Tag: iphoneography

  • Aware.

    Aware.

    Tucked into the quiet corners of my yard and spilling along the back fence — where wild grass gives way to the shadowed woods and, beyond them, the familiar silhouette of my mountain — the azaleas have erupted this spring in an almost audible riot of pink, purple, and white.

    Two bushes a deeper rose at the edges, softening to a pink like the first blush of dawn on cotton-candy clouds; the purple one as deep as twilight shadows pooling in the underbrush, veined with richer amethyst; the handful of white ones pure and luminous, like scattered moonlight caught on petals. On several of them, the blooms crowd the branches so thickly that the dark green leaves vanish beneath waves of color, the bushes a generous bouquet bowed gently under its own abundance.

    📷 Lumix GX7 + Panasonic-Leica DG Macro=Elmarit
    ⚒️ VSCO + Lightroom Mobile

    I stand at the fence line with my camera, breathing in the faint, sweet honey of their fragrance carried on the breeze, and it pulls me straight back to childhood. Growing up in the valley just across from my current, adult home, right at the base of that mountain, I’d watch for the wild azaleas and mountain laurel to appear along the wood’s edge, tiny beacons at the pasture’s far side. Each warming degree and every minute longer the day became — yes, I counted the minutes — felt like permission: one more day to explore before the snakes woke fully from their winter sleep.

    With each passing day I’d step more carefully, heart racing with equal parts thrill and caution — head on a swivel, eyes scanning for copperheads or rattlers coiled just out of sight. The early days of spring were my favorite. They were the most relaxed. But the flowers made even the hot summer days worth the risk, with the promise of wild bursts of color rivaling my grandmother’s carefully tended, cultivated bushes next door, proof that beauty could thrive untamed.

    📷 Lumix GX7 + Panasonic-Leica DG Macro=Elmarit
    ⚒️ VSCO + Lightroom Mobile

    Funny the things we fear and the things we don’t. Bobcats and mountain lions hunted those slopes, yet I never once worried about them — until the story my father told years later. At three years old, toddling the forty yard path to Grandmother’s a couple of hours after nightfall, my father watching and guarding intently — something I’d, we’d, done dozens of times before without consequence — a mountain lion perched on the cellar roof five feet above me, eyes fixed, body still. Daddy watched it watch me, praying silently, knowing any sudden move or cry might trigger instinct. It never pounced. I reached the house safe, unaware. When I was safely inside my grandmother’s screened-in back porch, he scared it off with a shotgun blast into the air, and we never saw one that close again.

    I’ve thought about that story more often since losing him. He’s been gone eleven years now, and there are many things I never thought to ask, or wish I hadn’t been afraid to ask, while I still could… but this one he told me himself, more than once. I think it meant something to him that I should know it.

    What I understand now, standing on this side of parenthood, is the cost of that stillness. The discipline of it. To watch a predator watch your child and not move, not cry out, not run — to trust that motion or sound might break whatever fragile restraint was holding that animal in place, and be so steady and rooted in your faith that you pray. Just… confidently pray. Whatever else he did or didn’t get right in his life, in that moment my father was made entirely of love and terror and faith, and none of it showed on the outside. That kind of stillness cost him everything. It was paid for in utter surrender, and he surrendered to fate, and to faith, beautifully.

    📷 iPhone 17 Pro
    ⚒️ Hipstamatic X (Salvador 64 Lens + Uchitel 20 Film + Spiro Pop Flash

    I think about that when I think about my own son. Sixteen, navigating a world that doesn’t always make room for the way his mind works, walking through invisible dangers I can’t always name or intercept. And I understand something about the helplessness of parenthood now that I couldn’t have grasped as that oblivious three-year-old toddling through grace.

    You can’t always throw yourself between your child and what’s coming. Sometimes the most faithful thing is to stand still, breathe, and trust the hand that’s bigger than yours.

    📷 Lumix GX7 + Panasonic-Leica DG Macro=Elmarit
    ⚒️ VSCO + Lightroom Mobile

    These azaleas have had quieter seasons. A few years back they were sparse, almost reluctant, with a handful of blooms where there should have been abundance. I watched them without much comment, the way you watch things when your own life has gone quiet in ways that don’t invite easy conversation.

