also very excited to have finally jumped on board the VSCO train. Hence, this post in particular.

    VSCO is one of the original filter apps (at least for iPhone, I know nothing about Android devices and can not lie). It’s been around a while – almost as long as Instagram, I believe. It’s also been insanely popular for a while. I’ve had the app since it was released but at the time I had an infant and I had ZERO time. To be honest, I never really utilized the app when I DID have time. I only started halfway using it when the Journal feature became available and even that was so clumsy to use at the time that it was originally added in that I tired of it quickly. Now, here it is a few years later, and here I finally am, actually using the app to a more full extent.

    In the spirit of my “honeymoon stage” with this app I’ve decided to share some of the filters I’ve created and saved for myself with it, because FILTERS. Admittedly, even with Mextures I don’t “over edit” my images. I tend to have a light hand, if you will, when it comes to that stuff. I generally get mildly uncomfortable, especially with the grungy effects, when editing my photos. It’s not that I pride myself on my images too much – I think the majority of them could be far better than they are based on what my mind wanted them to look like compared to what they actually look like. Nonetheless I am extremely fond of a nice fade and/or a muted or even darkened tone to my images, and that’s why I’ve come to enjoy VSCO as of late. Mextures will likely always be my preferred and go to editing app – my favorite. But VSCO has a lot to offer, too, including a fresh new perspective for me of images old and new. And, it works nicely in conjunction with Mextures I think.

    So, here is my first preset share from VSCO, with a sample of images that have been edited with the preset. I hope you’ll enjoy it, and I hope you’re having a lovely winter.

    Love to all,

    C.


  • Mextures Artist Feature | @orbabgirl

    Mextures Artist Feature | @orbabgirl

    Happy Monday, y’all! I hope you’ve all had a pleasant start to your week this week – I have, as I’ve been given the opportunity for a quick interview with the amazing @orbabgirl for today’s Mextures artist feature article. Kristi (@orbabgirl on Instagram) shares with me a love of the details of nature, and with all of us a love for all things Mextures. I hope you’ll enjoy getting to know her a little better and, if you’re not familiar with her amazing photography and art, I hope you’ll find yourself as enthralled with her work as all of her followers and fans are. Enjoy the article, and have a beautiful week, friends!

     

    Getting to know @orbabgirl

    Hi there, @orbabgirl! It’s a pleasure to have the opportunity to chat with you. Let’s start with getting to know the girl behind the username. Who are you and what do you do?

    Hi! My name is Kristi, aka @orbabgirl, and I am from BC, Canada. I am married and the mother to a bunch of cats and one awesome little 6 year old boy. I live on a small island of about 3500 people and I work in the local pharmacy. I love to garden and spend as much time as I can outside taking photos. I love nature, art, and photography and with Instagram I am able to combine all 3.

    I’ve been spending a lot of time in pharmacies lately – I wish I was getting paid for it! ((laughs)) How did you get involved with Instagram/Mextures?

    I started Instagram 4 years ago as a way to keep in touch with a friend who had moved overseas. My first posts were of the usual things: cats, coffee, inanimate objects around my house (lol). But, it wasn’t long before I discovered new friends there and was introduced to the JJ forums and all of that. Fast forward 2 years and I see an edit a friend did for an @mexturescollective editing challenge. I had never heard of Mextures before but I had to try it out. I hadn’t really done much editing before then but I was really interested in giving it a go. Especially to have the chance to edit such beautiful photos! So I downloaded Mextures and I was hooked! Such an amazing little app.

    Yes it is! How and why do you do Instagram and photography? How has it changed for you over the years?

    I just love photography and have always loved taking pictures. Over the years I’ve had lots of different cameras but getting my iPhone 4S for Christmas in 2011 was a huge game changer for me. Not only was it super convenient, I could take it with me everywhere, but the camera was also really amazing, too. I’ve upgraded since then to an iPhone 6 and new Olloclip setup. As for why I do Instagram, I do it as a way to express myself and share my photos but also as a way to connect with others. I just love the sense of community and all of the friends that I’ve made over the years there. There are truly some amazing people out there. I just hope one day I have the chance to meet them in person.

