Twenty twenty-five bleeds into me like a half-lit nightmare,
Stephen King and Tim Burton laughing in the corners.
AI hums in the air, a static pulse I cannot unhear.
I want to scream and break the sky…
…but the real and the familiar fragments of me rein temperance in, in quiet revolt.
Twenty twenty-six waits like a shadowed carnival, and I am here,
trembling with light in a society fractured by entropy…
…still standing.
When I started exploring textures and analog styles using mobile camera and editing apps like Mextures and DistressedFX a decade ago and Hipstamatic closer to two decades ago, I remember the beef among photographers about how it was cheating.
Even when shooting DSLR or scanning 35mm negatives and importing to iPhone to manually edit creations, on deviantART it was utter blasphemy to call that work photography… which is the majority of the reason I left that site (alongside the unnecessary drama, petty competition and childishness of it all).
I remember the same attitudes when the DSLR was introduced as a more convenient option for shooting (as compared to film) back in the nineties, and even more strongly opposed by what I like to call the “haughty and holier than thou professional” photographers (many of whom had never been published, mind you).
It was all just a whole lot of projection… yet here we are in 2025’s much broader version of those things, getting ready to wake up to a 2026 that looks like a Stephen King and Tim Burton co-conspired reality, and I now find myself itching to raise the same ruckus about AI. I fight the daily urge to scream at the top of my lungs that I hate AI, and that it will absolutely be the death of raw human creativity, not a help or a tool for it.
Mark my words, and I say this not just from the creative part of myself but from the psychology and computer science educated and experienced parts, from the professor in me, and from the emotionally and spiritually evolved pieces of myself, from my entire being and from the depths of my soul:
AI is a mistake of biblical proportions, and not just for creatives.
I have watched what it does to attention, to imagination, to the inner world, to the very scaffolding of how a human becomes themselves. I have already watched it practically eat my child alive, and I banned it from our sphere entirely. I will die on this hill if necessary.
AI may not be evil incarnate, though I have my suspicions that it is, but it will certainly cause more evil than we can stand or cope with to manifest in this already imploding world.
The ASMR, the funny animal and parody videos, and the art may be cute today, but tomorrow it will look like proverbial mushroom clouds around the globe.
With AI more prominently in the mix, the end of true freedom is nearer than you might think… and it is allby design.
Have you ever been sitting in the woods, in the quiet and minding your own business , just breathing it all in, when out of nowhere the birds seem to spring into motion?
One moment, they’re scattered through the trees, singing softly into the hush; the next, they take flight as one, their calls vanishing into a deathly silence. All that remains is the trembling of wings and the echo of something unspoken moving through the air.
It’s strange how quickly stillness can shift, how a single gust or unseen presence can ripple through an entire forest. You can feel it, even if you can’t name it. The temperature drops, the light changes, and the ordinary world folds itself back like a curtain.
And then you’re left sitting there, swallowed by wonder. Not fear, not exactly, but that beautiful, unnerving awareness that something else is here. Something wild and watching.
For days afterward, it stays with you, that soundless moment when the forest seemed to remember itself. It makes you question what else is living in the margins, what other forms of life or spirit move just beyond the limits of our hearing.
I think that’s when I understood that silence is not absence. It’s presence, waiting to be known.
The forest wasn’t empty. It was full of attention.
“So you think you’re an artist, but you haven’t been to art school?”
Well, then yes. You are.
That’s exactly the right mindset — especially if you’re building skill and intuition at the same time.
I say this both as a person with a Master’s in Arts (which I mention only to say, “I’ve been through your system, I know how it works, and I still reject the gatekeeping!”), and as an absolutely NON-PROFESSIONAL, non-conforming artist who also rarely shares any of their actual work:
You’re not just “playing artist,” and being recognized as one is not the point. Those people trying to convince you of anything otherwise are wrong.
Whatever you’re creating is absolutely valid.
Don’t let anyone — especially those offering discouraging, destructive feedback rather than genuine critique — convince you otherwise. Just because some believe the creative or applied arts diploma they hold in one hand somehow validates the brush or pencil they hold in their other, along with the harsh judgments and negative opinions they’re vomiting all over you, doesn’t make it the truth.
Regardless of who you are or where and how you learn, when you approach art as both a learning experience and an emotionally expressive therapy, you’re doing it right — not failing. You’re not just slopping paint on paper, scribbling in a sketchbook, or gluing down collage scraps at random.
