Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.
Not everything soft is weak.
Not everything brief is forgotten.
The mimosa blooms like a passing thoughtâpink, feathery, fragrant, gone before youâre ready. But even in its short season, it rewrites the air.
And maybe thatâs the point:
To offer sweetness without needing permanence. To make magic in the margins.
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Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.
The Mimosa tree (Albizia julibrissin) is commonly known as the silk tree or Persian silk tree. Albizia julibrissin isnât actually a true mimosaâthough itâs been lovingly misnamed for generations. Native to Asia, this delicate tree has made its way into southern landscapes with grace and stubbornness alike.
Its blooms are light as breathâpowdery tufts that attract butterflies, bees, and human daydreamers. They bloom at dusk, shimmer in the wind, and drop silentlyâoften leaving a petal-scattered sidewalk like a love note no one signed.
Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.
Though itâs sometimes called invasive, thereâs no denying its presence feels like a portal: part nostalgia, part perfume, part dream.
Its scientific name, julibrissin, comes from the Persian gul-i abrishamââsilk flower.â A name that suits it perfectly.
Mimosa (Albizia julibrissin). Lumix GX7, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Lightroom Mobile (watermark), VSCO.
In folk medicineâespecially within Traditional Chinese Medicineâthe mimosa tree is known as the âTree of Happiness.â Its fragrant pink blossoms and bark have long been used to lift the spirit, ease grief, calm the heart, and quiet a restless mind.
The flowers are brewed into gentle teas, while the bark is sometimes tinctured for deeper emotional support. Often given to those moving through sorrow or heartbreak, the mimosa is considered a natural ally for joy, resilience, and emotional rebirth.
The first excerpt I read today (via the DeepStash app, which I highly recommend) was the first crown in my day.
Itâs worth remembering that it is often the small steps, not the giant leaps, that bring about the most lasting change. EIIR (Queen Elizabeth II)
Then, Sir Citrico (my tiny citrus seedling) didnât die.
Let me back upâone morning, while making my lemon water, I dropped a seed onto the floor. On a whim, or maybe something more, I rinsed it off, wrapped it in a paper towel, and tucked it into a plastic bag. I heard my spirit say, âPut it on top of the cabinet, and wait for further instruction.â
So I did.
As I do 100% of the time in this phase of my life, I followed my Higher Selfâs nudge without question. A couple of weeks later, when I heard, âTime to check,â I wasnât even surprised to find it had sproutedâdelicate white roots and a tiny green stem, alive and reaching. You wouldâve thought Iâd witnessed a full-blown miracle by the way I squeaked and rushed to find J, beaming like a proud citrus parent. And yet, beneath the flurry of 3D excitement, my soul just sat in quiet, humble gratitude, watching me feel real joy again for the first time since Master Roshi died.
That was a while back, and at first, he did really well. I tucked him into a tiny clay pot with some Bacto and a pinch of cactus soilâwhatever I had on hand. I added a little sand, too, worried about drainage. I put him on the bookcase in front of my bedroom window, and he grew a couple of inches and seemed content.
But a week or so ago, he fell over.
I thought maybe Iâd let him get too dry. I watered him, hoping heâd rally, but he couldnât seem to stand back up. His green began to dull and shift in a way that didnât feel right. He looked pitiful. Still, I kept doing what Iâd been doing. He was strugglingâbut he was still hereâso, I waited.
This morning as I gave him his Friday morning drink, I noticed heâd grown again. His green was vibrant, no longer sickly. So I listenedâagainâto my spirit (guided, Iâm sure, by both Master Roshi and my Mama Kay) and reached up to the top of the bookcase to see what I might find for support, and what do you think my fingers landed on?
A key charm I used to wear on a necklace, topped with a tiny crown. Iâd forgotten I even had itâmuch less that it was right there, waiting. âOnward,â I thought, with a quiet half smile on my face.
Something about that silly, sweet âcoincidence,â and the act of pressing the charm key-down into Sir Citricoâs pot to give him a bit of love and support with his morning drink, woke something up in me again. A flicker of the old rhythm. That feeling from the days when creating wasnât about productivity. It was about presence.
Sir Citrico, with his temporary crown and support.
And then I shared it with J.
