Tag: creativity

  • Where the Magic Took Root Again

    Where the Magic Took Root Again

    It started with a crown. Many crowns, really.

    The first excerpt I read today (via the DeepStash app, which I highly recommend) was the first crown in my day.

    It’s worth remembering that it is often the small steps, not the giant leaps, that bring about the most lasting change. EIIR (Queen Elizabeth II)

    Then, Sir Citrico (my tiny citrus seedling) didn’t die.

    Let me back up—one morning, while making my lemon water, I dropped a seed onto the floor. On a whim, or maybe something more, I rinsed it off, wrapped it in a paper towel, and tucked it into a plastic bag. I heard my spirit say, “Put it on top of the cabinet, and wait for further instruction.”

    So I did.

    As I do 100% of the time in this phase of my life, I followed my Higher Self’s nudge without question. A couple of weeks later, when I heard, “Time to check,” I wasn’t even surprised to find it had sprouted—delicate white roots and a tiny green stem, alive and reaching. You would’ve thought I’d witnessed a full-blown miracle by the way I squeaked and rushed to find J, beaming like a proud citrus parent. And yet, beneath the flurry of 3D excitement, my soul just sat in quiet, humble gratitude, watching me feel real joy again for the first time since Master Roshi died.

    That was a while back, and at first, he did really well. I tucked him into a tiny clay pot with some Bacto and a pinch of cactus soil—whatever I had on hand. I added a little sand, too, worried about drainage. I put him on the bookcase in front of my bedroom window, and he grew a couple of inches and seemed content.

    But a week or so ago, he fell over.

    I thought maybe I’d let him get too dry. I watered him, hoping he’d rally, but he couldn’t seem to stand back up. His green began to dull and shift in a way that didn’t feel right. He looked pitiful. Still, I kept doing what I’d been doing. He was struggling—but he was still here—so, I waited.

    This morning as I gave him his Friday morning drink, I noticed he’d grown again. His green was vibrant, no longer sickly. So I listened—again—to my spirit (guided, I’m sure, by both Master Roshi and my Mama Kay) and reached up to the top of the bookcase to see what I might find for support, and what do you think my fingers landed on?

    A key charm I used to wear on a necklace, topped with a tiny crown. I’d forgotten I even had it—much less that it was right there, waiting. “Onward,” I thought, with a quiet half smile on my face.

    Something about that silly, sweet “coincidence,” and the act of pressing the charm key-down into Sir Citrico’s pot to give him a bit of love and support with his morning drink, woke something up in me again. A flicker of the old rhythm. That feeling from the days when creating wasn’t about productivity. It was about presence.

    Sir Citrico, with his temporary crown and support.

    And then I shared it with J.

    I texted him a couple of photos and made a little joke about crowns—as one does when the coincidences start stacking. Just as I hit send, a message from him came through: a photo of speckled eggs in his dusty palm, found in the straw trailer at work with no nest in sight.

    We exchanged condolences for the eggs—the unborn and likely gone babies inside them. I said I wished we still had our incubator, even though it was probably too late anyway. He laughed about the crowns in emojis. Sir Citrico brought us both back to center again just by existing and being okay.

    From there, the conversation shifted—creeks and mushrooms and foliage we hope to stumble across on our next hike, wild clay we’d already foraged, the phoenix we’d raise from the ashes of our old fire pit when we turned it into a makeshift open kiln.

    We started remembering. Talking about past walks in the woods, daydreaming about future ones. Backyard projects we could try this weekend (weather permitting, praying hands). The kind of inspiration that makes your hands ache to touch the earth again.

    And as the brief moment—it couldn’t have been more than five minutes—passed and he returned to work, I sat there realizing, “we’re both already halfway back.”

    It’s been a really long decade. I’ve been in and out of creative energy and back and forth with sharing here. This post, though, feels like the first in a new (but old) rhythm. A return to the backyard (including the woods, and nearby nature preserves) adventures that once were my lifeblood: gathering moss, bones, and stones. Saving driftwood. Watching the forest change one quiet degree at a time. Building with what we already have.

    As I sat down with my tablet to list supplies—starting with Borax, because these ants are officially on notice—I got a notification that my old blog domain had been released. After all this time, I was finally able to repurchase Catacosmosis.com for $13 instead of the $100 redemption fee. I’d let it lapse, along with so many other things, after Master Roshi died. I tapped the notification and smiled… and what do you think I saw at the top of the page? A tiny little crown. A purple one, no less—my favorite color.

    I’ve already been collecting ideas for upcoming posts: photoblogs, step-by-step tutorials on processing wild clay, how we’ll turn our backyard fire pit into a makeshift open air kiln, color palettes and Mextures formulas for documenting spring and summer through the lens of new eyes.

    So maybe—finally—I’m stepping into writing here regularly again.

    Writing about art and energy. About the sacred mundane. About the projects that call to our hands and our hearts in equal measure. There’s no rush. No master plan. Just the inspiration. Just the slowly forming Spotify playlist:

    🌙 aetheria ✨.

    There’s only the ambient existence of time, and the understanding that it isn’t meant to be wasted on stuckness, resistance, or the fear of letting go of what’s already passed. This time, there’s true, deep healing.