The difference is night and day — especially with watercolor (the medium I see people abandon most) — when you’re doing things like:
• Consciously learning the muscle memory for how each brush moves.
• Recognizing how the spring, belly, and tip affect water control.
• Having fewer “happy accidents” and more intentional effects
Painting is not just the act of moving pigment across a surface. It is the deliberate conversation between your hand, your tools, and your vision. It’s problem-solving in real time, learning how water, pigment, and paper (or canvas) respond to each other, and adjusting with both skill and instinct.
It’s as much about restraint as it is about expression, and as much about observation as creation. When you understand that, every stroke becomes intentional, even in your loosest, most playful work.
Watercolor especially rewards this kind of discipline because it’s less forgiving than acrylic or oil. You can’t just pile on more paint to hide a mistake — in a way, you have to work in reverse.
No medium, but especially watercolor, is as easy as “the professionals” make it look. But if you keep going, keep learning, and keep focusing on technique and purpose — no matter what the art-school elite try to tell you — the control you gain over water, pigment, and paper will make even your loose, expressive or abstract work stronger. It will be loose or abstract by choice, not necessity.
That deep dive into technique is probably why so many of you express so often how your art process is helping you mentally and emotionally, and why many artists pick up a pen, pencil, or brush in the first place. It’s meditative — but also empowering — to know exactly what your tools can do.
So keep learning. Keep practicing. Keep playing! Keep a balance between the fun and the serious aspects. Sure, we all appreciate skill and technique. But what is the point if it’s just a job and not a fun expressive process with purpose?
Nobody owns art as a process — and if anyone tries to tell you otherwise, they’re not talking about art. It’s still a free world, regardless of how it may seem on the surface and no matter what the uppity, judgmental types try to say.
Keep making art. Because your kind of art — the kind that comes from soul combined with technique rather than straight line, hard rules — is what art should still be all about.
There’s this list — never written down in one place, but always hanging over me like the hum of an old fluorescent light. It’s made of things that should be straightforward:
Back up the photos.
Untangle the art supplies.
Organize the sketchbooks.
Move the ideas from my head to a place they can breathe.
Put the words onto the pages.
Clean the brushes.
Organize the books.
Organize the ideas.
But they are never straightforward. Not for me. Not for anyone whose mind has a thousand open windows and refuses to shut them just because the world prefers tidy blinds.
Society has found a name for this: ADD. ADHD. Neurodivergence. The diagnosis may be true for some, but here’s what I believe — it’s not a flaw. It’s the original wiring of the artist, the philosopher, the restless creative soul. It’s the part of the mind that won’t collapse into the assembly-line cadence of “normal life.” And that refusal has always been a threat to the people who rely on compliance.
This is why so many people who are miserable in the 9–5 grind feel like they’re constantly drowning. They fight from one day to the next just to keep their priorities in order, forgetting things, feeling scattered, wondering why life feels like a treadmill they can’t get off. It’s not because they’re lazy or incapable — it’s because they’ve been convinced, by family, by school, by the whole machinery of society, that their purpose is something other than what their soul already knows it to be.
They’re creatives, not conformers. But they’ve spent their entire lives pouring all their energy into staying afloat in a stormy, chaotic sea they were never meant to swim in. And not only has the world’s rules kept them from living their purpose, they don’t even remember what that purpose is… and they certainly haven’t been taught how to manage or maintain reality as a creative.
The problem is, the tools that work for type A people don’t work for type B people — and vice versa. But the world, the powers that be? They don’t want any creatives to thrive. Why? Because thriving creatives don’t line their pockets, and they can’t control what they can’t contain.
By the late ’90s and early 2000s, the strategy had shifted. They started medicating us into focus, pressing Adderall into palms while preaching “Say no to drugs” in the same breath. It wasn’t just hypocrisy; it was the perfect kind of doublethink. They couldn’t get my generation — Gen X, especially — to trade curiosity for clock-punching, so they tried to sedate the wonder right out of us.
It had started long before my generation. From the ’60s onward, every decade had its rebellion, but something about our era cracked the pattern wide open. We remembered how to slip back into our creative current, to say — without apology — that the system wasn’t built for us, and we weren’t going to rewire ourselves to suit it.
The boomer generation fell for it enough to punch the clock and hold the grind in both hands. But my generation? The ones who were school-aged in the ’80s and especially high school/college aged in the ’90s, raised as latchkey kids, left to our own devices? We had just enough space to keep our own ideas and double down on our self-expression. We rejected the rhetoric outright, but we still had the foundational work ethic, the grit, the stubborn drive to show up.