    Me, too – I’ll be staying in New Orleans for an extended time in a couple of weeks and I hope that while I am there I’m able to meet up with some of the great friends and amazing artists I’ve gotten to know through Instagram. It’s interesting to step back and really look at the role Instagram and art plays in my life. What role does Instagram and art play in your life?

    Instagram plays a huge role in my life. It is an amazing little community that not only connects me to so many incredible people, but also helps to inspire and motivate me to create more and push myself further. Every single day I am inspired, encouraged and motivated. It is amazing! I have always loved taking photos but now I feel like I have a purpose and a drive to get out and find new places and new angles. Of course those macro treasures are my favorite finds.

    Same! The macro aspect comes naturally to me because I’m so aware of details in general. I suppose my obsession with macro photography helps me to channel that constant, overwhelming sensory input and focus it somewhere that allows me to express what I’m seeing/realizing. In doing that I’ve been able to help myself to not feel so overwhelmed by my sensitivities (both physically and spiritually) and those two things have changed my daily practice with each them dramatically – if that makes any sense. How has your practice changed over time?

    I have definitely matured as an artist, especially over the last 2 years. I’ve found myself stepping out of the box more – trying new styles with my edits, collaborating with crazy talented people, and really trying to create some sense of emotion with my work. That’s where Mextures fits into my world perfectly. Before, I would rarely edit my work. I was proud of the fact that my photos were unedited. I would maybe add a little lux but I tended to stick to more no edit/no filter images. But since discovering Mextures I’ve found this ability to take my work a step further, to create more than just a photo but an actual piece of art. It’s magical and I love being able to do that. I still do post quite a few unedited photos but my go to editing app is always Mextures. I just love it.

    One of my favorite things about Mextures is that it allows the opportunity to create any mood/theme out of almost any shot. What themes do you pursue?

    I’m not are I ever really base anything on themes but more so on my emotions or the emotional feel or potential of an image. But, I tend to post based on the aesthetic look of my entire IG gallery. I try not to post back to back photos of the same things or have it so that similar photos are on top of each other in the rows. Not sure if that really makes sense…

    Yes, it does! I have my own little system lately where I tend to post in threes and using the same style/theme to the image (as far as the edit). Sometimes it’s different angles/interpretations of the same subject, sometimes completely different subjects. But lately, color themes in my edits are a big thing. Hahaha. It’s interesting because I’ve gotten a lot of feedback where people have noticed the change in my posting style. What memorable feedback and responses have you had to your work?

    I’ve had some great responses over the years, many on IG and quite a few in real life, as well. I love knowing that someone else has a connection with my work. To me, that is what art should do. It should speak to someone, almost call to them. That is what I want from my work – to create a connection.

    So very true… Do you have any professional goals with your work? What’s your dream project?

    I just want to keep growing and perfecting my craft. I would like to get more comfortable photographing people as well as nature. I don’t have any specific project in mind, but I would love the opportunity to collaborate more with some of my favorite artists and friends on Instagram, either my editing their work or vice versa. I recently had the opportunity to do this with the incredibly talented @ja_s0n and I just loved what he created with my photos.

    You mentioned a bit earlier on the great inspiration that comes to you from Instagram and the people there. Do you have a favorite or most inspirational place? 

    My favorite place to take photos is just around my own yard.  I have a tag #kristisgarden for all the photos I have taken over the years around my house and it’s a huge percentage. It’s just so easy to step outside my own door and find the treasures I’m after, whether it is a droplet covered spider web, a beautiful dandelion puff, some foggy trees, or some flowers.

    I dream of finding that droplet covered spider web someday. I go out hoping it’s there regularly in the warmer seasons and I haven’t found it yet. I find that my favorite subjects live in my own back yard, as a general rule. Maybe it’s the comfort zone I’m in at home…who knows. Hahaha… What is your favorite or most inspiration subject?