    Loss has a way of muting everything: the yard, the mornings, the impulse to pick up a camera at all. Grief and illness and the particular exhaustion that comes from giving what you have left to people you love… all of it settles like a kind of winter that has nothing to do with temperature. I’ve had a few of those winters. Longer than I’d like to admit.

    So this spring, when every single bush along the fence erupted like they were making up for lost time, I stood there and felt something catch in my chest. That’s part of why I photograph at all — not just to capture beauty, but to bear witness to it. To say, with the deliberate act of framing a shot, I see this. This is real. This happened. The camera makes me slow down enough to actually look, and looking is a form of gratitude I can access even when words fail me.

    📷 Lumix GX7 + Panasonic-Leica DG Macro=Elmarit
    ⚒️ VSCO + Lightroom Mobile

    As a child, maybe I sensed some invisible shield, or maybe I was just young enough to believe in magic. As an adult, looking at these cultivated echoes of those wild blooms now thriving in my own yard, I know the truth: protection was there all along. Not arrogance, but grace.

    God’s hand has turned aside far greater dangers than I ever knew were there. The mountain lion I never saw, the losses I somehow survived, the moments where the math shouldn’t have worked out in my favor and it did anyway. These azaleas, blooming so fully this year after quieter seasons, feel like a quiet reminder of that mercy, a gift unfolding right where the tame meets the wild, the past meets the present, under the watchful gaze of my mountain.

    I don’t take that lightly. I don’t take it for granted. I take photographs of it, and I tell the stories that go with them, because that’s how I know to say thank you.

    Mere backyard glory doesn’t begin to cover it. It’s memory, wonder, and gratitude all tangled in petals.

  • Stargazer

    Stargazer

    iPhone 17 Pro + DistressedFX + VSCO

    Stargazer—
    eyes lift past obstacles;
    night opens.

    I wrote that on January 8 when I shared this edit of an iPhone shot I captured in my back yard to Vero and VSCO, and then just… moved right past sharing the image or the words here. I’ve been becoming.

    I’ve been lost in introspection, peeling back layers, observing, feeling it out, integrating it – all of this over and over in this time non-adjacent, beautiful cycle of infinity, that I kind of forgot… most everything lately. I used to think it was just the caregiving and/or the surgical menopause. I thought for a short time, when I surrendered the last earthly thing I had left that had for so long been the treasure of my heart, that I’d finally just overloaded and lost my mind.

    In reality, ultimate surrender to God, truly following where He leads, had removed and continues to remove me from everything, and evolved me into this extremely quiet girl who just stands under the sky and lets it undo her. Not just in posting, but at every level, including who I remember myself to be.

    Coming to Christ – not just saying the words but the evolution itself – hasn’t just been “I believe.” I have believed since I was a child. It hasn’t just been, “I accept, I surrender, I heal, God changes my heart and I change my habits.” It’s been this slow, surgical unmaking down in the deepest parts, and I’ve been metamorphosing through it since the night Ralph died.

    It’s been soaking in depths even I never imagined. And that’s saying something. It’s been being truly alone, except for His presence, and the Holy Spirit’s, and it’s been… excruciatingly, exquisitely beautiful.

    It’s not trauma, it’s not grief. It’s not even grief-induced – not wholly. That’s all nonsense, at least in the way the Western world and Western medicine and psychology and new age and new thought belief systems tell it. It’s more real, more spiritual, more invisibly tangible, than all of that ever thought about being. It was just… time.

    It’s been about the things I thought I understood, the places where I thought I had to earn worth, the parts of me that were performing the gifts of the spirit – the discernment, the temperance, the hard-earned wisdom, the surrender – that I was so desperate to truly embody. It’s been no longer sharing or trying to grow and evolve that with anyone else. It’s been walking into the desert, embracing solitude instead of simply being in it by circumstance, and just… belonging to Him.