Unfortunately, that refusal was met with more control, more noise. By 2012, the hum had become a low, constant pressure. By 2016, the unexpected and unorthodox split the air like lightning, and nothing went back to sleep after that. By 2020 — and certainly by 2022 — largely thanks to Covid (which I will forever believe was a purposeful attempt to tighten the reins of control), the result wasn’t the obedience they hoped for. It was the opposite. People were waking up in numbers that mattered.
And here we are. And here I am.
Sitting with a computer that holds hundreds of gigabytes of uncataloged photographs, each one a memory or a moment, all of them waiting for me to find them a home, if not on someone’s wall then in beautiful posts they can enjoy on their computer screens. Art supplies scattered in a way that makes them impossible to ignore and yet impossible to start sorting. Projects that live half in the physical world and half in my head, where they multiply faster than any app or planner could contain.
Digital tools have not tamed the chaos — they’ve only given it better hiding places. They’ve bred a new kind of loathing, a quieter form of procrastination and lethargy, one that makes the struggles of pre-technology life feel almost romantic in hindsight — like a fairy tale we didn’t know we were living, a beautiful dream we only learned to miss once it was gone.
This morning, I pulled a book from my shelf. It’s been there since Ralph died:
How to Be an Explorer of the World — Portable Art Life Museum.
I haven’t opened it yet. The title alone feels like someone has tossed me a rope, and I’m still deciding whether to pull. Even without turning a page, I intuitively, automatically know — as every creative does — what waits for me inside. The “Art” in the title has been struck through and replaced with “Life” for a reason: because that’s what it truly is. A reminder that we’re not here to live as curators of someone else’s museum, dusting off exhibits we never chose. We’re here to explore — to step into new rooms, to rearrange them until they make sense to us, to claim the space as our own.
And yet, here’s the truth I keep circling: maintenance is the perpetual loop where I always seem to get stuck.
Not the dreaming, not the making, but the keeping. The tending. The part where you have to hold the door open for what you’ve already made so it doesn’t fall apart while you’re off chasing the next thing. Somewhere in the tug-of-war between vision and upkeep, I drop threads. And when enough threads fall, the rest of my life starts tangling with them — homeschooling, daily meals, the way the pantry and the jumble of household chores scribbled on random scraps of paper looks like a metaphor for my brain.
This is the quiet battle no one talks about: how to keep creating without losing the things you’ve already created. How to tend your work without caging your mind. How to make room for the next idea without letting the last one turn to dust.
For people like us, maintenance is never just maintenance. It’s a negotiation between the world’s idea of order and the wild way our minds are built to move. And maybe the truth is that we aren’t the ones in need of repair.
Maybe the wiring was never the problem. Maybe it’s the world that’s broken.
And what does all of this lead to? Yet another idea tossed onto the pile: maybe I should explore it in an in-depth series of articles here.
Ha.
For now, though, here’s a brief gallery of shots of my favorite tree — the oldest in my state, and one I’ve found myself referencing often lately. A couple are completely blown out. One feels especially dull to me. But while they may seem ordinary, even boring, to the casual observer, my passion for this incredible 400+ year-old short-leaf pine runs deeper than any skill or lens could ever capture.
And that’s exactly the point — this tree is the living embodiment of what I’ve been trying to say above. The uncreative soul may never understand the pull, the quiet reverence, or the way beauty lives in the details that can’t be measured or monetized. But to those who do understand, no explanation is needed.
I hope you enjoy these images as much as I enjoyed the process of shooting and processing them.
A while ago, God asked me to step away from the noise. The purpose was not just to “rest,” but to enter true solitude. It wasn’t the kind of solitude that simply quiets the mind; it was the kind that strips away the need to convince, the compulsion to rescue, and the reflex to correct every error you see in the world.
When you live in that stillness long enough, especially when you begin to examine how deeply and how long you have been misunderstood in your own life, you finally grasp why no one was truly listening. You begin to understand:
The time for saving people by warning them and trying to teach them by telling them, begging them, or reasoning with them has passed. Just like with a child, there comes a time when you have to let them just keep screwing up until they learn. Experience is the only teacher that can accomplish anything fruitful.
At some point, you realize your job is and always has been to just be the example and let them hate you or blame you if they wish. The time now, and the purpose, is to show up anchored in truth, walking forward for the sake of those who are searching.