I texted him a couple of photos and made a little joke about crownsâas one does when the coincidences start stacking. Just as I hit send, a message from him came through: a photo of speckled eggs in his dusty palm, found in the straw trailer at work with no nest in sight.
We exchanged condolences for the eggsâthe unborn and likely gone babies inside them. I said I wished we still had our incubator, even though it was probably too late anyway. He laughed about the crowns in emojis. Sir Citrico brought us both back to center again just by existing and being okay.
From there, the conversation shiftedâcreeks and mushrooms and foliage we hope to stumble across on our next hike, wild clay weâd already foraged, the phoenix weâd raise from the ashes of our old fire pit when we turned it into a makeshift open kiln.
We started remembering. Talking about past walks in the woods, daydreaming about future ones. Backyard projects we could try this weekend (weather permitting, praying hands). The kind of inspiration that makes your hands ache to touch the earth again.
And as the brief momentâit couldnât have been more than five minutesâpassed and he returned to work, I sat there realizing, âweâre both already halfway back.â
Itâs been a really long decade. Iâve been in and out of creative energy and back and forth with sharing here. This post, though, feels like the first in a new (but old) rhythm. A return to the backyard (including the woods, and nearby nature preserves) adventures that once were my lifeblood: gathering moss, bones, and stones. Saving driftwood. Watching the forest change one quiet degree at a time. Building with what we already have.
As I sat down with my tablet to list suppliesâstarting with Borax, because these ants are officially on noticeâI got a notification that my old blog domain had been released. After all this time, I was finally able to repurchase Catacosmosis.com for $13 instead of the $100 redemption fee. Iâd let it lapse, along with so many other things, after Master Roshi died. I tapped the notification and smiled⌠and what do you think I saw at the top of the page? A tiny little crown. A purple one, no lessâmy favorite color.
Iâve already been collecting ideas for upcoming posts: photoblogs, step-by-step tutorials on processing wild clay, how weâll turn our backyard fire pit into a makeshift open air kiln, color palettes and Mextures formulas for documenting spring and summer through the lens of new eyes.
So maybeâfinallyâIâm stepping into writing here regularly again.
Writing about art and energy. About the sacred mundane. About the projects that call to our hands and our hearts in equal measure. Thereâs no rush. No master plan. Just the inspiration. Just the slowly forming Spotify playlist:
Thereâs only the ambient existence of time, and the understanding that it isnât meant to be wasted on stuckness, resistance, or the fear of letting go of whatâs already passed. This time, thereâs true, deep healing.
Itâs been a hell of a decade, but for the past several months, thereâs been this eerie, chosen quiet. Thereâs been the grace of being able to go inwardâto hermit, soul-search, and sit with God and the trees and the spirits of the ones who never really left. They show up in their magical love notes from the Earthâs skinâŚwhere moss carpets memory, fairies stir the wind, and the invisible speaks in vibrations.
Theyâve fed me the songs on that playlistâmusic for the sacred unseen. Music for stone circles, forest floors, phoenixes rising from the dustâand the soft, golden ash of everything you thought youâd lost.
And whatâs left, for me?
Just a garden of small, sacred yeses.
And, the joy of going on the adventure againâthis time with my boys, and our dogs. No one who needs 24/7 caregivingâno one who is sick, no one who is dying. No one who âneedsâ so much of me. Theres just the invisible magic of memory, presence, and the quiet, sovereign path weâve chosen for this chapter. The one thatâs ours⌠even if itâs not what the world calls ânormal.â
Because artists arenât like other people.
Thatâs one of the truths my spirit keeps showing meâespecially now. Creating things from whatâs around meâfrom cameras and acrylics and powder pigments to binders and water and dirt, to the words in my head and the Divine in my heartâitâs not just what I do. Itâs who I am. For years, Iâve said I didnât want much in the way of what money could buy, and the last few months of solitude have shown me how true that really is.
âYour life is not normal.â
Iâve heard that sentence more than once lately. And while I usually walk in confidenceâespecially since everyone diedâthis one time recently, the words landed harder than they should have. They made me buckle, just a little. Maybe it was because of who they came from. Maybe it was just the audacity, considering the lifestyle theyâve chosen for themselves (which is also very different to âmost peopleâ). Either way, it stungânot because it was true, but because it carried judgment where there should have been understanding.