    Somewhere in that process, I lost track of a lot of things. A lot of people. Somewhere in the slow, surgical unmaking of solitude, I lost track of almost everything I used to believe was real. I’ve been letting Jesus have the layers, not just the words. Letting Him name me again, in the dark, where nobody’s clapping, where it’s just me and the sky and the God who knows my real name, and actually treasures, doesn’t just hold, my heart.

    I’m not sure what this post really is. I’m returning this scrap of sky to this quiet place, in part because I hope it helps someone else, as always… but also because I don’t want the girl who stares up and ultimately surrenders to the peace of solitude and to the Creator Himself to be a footnote in her own story. I don’t want the becoming to swallow the one who simply is. This is me remembering me, and thanking God for the long, slow unmaking that made room for the becoming in the first place.

    Even if it meant losing almost everyone I ever loved, I’ve found a love within myself I never could have imagined, and it all comes from and returns to Him.

    Catastrophe in osmosis. That’s where catacosmosis began. And the name won’t change, though the person has, because that’s the entire point of that journey.

    Tetelestai (ܬܫܠܡ). John 19:30

    And yet, for me, it feels like it’s only just begun.

  • Home.

    Home.

    entry twenty three — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    iPhone 17 Pro + VSCO (wb) + Lightroom Mobile (noise, watermark)

    The moon is a small, stubborn wound in the dark, haloed and patient. Branches reach like remembered names, skeletal and exact against the hush.

    The light slips through their fingers and leaves a trail of familiar ache. Not sharp, not new, just honest and unblinked.

    I stand where the tree lives in my knowing, and for a breath the world narrows to that thin halo and the soft geometry of limbs. There is comfort in the way memory and sky overlap, how absence can be a kind of company.

    Home again feels less like a place and more like the presence that arrives when light finds the places you thought were empty.

    catacosmosis · 2026

  • Veil. 

    Veil. 

    entry twenty two — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    iPhone 17 Pro + DistressedFX (Final Edit)

    Sometimes it feels like there is a different, almost literal space between seconds. A pause the world does not announce.

    There is intimacy in those spaces. Love. Beauty. A kind of quiet permission.

    There is me, and the moon, and what I remember without remembering. Something about home. Something about spirit. Something about soul.

    In those spaces, which turn into a place, then into awareness, then into something conscious without warning, I find myself again. Not arriving. Not searching. Just remembering how to be.

    It feels like standing in a doorway I have crossed a thousand times but cannot name. Familiar without history. Known without proof.

    And always, even when I wish it were not so, there she is too. 

    There are all of them. The pieces of my life that have already returned to Source, leaving me here to feel them but never hold them, to love without helping, to remember without any hope of their human realities returning.

    Home, not as a location, but as a frequency. And for a moment, I am inside it.

    catacosmosis // 2026

  • 2025

    2025

    2025 has been… peaceful.

    iPhone 17 Pro + DistressedFX FX (Aella, Overlay)

    Not because it was an easy year. Personally, it has been a year of intermittent, great difficulty. The most challenging thing has been the unexpected diagnosis for my son – this, alongside compound grief that included more than death, and varying massive changes to daily life.

    It was a year of seemingly ceaselessly reorganizing, reframing, recalibrating, and managing circumstances and emotions for all of us, at different levels – while continuing to show up every day whether forward progress was visible or not.

    For me and my family, it has been a year of awesome trial and challenge. At times, a battle with doubt. Always, a falling back into and onto faith. And so, regardless, peace.

    It has obviously not been a year of peace in the way the word is usually used. Not peace because the world was quiet or gentle or healed. The world, broadly speaking, has been at war in myriad ways. Loudly. Relentlessly. At times, blatantly resisting.

    iPhone 17 Pro + DistressedFX FX (Aella, Multiply)

    The world suffers only because it engages. Because it resists reality, which is that the only truth is love. And the world does not understand love, or much else, as it truly exists or is meant to behave or work.

    The world struggles only because it consents to the noise, the fear, the constant pull toward reaction, and because it values personal comfort and ego over soul.


    2025 was, cosmically, a 9 year. A year of endings. Of completion. Of letting things finish instead of dragging them forward out of habit, guilt, or fear. A year of cleaning up.