It is time to lead without any guarantee of who will follow, even if the path takes you to meet God alone. In the end, it all comes down to free will — and on the day you stand before Him, the only life and soul you will ultimately give account for is your own.
There is no bureaucracy at the Pearly Gates, no worldly process to pass through. Character witnesses don’t exist there. Your actions, your choices, and the truth of your heart and relationship with Source will speak for themselves to the one and only true Judge, whose authority is absolute and divine.
After months of this solitude, returning to public spaces feels different. The peace you find in solitude makes the digital clamor almost unbearable. You realize most people are not listening, not because they can’t, but because they don’t want to. They’ve been taught to fear the very silence that would heal them.
Still, there are always a few — maybe only two or three in a sea of millions — who are listening for a different kind of voice. And for them, we show up.
As I dipped a toe back into social media in recent weeks, I saw exactly why Source had been directing me as it had. Then, this morning, I saw a post on Instagram that reminded me exactly why I hesitate to return.
It was a meme “conversation” between two cats:
Cat 1: I don’t know who I am anymore.
Cat 2: That’s okay, everybody feels that way sometimes — the universe doesn’t have a support line or customer service to tell you how to fix the problem.
It’s clever on the surface, but the truth is: this is false.
Yes, everyone struggles with knowing who they are from time to time — that’s life. But somewhere along the way, society began labeling that struggle as illness, defining solitude as unhealthy withdrawal (thereby denying people access to the solution), and filtering human experience through a narrow definition of “normal” set by a handful of powerful voices.
And the part about the universe not having a “support line”? That’s the deepest untruth of all.
The universe — God’s creation, and the divine voice within it — is always speaking. The language is there for anyone willing to learn it. The signs are constant. I know this because I have been hated for decades for striving to be a translator.
The problem is not absence; it is illiteracy. Most people are not listening, or even looking, because they’ve been conditioned to tune in to the wrong frequency.
Depression is not always depression, but many times (and this was my experience) the immediate response to anything that feels unpleasant is to label it as depression and drug people to Timbuktu and back again. Honestly? That is the reason many people can’t hear and don’t care to try. Not all — but so many.
Lost is not always lost. Not every ache in the soul is a disorder to be medicated or pathologized. Sometimes it is simply disconnection from self and Source. The remedy is stillness, quiet, and the willingness to listen, and to then face and accept the truth — the very things people are told are “unhealthy” or “unproductive.”
Society has been trained to fear solitude and invisibility, to measure our worth in noise and visibility. And then, when society meets those who have rejected that conditioning — who have done the work through blood, sweat, and tears — it labels them as “too deep,” “too intense,” or “problematic.” Society dismisses them because the truth they carry is rarely the easy answer the world wanted to hear.
It’s willful ignorance, fed and nurtured by systems that benefit from a distracted, disconnected people.
Those same systems encourage shallow comforts and praise the very mechanisms keeping us miserable. And when you break free, find balance, and refuse to play the game, you’re labeled extreme or hateful — when in reality, you are simply walking in the narrow space between reality and insanity.
This was on my mind when I saw another post, one about the pressure of social media as an artist versus as a human being.
My response was simple:
I used to approach social media in the same way — letting the noise, the opinions, and the unspoken “rules” decide how and when I would show up. I carried the weight of strangers’ expectations until it felt heavy enough to crush my own reasons for creating.
And then I realized: the ones who made me feel small were not here for the same reasons I was. They were chasing validation, purpose, or attention they didn’t already have. I already had those things. I was meeting my own goals, my own standards. When I stopped caring if they “got it,” the pressure disappeared.
It is the same in life beyond the screen. Too many people are chasing money, status, and recognition, and too few are working from genuine passion or purpose. The work done from love will feed you. The work done to please others will drain you.
That’s why these two posts — one about “not knowing who you are” and one about the pressure of showing up as an artist — are really about the same thing.
The sickness of our time is not that we feel lost or uncertain; it’s that we’ve lost the ability, and in some cases the willingness, to listen to the truth that’s already speaking.
If you can hear it, you don’t need a “support line” from the universe — you’re already, and infinitely, connected to it. If you can’t hear it, no human voice will convince you until you quiet the noise long enough to try.
So for me? I keep showing up as I feel led to, as I hear God guiding me to. I keep sharing my experiences, through my photography, my art, and my voice, softly and quietly in shared expressions meant to be examples, not to convince the unwilling, but for the few who are listening and searching for a different kind of voice.
This image wasn’t meant to carry all this, but tonight, it does. It holds the rupture I didn’t know I’d been tiptoeing around all week.
