Tag: floral

  • Lovely Dead Crap

    Lovely Dead Crap

    It’s that time again – #lovelydeadcrap season.

    iPhone 17 Pro + DistressedFX

    As most of you know, I have a strong familiarity with death and its unfolding, especially in humans, and a fondness for and kinship with death and dead things, all in the most holy, positive and beautiful sense… in the way one honors the combined soul and humanity of a teacher they have come to not only respect but to understand to such a depth that they recognize in them a truly kindred spirit.

    iPhone 17 Pro + DistressedFX

    Endings speak a language I have learned well: honest, unpretentious, and oddly comforting once you understand and accept that there is no escaping them. In fall and winter, I find that endings, at least in nature, also make for the most interesting and oddly beautiful subjects. Therefore, prepare to be lovingly spammed with my perspectives and perceptions. 😌

    iPhone 17 Pro + DistressedFX

    Death is our friend precisely because it brings us into absolute and passionate presence with all that is here.

    — Rainer Maria Rilke, Letters to a Young Poet (1929)

    xo…

  • Focal Point

    Focal Point

    It’s as important as perspective. Perhaps even more so…

    We talk so much about perspective—about changing our view, reframing the story, finding the silver lining in the storm cloud.

    But sometimes, perspective doesn’t shift easily.

    Sometimes, circumstance leaves you standing exactly where you’ve always stood. The view is the same. The light hits the same edges. The shadows fall in familiar places.

    But even when the scene remains unchanged…the focal point doesn’t have to.

    Focus is a choice.

    A sacred, stubborn one.

    It’s the difference between staring at the problem and noticing the petal behind it.

    It’s where your attention lands, and where your energy follows.

    It’s learning to zoom in on grace even when grief is still in the frame.

    In these frames, nothing moved.

    Not the flower. Not the light. Not the angle.

    Only the focal point changed.

    And with that subtle shift, a new vision — a new truth— came forward.

    Almost always—including in life, and despite circumstance—the best composition doesn’t come from changing the scene but from learning which part of it to focus on.

    catacosmosis // 2025

  • Lifted

    Lifted

    entry twelve — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH. VSCO (A6 PRO) + DistressedFX + Lightroom (watermark only).

    There is a moment, early in a few blessed summer evenings, when the heat—the oppression—sighs and lets go.

    Not in protest, but in quiet surrender—the sun lingers, the sky softens, and a hush moves in with the rain.

    Steam rises like incense from the bones of the earth.

    You’ve felt that coveted shift.

    It’s not loud. Not showy. Just the heaviness loosening its grip on your ribs as breath returns without warning.

    This is how some battles end—

    Not with victory, but with survival.

    Not with a roar, but with a breeze.

    No fanfare—just rain through fractured light, and the ache leaving your body before you even know it’s gone.

    What remains?

    A field of yellow flowers—bent but blooming.

    Tired, but free.

    And air that smells like something holy—finally lifted.

    catacosmosis // 2025

  • The Art of Being Alive

    The Art of Being Alive

    The real you is not a puppet which life pushes around; the real, deep down you is the whole universe. (Alan Watts)

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    The meaning of life is just to be alive. It is so plain and so obvious and so simple. And yet, everybody rushes around in a great panic as if it were necessary to achieve something beyond themselves. (Alan Watts)

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    I stood in the green hush, face to face with a bloom so intricate it felt like a secret whispered by the wild. The passionflower doesn’t need to perform. It simply is. Unapologetically strange. Beautifully complex. Alive.

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    I thought of the two Alan Watts quotes I’ve included above, and I thought of my dead loved ones. This is what I want to remember:

    📷 Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    That being fully present—here, now, in the middle of whatever hurts or heals—is enough.

    That passion isn’t always loud.

    Sometimes, it curls quietly out of the forest and dares you to look closer.

    This is what death has taught me about life.

    I’m really grateful I stayed, after they were all gone.

    🪽💜✨

    catacosmosis // 2025

  • Someday…or Night

    Someday…or Night

    entry ten — scattered light, fractured grace: a quiet archive of light, loss, and what remains.


    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    My mother always told me, in every possible circumstance a child might ever need encouragement, “Do your best, and leave the rest. It’ll all come right some day or night.” 

    It was a line from “Black Beauty, by Anna Sewell.”  

    She was a third grade teacher, a grammar Nazi, and a mother trying her damndest to connect with me and, well, do her best. 

    And, as ornery and difficult a young person as I could often be, she never knew that I believed her…

    …even when I forgot I did.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    There was so much distance between us as I struggled through high school with her overbearing “sin obsessed” guidance, and she struggled to save my soul. 

    Even when the days were so long, when they bled into each other, and when the nights felt like punishments I hadn’t earned, as her brain and body were swallowed by Alzheimer’s. 

    Even when the thread broke, or maybe I cut it, when she died…I honored and nursed a clean, holy wound in the shape of freedom for both of us, from past grievances, from debts yet unpaid, from fear, from tension, from aching hearts and confused minds and the evils of that horrific disease.

    Still, that line stayed, like a soft breath. Like a healing balm. Like the part of her that couldn’t leave, because it lived in me.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    Do your best. Not more than that. Not perfection. Just presence. I tried, truly. 

    Leave the rest… The story. The tragedy. The one who couldn’t stay.