    It’s been a hell of a decade, but for the past several months, there’s been this eerie, chosen quiet. There’s been the grace of being able to go inward—to hermit, soul-search, and sit with God and the trees and the spirits of the ones who never really left. They show up in their magical love notes from the Earth’s skin…where moss carpets memory, fairies stir the wind, and the invisible speaks in vibrations.

    They’ve fed me the songs on that playlist—music for the sacred unseen. Music for stone circles, forest floors, phoenixes rising from the dust—and the soft, golden ash of everything you thought you’d lost.

    And what’s left, for me?

    Just a garden of small, sacred yeses.

    And, the joy of going on the adventure again—this time with my boys, and our dogs. No one who needs 24/7 caregiving—no one who is sick, no one who is dying. No one who “needs” so much of me. Theres just the invisible magic of memory, presence, and the quiet, sovereign path we’ve chosen for this chapter. The one that’s ours… even if it’s not what the world calls “normal.”

    Because artists aren’t like other people.

    That’s one of the truths my spirit keeps showing me—especially now. Creating things from what’s around me—from cameras and acrylics and powder pigments to binders and water and dirt, to the words in my head and the Divine in my heart—it’s not just what I do. It’s who I am. For years, I’ve said I didn’t want much in the way of what money could buy, and the last few months of solitude have shown me how true that really is.

    “Your life is not normal.”

    I’ve heard that sentence more than once lately. And while I usually walk in confidence—especially since everyone died—this one time recently, the words landed harder than they should have. They made me buckle, just a little. Maybe it was because of who they came from. Maybe it was just the audacity, considering the lifestyle they’ve chosen for themselves (which is also very different to “most people”). Either way, it stung—not because it was true, but because it carried judgment where there should have been understanding.

    I know many of you have heard similar things, and ask yourself similar things at times, this like, “How do you explain your life to people who’ve only ever lived in the traditional one?” People like you and me—we wrestle with questions like that.

    “My friends think I’ve lost it after selling the big house…”

    That was something Master Roshi and I talked about often, back when he chose road retirement in his RV. We didn’t question it. We just joined him. Because we were the same. And that’s a big part of why I miss him so deeply.

    Then there’s, “I’m just so unhappy. How do you shift your life and still feel supported?”

    After everyone died, and I stopped vibing with anyone around me, I chose solitude. That question rang loud in my head for a while, too. But through that, I found my Self again, and was able to answer that one for myself as I remembered how little I really needed from anyone else—that I was my own validation—and that my relationship with God was enough.

    The truth? I don’t have all the answers. They’ll look different for every person, every season. But here’s what I do know:

    Normality is subjective. It’s based on one’s reality. And yes—my life isn’t normal to a lot of people. But there’s a growing community on this planet made up of people who also live a little differently. There is a growing population who challenge the finger that points and says, “That’s not normal.”

    Those people? They each have stories. They each face their own challenges. They each carry the wisdom that grows when you live a life you chose.

    That community is rising. Connecting. Becoming its own new normal. I think the real divide only happens when we compare each other’s “normal.” But if we allow for difference—and embrace it—then we create space for all of us to live the lives that suit us best.

    That means celebrating all kinds of normal:

    The traditional homes. The 9-to-5s. The “starving artists,” the couch-surfing writers, the stay-at-home moms, the dirtbag van-lifers, the families living out of buses and backpacks and intuition.

    There’s room for all of it. There’s room for all of us.

    My two cents?

    The best thing we can do is make peace with the chaos in our own minds. Keep being exactly as different as we need to be to build the lives we want to live. Let the judgment come. Let the questions linger. Let it all teach and grow us. Embrace it.

    And then…

    Let them watch, regardless of judgments, as we settle in—and thrive—in our own unique ways.

    Maybe that’s the whole point.

    The comment I made earlier—about how we’re already halfway back—has been echoing in my spirit ever since. At the time, it felt like a casual observation. But now, as I finish writing this, I see it for what it was: a recognition.

    It was a realization that somewhere between the grief and the stillness, the long walks and quiet days, the moss and music and small, sacred yeses—I had already crossed the threshold. Without fanfare. Without fireworks. Just… step by step.

    The world didn’t shift all at once. I did. And now, standing here in the soft light of this new chapter, I think about Queen Elizabeth II’s words again:

    It’s worth remembering that it is often the small steps, not the giant leaps, that bring about the most lasting change.

    She was right.

    The change was never just one big choice. It was every tiny act of trust. Every time I listened to Hid and my higher self, no matter what it “cost” me. Every time I kept going when no one else could see what I was building.

    And somehow, without even realizing it, I arrived.

  • Abstract.

    Abstract.

    Sometimes, even when life isn’t spiraling out of control, it feels like it is. Maybe there’s no reason. And when it happens, there’s almost certainly no rhyme.

    So what do we do—especially as artists of any kind—when the world around us reeks of chaos and seems to have lost all its marbles?

    Abstract.

    No matter what kind of artist you are, no matter your medium or your muse, no matter your level of inspiration (or lack thereof), abstract can be a perfect middle ground to ground your spirit, or wake it up.