I know many of you have heard similar things, and ask yourself similar things at times, this like, âHow do you explain your life to people whoâve only ever lived in the traditional one?â People like you and meâwe wrestle with questions like that.
âMy friends think Iâve lost it after selling the big houseâŚâ
That was something Master Roshi and I talked about often, back when he chose road retirement in his RV. We didnât question it. We just joined him. Because we were the same. And thatâs a big part of why I miss him so deeply.
Then thereâs, âIâm just so unhappy. How do you shift your life and still feel supported?â
After everyone died, and I stopped vibing with anyone around me, I chose solitude. That question rang loud in my head for a while, too. But through that, I found my Self again, and was able to answer that one for myself as I remembered how little I really needed from anyone elseâthat I was my own validationâand that my relationship with God was enough.
The truth? I donât have all the answers. Theyâll look different for every person, every season. But hereâs what I do know:
Normality is subjective. Itâs based on oneâs reality. And yesâmy life isnât normal to a lot of people. But thereâs a growing community on this planet made up of people who also live a little differently. There is a growing population who challenge the finger that points and says, âThatâs not normal.â
Those people? They each have stories. They each face their own challenges. They each carry the wisdom that grows when you live a life you chose.
That community is rising. Connecting. Becoming its own new normal. I think the real divide only happens when we compare each otherâs ânormal.â But if we allow for differenceâand embrace itâthen we create space for all of us to live the lives that suit us best.
That means celebrating all kinds of normal:
The traditional homes. The 9-to-5s. The âstarving artists,â the couch-surfing writers, the stay-at-home moms, the dirtbag van-lifers, the families living out of buses and backpacks and intuition.
Thereâs room for all of it. Thereâs room for all of us.
My two cents?
The best thing we can do is make peace with the chaos in our own minds. Keep being exactly as different as we need to be to build the lives we want to live. Let the judgment come. Let the questions linger. Let it all teach and grow us. Embrace it.
And thenâŚ
Let them watch, regardless of judgments, as we settle inâand thriveâin our own unique ways.
Maybe thatâs the whole point.
The comment I made earlierâabout how weâre already halfway backâhas been echoing in my spirit ever since. At the time, it felt like a casual observation. But now, as I finish writing this, I see it for what it was: a recognition.
It was a realization that somewhere between the grief and the stillness, the long walks and quiet days, the moss and music and small, sacred yesesâI had already crossed the threshold. Without fanfare. Without fireworks. Just⌠step by step.
The world didnât shift all at once. I did. And now, standing here in the soft light of this new chapter, I think about Queen Elizabeth IIâs words again:
Itâs worth remembering that it is often the small steps, not the giant leaps, that bring about the most lasting change.
She was right.
The change was never just one big choice. It was every tiny act of trust. Every time I listened to Hid and my higher self, no matter what it âcostâ me. Every time I kept going when no one else could see what I was building.
And somehow, without even realizing it, I arrived.
Sometimes, even when life isnât spiraling out of control, it feels like it is. Maybe thereâs no reason. And when it happens, thereâs almost certainly no rhyme.
So what do we doâespecially as artists of any kindâwhen the world around us reeks of chaos and seems to have lost all its marbles?
Abstract.
No matter what kind of artist you are, no matter your medium or your muse, no matter your level of inspiration (or lack thereof), abstract can be a perfect middle ground to ground your spirit, or wake it up.
The Scenario
Of course you (ok, I) woke up at 12:01 AM for no âapparentâ reasonâthe absolute cosmic middle finger of liminal time, where nothing makes sense and yet everything feels oddly sacred.
Maybe, like me, you didnât have any looming crises to fret over, or feel any real emotion about waking up at an inconvenient time (or being distracted, if itâs not the middle of the night for you). Spoiler alert: that âno emotionâ is still an emotion.
I thinkâfor a lot of us deep feelers, thinkers, philosophers and creatives right nowâthat numb, unanchored state has a lot to do with the collective dissonance weâre living through. Thereâs a major divide between those trying to evolve and live with intention, and those still operating from fear, ego, and unchecked reactivity.
Even if we try to stay grounded, we still feel the chaos buzzing around us. We still feel the friction of a world flailing through an identity crisis. And while we may not want to name it all or get swept up in it, we still end up absorbing the noiseâbecause thatâs what happens when youâre tuned in toâand transmutingâwhat others refuse to confront.