    A year of letting go. A year of allowing what was already done to actually be done. There is a strange, almost holy peace that comes with that kind of self-honesty.

    2026 rolls into a 10, or a 1 year. A reset. New beginnings. A slate wiped well and fully clean, whether we are ready for it or not. Our inner secrets and shadows brought into the light. Truths revealed that can no longer be denied, avoided, reframed, or buried.

    It is going to be a hell of a year, personally and collectively. Not because it is cruel, but because it is clarifying.

    iPhone 17 Pro + DistressedFX FX (Aella, Hard Light)

    Every time I share what I see, thus expect to see going forward, simply by paying attention and quietly experiencing (as I have above), people tend to squash it. Dismiss it. Explain it away. Excuse it away. Laugh it away. That is fine. Squash this too, if you must or need to.

    But I speak only what needs to be heard, not what is comfortable:

    Do not fight it, whatever the “it” is at any given moment for you. Do not engage with the distractions. Do not take the bait.

    Do not allow society, media, or collective panic to manipulate you into believing that this manufactured “reality” is solid, fixed, or inevitable. Most of it is noise. Most of it only has power because we keep feeding it our attention and our fear.

    Peace lives on the other side of that misconception.

    iPhone 17 Pro + DistressedFX FX (Aella, Screen)

    Not passive peace. Not numbness. Not spiritual bypassing or pretending everything is fine. Real peace. The kind that comes from clarity. From discernment. From choosing where your energy actually belongs.

    Choosing these readily available alternatives, through mindfulness and conscious being, through choosing God/Soul over self and ego, is the only reason such an exceedingly difficult year was not merely laced with peace, but filled with it for me.

    I hope and pray that you find and live in peace in 2026. Your own peace, first and foremost. Because that has to come first. That is what matters before it can ever combine, ripple outward, and become something shared. Collective peace is built from individual truth, not the other way around.

    Blessed are the poor in spirit, for theirs is the kingdom of heaven.
    Blessed are they that mourn, for they shall be comforted.
    Blessed are the meek, for they shall inherit the earth.
    Blessed are they which do hunger and thirst after righteousness, for they shall be filled.
    Blessed are the merciful, for they shall obtain mercy.
    Blessed are the pure in heart, for they shall see God.
    Blessed are the peacemakers, for they shall be called the children of God.
    Blessed are they which are persecuted for righteousness’ sake, for theirs is the kingdom of heaven.

    (Matthew 5:3–10)

    One important note, since this is so often misunderstood:

    “Peacemakers” does not mean peacekeepers.

    It does not mean avoiding conflict. It does not mean keeping things comfortable, quiet, or polite. It means actively making peace. Often at cost. Often through truth. Often through disruption, reconciliation, and righteousness. 

    Peace is not the absence of tension. It is the presence of integrity.

    May you find all of it in 2026.

    xo.
    c.

    Original image, iPhone 17 Pro
  • Revelation

    Revelation

    entry eighteen — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    iPhone 17 Pro + DistressedFX + VSCO

    The full moon always finds me in that thin place between ache and awakening. The heart softens, the past stirs, and the light insists on touching what I thought I’d hidden.

    It doesn’t shout. It simply rises. And in rising, it reveals.

    This full moon of these last few days felt like a mirror tilted by something wiser than me: clear, unguarded, almost tender in the way it offers back the truth of who I am becoming.

    Every full moon asks for release, but this one asked for understanding. It offered an opportunity for a quiet recognition of what’s been shed, what’s been carried, and what still longs to be held with gentler hands.

    Under its glow, my fractures stopped pretending to be wounds. Instead, they shined… faint, but deliberate. And grace slipped in when I wasn’t looking.