    The Scenario

    Of course you (ok, I) woke up at 12:01 AM for no “apparent” reason—the absolute cosmic middle finger of liminal time, where nothing makes sense and yet everything feels oddly sacred.

    Maybe, like me, you didn’t have any looming crises to fret over, or feel any real emotion about waking up at an inconvenient time (or being distracted, if it’s not the middle of the night for you). Spoiler alert: that “no emotion” is still an emotion.

    I think—for a lot of us deep feelers, thinkers, philosophers and creatives right now—that numb, unanchored state has a lot to do with the collective dissonance we’re living through. There’s a major divide between those trying to evolve and live with intention, and those still operating from fear, ego, and unchecked reactivity.

    Even if we try to stay grounded, we still feel the chaos buzzing around us. We still feel the friction of a world flailing through an identity crisis. And while we may not want to name it all or get swept up in it, we still end up absorbing the noise—because that’s what happens when you’re tuned in to—and transmuting—what others refuse to confront.

    Another spoiler alert: things could be fine…if more people paused before projecting, reacted less and reflected more, took accountability for their realities—and how/what they contributed to their creation—and stopped mistaking emotional immaturity for a personality trait.

    Alas, for me, that energy—and that emptiness, void of any clear direction, yet full of invisible limits (like everyone else being asleep, so I have to be quiet, for example)—is exactly the kind of blank page that’s just waiting to be painted on.

    Literally and metaphorically.

    Me? I felt the pull toward abstract watercolor. After a chaotic day juggling real life—and feeling deeply grateful that I don’t have to bend a knee to the public school system or navigate the mess so many parents of school-aged kids are facing—this makes complete sense. Abstract is, after all, what we turn to when logic is exhausted and emotion has no specific name.

    Maybe, like me, you’re not uninspired—you’re just not anchored in this moment. Maybe, like me, it feels like you’re floating a little. Untethered. Not because you don’t care or don’t want to create, but because everything around you feels too slippery to hold onto. Too uncertain to frame.

    I have come to understand that when that happens, my soul isn’t asking for structure. It’s asking for space. It’s asking for breath. It’s asking for some way—any way—to come home to the present moment without having to name it, define it, or pin it down.

    That’s where abstract steps in. Not as a replacement for direction, but as a safe space to reconnect before you try to direct anything at all. In these moments, I’ve found that what’s waiting to be uncovered isn’t something planned or polished, but something feeling-based and rule-free—a piece born from presence, not pressure.

    Try this, if you’re in a space like that. ⤵️

    A Gentle Framework for Midnight Abstracts

    Color Prompt:

    Close your eyes and take three deep breaths. Think of the word: “release.” Without judgment, what three colors float into your mind? Even if they’re weird together—especially if they are—let them lead.

    Composition Prompt:

    Whatever your medium, start simple and let the process unfold.

    If you’re shooting photography, don’t force the subject or the composition. Wander your space, and just shoot. Let your eye catch on whatever it catches on—light, shadow, texture, reflections. Let it all—even the clutter—guide you. Try new angles. Blur the focus. Let it be weird. Let it breathe.

    Fun photography hack for this kind of energy:

    Don’t be afraid to create outrageous effects with tools like Lightroom, Photoshop, or even apps on your phone. These tools aren’t just for polish—they’re wonderful (and especially useful) playgrounds for unlimited texture, distortion, and mood. Perfect for transforming ordinary shots into abstract, emotionally charged pieces.

    Lean into the surreal. Add grain. Blow out the exposure. Warp the tones. You might just end up with a visual journal entry that says far more than any perfectly posed image ever could.

    If you’re working with mixed media, paints, inks, clay, sketching/drawing, writing, or even scrapbooking or junk journaling—don’t force shape or form. Let your hands (or your heart) lead before your mind starts trying to make sense of it.

    I’m drawn to watercolor as I write this post, so when I finish this post and start painting, I’ll start with a layered wash using just one color. Let the water move it. Drop in my second and third colors without intention—just observing how they bloom, resist, or swirl. I’ll add detail only if my hand naturally reaches for the brush again.

    Examples of abstract watercolor, following exercises in Kate Leach’s “Creative Abstract Watercolor” book.
    I have the Kindle edition and would recommend the book 77/10 for inspiration and information, but I’d 1000/10 recommend the PRINT EDITION over Kindle if you’d like to add it to your library.

    Let the chaos speak.

    Sometimes that’s all it takes—one odd hour, a small canvas (whatever that looks like for you), and a handful of scattered supplies. Water, glue, tape, scrap paper, stickers, markers, pens, brushes…even a few oddly placed objects to capture in still photos on a clear or cluttered surfaces. It doesn’t have to be planned or polished.

    All it really takes is a little setting of soul-driven intention, then a little courage to move that intention into action, to make something unexpectedly beautiful from what doesn’t make any logical sense.

    No rules or expectations required. Just presence. Just honesty. Just the courage to let what’s inside you move—without needing to explain it first.

    That’s the beauty of abstract. It doesn’t ask you to be understood. It just asks—and allows—you to be real; and that’s the truest art there is.