Another spoiler alert: things could be fineâŚif more people paused before projecting, reacted less and reflected more, took accountability for their realitiesâand how/what they contributed to their creationâand stopped mistaking emotional immaturity for a personality trait.
Alas, for me, that energyâand that emptiness, void of any clear direction, yet full of invisible limits (like everyone else being asleep, so I have to be quiet, for example)âis exactly the kind of blank page thatâs just waiting to be painted on.
Literally and metaphorically.
Me? I felt the pull toward abstract watercolor. After a chaotic day juggling real lifeâand feeling deeply grateful that I donât have to bend a knee to the public school system or navigate the mess so many parents of school-aged kids are facingâthis makes complete sense. Abstract is, after all, what we turn to when logic is exhausted and emotion has no specific name.
Maybe, like me, youâre not uninspiredâyouâre just not anchored in this moment. Maybe, like me, it feels like youâre floating a little. Untethered. Not because you donât care or donât want to create, but because everything around you feels too slippery to hold onto. Too uncertain to frame.
I have come to understand that when that happens, my soul isnât asking for structure. Itâs asking for space. Itâs asking for breath. Itâs asking for some wayâany wayâto come home to the present moment without having to name it, define it, or pin it down.
Thatâs where abstract steps in. Not as a replacement for direction, but as a safe space to reconnect before you try to direct anything at all. In these moments, Iâve found that whatâs waiting to be uncovered isnât something planned or polished, but something feeling-based and rule-freeâa piece born from presence, not pressure.
Try this, if youâre in a space like that. ⤾ď¸
A Gentle Framework for Midnight Abstracts
Color Prompt:
Close your eyes and take three deep breaths. Think of the word: ârelease.â Without judgment, what three colors float into your mind? Even if theyâre weird togetherâespecially if they areâlet them lead.
Composition Prompt:
Whatever your medium, start simple and let the process unfold.
If youâre shooting photography, donât force the subject or the composition. Wander your space, and just shoot. Let your eye catch on whatever it catches onâlight, shadow, texture, reflections. Let it allâeven the clutterâguide you. Try new angles. Blur the focus. Let it be weird. Let it breathe.
Fun photography hack for this kind of energy:
Donât be afraid to create outrageous effects with tools like Lightroom, Photoshop, or even apps on your phone. These tools arenât just for polishâtheyâre wonderful (and especially useful) playgrounds for unlimited texture, distortion, and mood. Perfect for transforming ordinary shots into abstract, emotionally charged pieces.
Lean into the surreal. Add grain. Blow out the exposure. Warp the tones. You might just end up with a visual journal entry that says far more than any perfectly posed image ever could.
If youâre working with mixed media, paints, inks, clay, sketching/drawing, writing, or even scrapbooking or junk journalingâdonât force shape or form. Let your hands (or your heart) lead before your mind starts trying to make sense of it.
Iâm drawn to watercolor as I write this post, so when I finish this post and start painting, Iâll start with a layered wash using just one color. Let the water move it. Drop in my second and third colors without intentionâjust observing how they bloom, resist, or swirl. Iâll add detail only if my hand naturally reaches for the brush again.
Examples of abstract watercolor, following exercises in Kate Leachâs âCreative Abstract Watercolorâ book. I have the Kindle edition and would recommend the book 77/10 for inspiration and information, but Iâd 1000/10 recommend the PRINT EDITION over Kindle if youâd like to add it to your library.
Let the chaos speak.
Sometimes thatâs all it takesâone odd hour, a small canvas (whatever that looks like for you), and a handful of scattered supplies. Water, glue, tape, scrap paper, stickers, markers, pens, brushesâŚeven a few oddly placed objects to capture in still photos on a clear or cluttered surfaces. It doesnât have to be planned or polished.
All it really takes is a little setting of soul-driven intention, then a little courage to move that intention into action, to make something unexpectedly beautiful from what doesnât make any logical sense.
No rules or expectations required. Just presence. Just honesty. Just the courage to let whatâs inside you moveâwithout needing to explain it first.
Thatâs the beauty of abstract. It doesnât ask you to be understood. It just asksâand allowsâyou to be real; and thatâs the truest art there is.