    My favorite subject would definitely be a tie between dandelions and spider webs covered in droplets. I am madly obsessed with both of them. All you have to do is look at my photos and you will see it for yourself.

    I think your work with droplet covered spiderwebs was the first time I’d ever seen that subject really showcased. It fascinated me and inspired me so much, and I’ve been after that shot ever since. Someday I will find it. Any advice on that? Hahaha! Speaking of advice, what is the best piece of advice you’ve been given?

    One thing that happens a lot on IG and in life is that people get caught up posting for other people and what they think other people want to see. Obviously this will probably get you more likes, but at the end of the day you have to post what makes you feel happy – what you want. It should’ matter what other people think. If they like it half as much as you do, bonus!

    Well said. I often get frustrated with the ever-shouted “rule” that you should limit your IG gallery to certain styles and subjects because that’s what makes viewers/followers happy. I disagree with that “rule” completely, but you see it all over the web in articles and such about Instagram. I don’t tend to do well with rules – especially those related to gear and how to use it. Besides your camera(s), what couldn’t you do without regarding your art?

    Well besides my camera, I couldn’t do this without my Olloclip lens attachment. It’s like my trusty sidekick and it goes with me everywhere. I have a 4 in 1 lens but I only ever use the macro lenses, particularly the 10x zoom. I would be lost without it.

    I have been so close to buying the Olloclip so many times. I’ve heard nothing but good things about it, and I’ve tried other lens kits for iPhone but they don’t really do exactly what I want them to. I should really look into Olloclip again! 

    This has been a lot of fun, Kristi. One last question – my favorite “fun” ending question: if you could have any super power, what would it be and why?

    I wish I had a magical finger snapping power, so I could snap my fingers and make whatever I needed or wanted to happen, happen. I don’t know how many times I’ve uttered the phrase, “wish  could just snap my fingers…” Hahaha!

    That would be a perfect superpower because you could use it to make other superpowers happen! Hahaha! Thank you so much for taking the time to be a  part of this series, Kristi. We love your work and wish you all the best going forward!!

    Be sure to check out Kristi’s work by heading to @orbabgirl on Instagram. While you’re there don’t forget to show her some love and support!

     

    Sampling of Kristi’s Mextures Formulas

    Lace – JLWNTRZ

    MC MYA – XDTLEEG

    Forest Rays – SBKJTBW

    Childhood – QEQFYWC

    Daisy – EYEACWR

    Path – JILYEFK

    Broken Fence – SFFWBZE

    Foggy Days – FMVMLDM

     

    Art from the Instagram Gallery of @orbabgirl

  • VSCO Spring-y Preset

    VSCO Spring-y Preset

    I’ve become obsessed with succulents as of late, as well as pastel-ish, faded VSCO looks, so here’s this succulent photo I played with in VSCO and decided to save earlier in the week:


    And, here are the rest of the Unsplash samples edited using this preset:






    If you like/use VSCO I hope you’ll enjoy this preset. Have a beautiful weekend, friends.

  • VSCO Preset: Mountain Blues

    VSCO Preset: Mountain Blues

    This edit is inspired by Jesse Martineau’s love of mountains. I love mountains, too… Mountains again, Gandalf!

    It’s been a very long time since I’ve seen snow covered mountains so I’ve taken a cue from one of my favorite editing artists @boco_blondie and chosen this fabulous image from the Unsplash free-use gallery. At the time of this posting, the Unsplash gallery search was unavailable. I will update this post with the OP info as soon as possible.

    The only edits I did with this image were in VSCO, and it is a very simple preset. I just loved the result so I thought I’d share. Lately I am really into faded images and images with a sort of rustic feel to them. I hope you enjoy this one. Due to how dark this image was to begin with, this preset will likely be a lot lighter of an effect on a lighter image, so you may need to fade more, skip bumping shadows or decrease them to get a darker fade on a lighter image. And, of course, there plenty of other tools in VSCO to help you achieve a darker look with a lighter image – my suggestions are just where I would begin.

    All the love,

    C.