    It will all come right…and maybe it already has.

  • Crop

    Crop

    entry eight — scattered light, fractured grace: a quiet archive of light, loss, and what remains.

    Bicolor Bush Clover (Lespedeza bicolor), a humble member of the wild clover family. Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (HB3 PRO), Lightroom Mobile (watermark only).

    Zooming in, pulling back, reframing…
    …it’s the practice of shifting perspectives.
    Cropping is discernment.

    It’s important in photography,
    and in life.

    Focusing closely.
    Examining the details.
    Leaning into the moment.
    Studying the layers.
    Trying different angles—
    then pulling back to take in the whole.

    I do this with my art, my edits, my healing…
    …and my priorities.

    Bicolor Bush Clover (Lespedeza bicolor), a humble member of the wild clover family. Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (HB3 PRO), Lightroom Mobile (watermark only).

    Cropping, and discernment.
    Both are framing what matters—
    letting the noise blur into the background.

    It’s not just a gift,
    not just a tool.
    It’s a process.

    With practice, it teaches clarity through choice.
    Over time, it becomes discernment embodied.

    Cropping alters perspective.
    It is learning to see again…

    …as many times as it takes to actualize the vision.

  • Fragrance, Memory, and the Air Between

    Fragrance, Memory, and the Air Between

    The Quiet Power of Things That Don’t Stay

    Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.

    Not everything soft is weak.

    Not everything brief is forgotten.

    The mimosa blooms like a passing thought—pink, feathery, fragrant, gone before you’re ready. But even in its short season, it rewrites the air.

    And maybe that’s the point:

    To offer sweetness without needing permanence. To make magic in the margins.

    💚🌿✨

    Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.

    The Mimosa tree (Albizia julibrissin) is commonly known as the silk tree or Persian silk tree. Albizia julibrissin isn’t actually a true mimosa—though it’s been lovingly misnamed for generations. Native to Asia, this delicate tree has made its way into southern landscapes with grace and stubbornness alike.

    Its blooms are light as breath—powdery tufts that attract butterflies, bees, and human daydreamers. They bloom at dusk, shimmer in the wind, and drop silently—often leaving a petal-scattered sidewalk like a love note no one signed.

    Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.

    Though it’s sometimes called invasive, there’s no denying its presence feels like a portal: part nostalgia, part perfume, part dream.

    Its scientific name, julibrissin, comes from the Persian gul-i abrisham—“silk flower.” A name that suits it perfectly.

    Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.

    In folk medicine—especially within Traditional Chinese Medicine—the mimosa tree is known as the “Tree of Happiness.” Its fragrant pink blossoms and bark have long been used to lift the spirit, ease grief, calm the heart, and quiet a restless mind.

    The flowers are brewed into gentle teas, while the bark is sometimes tinctured for deeper emotional support. Often given to those moving through sorrow or heartbreak, the mimosa is considered a natural ally for joy, resilience, and emotional rebirth.

    #Nature // #Mimosa // #TreeOfHappiness

  • Seeing Red.

    Seeing Red.

    entry four — scattered light, fractured grace: a quiet archive of light, loss, and what remains.

    I used to think “seeing red” meant I was losing it.

    Rage. Shame. Fury so old it felt eternal—like I was born with it burning.

    I have learned that is not always true. I have witnessed that sometimes, it blooms.

    Recipe below. Watermarked in Lightroom.

    Not in fists. Not in voice. Not in overwhelming memories.

    In the woods, on a soft stem I almost missed.

    No thunder. No soundtrack. Just the quiet permission to stop and look again.

    Recipe below. Watermarked in Lightroom.

    It didn’t demand to be captured. It didn’t beg to be picked. It just was.

    This star-shaped wound of a flower, humming its red into the green—not angry, not hiding, not burning just to survive.

    Just be-ing.

    Recipe below. Watermarked in Lightroom.

    I thought, “maybe that’s all any of us need now.”

    Not vengeance. Not closure. Just the knowing that beauty still rises where no one’s watching.

    That peace can wear red and still be holy.


    “Seeing Red” Recipe (same for each photo in this series)

    Be mindful.

    Observe.

    You might catch a glimpse of the peace behind the red you see, too.

    xo,

    c.

  • Fall Flowers 

    Fall Flowers 

    I love fall flowers…I love how they feel like summer’s last hoorah, or perhaps Mother Nature’s final gift before the long, cold winter…

    When the season of death is upon us, both literally and figuratively, in nature and in life, I think we are often give this gift but tend to take it for granted.

    I suppose that’s why I shoot so many details, and so many natural things…I wish to bring them back to the consciousness of those who live a sadder life because they’re forgotten them…or just become too complacent to see the gifts and the beaut that is always right before them.

    Enjoy these flowers, and have a blessed and beautiful day.

    *all images processed using Mextures

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  • S t e a m y . . .

    S t e a m y . . .

    S t e a m y 💧🔥🌫

    • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

    Now stir the fire, and close the shudders fast, Let fall the curtains, wheel the sofa round, And while the bubbling and loud-hissing urn; Throws up a steamy column, and the cups, That cheer but not inebriate, wait on each, So let us welcome peaceful evening in. -William Cowper

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    Tools: Mextures (formula KNABVCX)

    Vision: Unsplash, Ameen Fahmy