  • Lovely Dead Crap

    Lovely Dead Crap

    It’s that time again – #lovelydeadcrap season.

    iPhone 17 Pro + DistressedFX

    As most of you know, I have a strong familiarity with death and its unfolding, especially in humans, and a fondness for and kinship with death and dead things, all in the most holy, positive and beautiful sense… in the way one honors the combined soul and humanity of a teacher they have come to not only respect but to understand to such a depth that they recognize in them a truly kindred spirit.

    iPhone 17 Pro + DistressedFX

    Endings speak a language I have learned well: honest, unpretentious, and oddly comforting once you understand and accept that there is no escaping them. In fall and winter, I find that endings, at least in nature, also make for the most interesting and oddly beautiful subjects. Therefore, prepare to be lovingly spammed with my perspectives and perceptions. 😌

    iPhone 17 Pro + DistressedFX

    Death is our friend precisely because it brings us into absolute and passionate presence with all that is here.

    — Rainer Maria Rilke, Letters to a Young Poet (1929)

    xo…

  • Coldness

    Coldness

    Coldness has arrived and with it the pull to go inward, to rest in the quiet places that rarely see the sun. Winter has always been the hardest season for me. It settles deep and stirs up everything I have tried to set down, everything that has followed me long after the caregiving ended. Two years have passed and I am still carrying the weight of those long nights, the vigilance, the grief that lives in the body long after the moment of loss.

    iPhone 17 Pro + DistressedFX + VSCO

    Yet even now there are small reminders of life that keeps reaching for the light. These plants on my windowsill keep growing with a kind of quiet courage. The morning sun touches them and they respond without hesitation, without guilt, without a single thought about the expectations of others. They lean toward whatever warmth they can find and allow that to be enough.

    I am trying to learn from them. I am trying to believe that rest is not weakness. It is restoration. It is the slow and necessary work of returning to myself after years of tending to everyone else. Winter makes that lesson feel sharper, but it also makes it feel truer.

    Some days I am tired in a way that feels ancient, but I keep growing in small ways. I keep reaching for light in whatever form it finds me. If these green and fragile things can thrive in the coldest season, maybe I can too.

    xo…

  • Winnow

    Winnow

    entry sixteen — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    iPhone 17 Pro + VSCO + DistressedFX + Lightroom Mobile (watermark only).

    Evening gathers in a bluish-purple hush, and the crunch of dirt and rock seems to echo around me. Steadily and with intention, I put one foot in front of the other.

    The birds fall silent, and the wind begins its quiet work. Loosening what I’ve held too tightly. Lifting the thin, trembling pieces of me that never settled into place.

    They rise like seeds learning the shape of their own release, drifting out of me in a soft unspooling. The silhouette remains. Stem, leaf, the stark line of what endures. Everything lighter unthreads itself into motion.

    What once felt like a tangle becomes a brief choreography, a small mercy in the dimming light. Loss, I’m learning, is sometimes only a shifting of weight.

    The wind carries the rest. The jumbled thoughts. The old ache. The unspoken sentences that kept circling my ribs. Let them scatter. Let them drift beyond reach.

    What stays is quieter, but honest. A rooted shape against the fading sky, held together not by certainty, but by the simple grace of letting go.

  • Exhale

    Exhale

    entry fifteen — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    iPhone 17 Pro + VSCO (L6 +1) + Lightroom (watermark only).

    The sunset this evening caught my eye as I glanced up from the command prompt to rest my eyes.

    “cmd —> DISM /Online /Cleanup-Image /RestoreHealth” be damned, I forgot the problematic machine.

    I gravitated outside as though an unseen force beckoned me… and instead of me capturing a backyard moment, the moment froze me in place and then swallowed me whole.

    It happened quietly, the way revelation always does: when the day was no longer sure of itself.

    The horizon drew one long, trembling breath, and the sky exhaled light like a confession, soft and burning all at once.

    For a few heartbeats, the forest became a cathedral. Oaks turned to stained glass, every vein of every leaf catching the final ember of the sun’s breath.

    The air itself seemed to glow with a kind of surrender, as though heaven was remembering how to let go and reminding me all over again.

    I stood beneath it, small but aware, suspended in that thin seam between the living, the leaving, and the memory of the already gone.

    The colors didn’t ask to stay; they simply poured through the cracks of the canopy and into me, as if to say, “grace doesn’t vanish when the light fades. It only changes hue.”

    When the sky went gray again, it felt less like an ending and more like an exhale finished.

    And life went on…

    catacosmosis // 2025