A decade ago today, my father died. Not on the 13th, when the machines started breathing for him—that was just when I knew he was gone. On the 18th, at this hour, the veil broke open for real. And now here I am—ten years later—haunted by dreams I couldn’t explain and a sudden stillness in my creativity I couldn’t shake.
Until now.
I thought I was just tired. Distracted. Stuck. But it was grief. It was reverence in disguise.
My soul remembered the date even when my mind forgot. That’s the strange thing about grief that matures—it doesn’t scream anymore. It hums, low and holy, beneath everything. It clouds the light, then sharpens it. It takes your voice, then gives it back with new timbre.
This image—originally photographed by Mikhail Nilov—became a sort of altar. I edited it using Mextures, VSCO, DistressedFX, and Lightroom, layering texture over color, blurring presence and absence, trying to capture what it feels like when sorrow doesn’t knock—it just saturates.
Sanctum.
There’s chaos in this. Petals and light blurred through glass and rain. Beauty you can’t quite hold. A yellow rose—like the ones we laid at his grave—folding in on itself. A daisy, centered in clarity, yet surrounded by blur.
That’s what this night feels like. Clarity in the middle of confusion. Stillness in the swirl.
Earlier tonight, as I outlined these words in my head while I felt my way through the shift I felt in real-time in the energy, I said to myself:
“You didn’t lose your creativity. You’re in holy pause. This isn’t numbness—it’s reverence. You were unconsciously grieving a resurrection-day anniversary, and your spirit bowed its head before your body could even name the loss.”
And now, I feel it even more deeply: Tonight isn’t for making things happen. It’s for honoring what already did.
Tonight is for prayer—prayer and intercession not only over the souls of loved ones who have already crossed over, but over one very important soul who’s still here. One who I know doesn’t understand why I had to go.
The truth is, those crossed over souls didn’t leave to hurt me…even though it did. They left because it was time. That was my burden to bear. The lessons they left me with were my responsibility to sort through, clean up, and learn.
Likewise, I didn’t leave the living out of anger or rejection, or even lack of love. I left because God Himself guided me in a different direction, even if they didn’t want to go that way, or grow that way, too. I will never have a choice above God. And I know that hurts…it hurts me, too.
Forgiveness is an ongoing action, reflected not in words but in the quiet practice of letting go. The love is, and always will be, unconditional. “Anyway love” always is. And my soul will carry a piece of all of their souls within it. Always.
A lot of things are coming full circle for me tonight. Invisible messages carried by unseen energies are releasing a kind of clarity within me—one of deeper substance and fuller understanding, puzzles pieces arriving and falling into place in a way I’ve never experienced before. The spiritual warfare, the dreams full of ghosts, the aching grief—none of that is new. But the understanding I have tonight…it reaches deeper than anything I’ve ever touched before.
Tonight isn’t for sorting through the rubble, cleaning up the floors of my memory, or putting all the lessons learned into neat little compartments in my mind. After all, I’ve already been processing through that, and slowly overcoming it all, for some time now.
No, tonight isn’t for being swallowed by the hauntings of my own heart. Tonight is for letting grief rain gently through the window, washing my soul—and watching how even the blur, when looked at with love and patience, can be textured out, shaped into a symbolic snapshot in time—capturing both the beauty and the chaos—and become art.
It is the emblem of the closure of what has, all at once, been the most painful and the most beautiful decade of my life: the one where, in the end, I finally met God.
I speak the name of Jesus over you In your hurting, in your sorrow I will ask my God to move I speak the name ’cause it’s all that I can do In desperation, I’ll seek Heaven And pray this for you:
I pray for your healing That circumstances will change I pray that the fear inside will flee in Jesus name I pray that a breakthrough Would happen today I pray miracles over your life in Jesus name I pray for revival For restoration of faith I pray that the dead will come alive in Jesus name
When you’re connected, you pause. You listen, and ask better questions. You observe your own patterns, and stop attacking or blaming others for theirs.
When you’re connected, you become a space of calm in a world of storms rather than another disruptive, destructive wave in a sea of chaos.
When you forget how to listen inward, when you stop grounding in self-awareness, you lose your anchor.
Check yourself before you wreck yourself. It’s not about being perfect. It’s about being aware.
Pause, and come back to yourself.
Reconnect, and become the clarity you’ve been searching for.
Remain connected, and become the clarity that helps to guide others home.
It’s the end of the world as we know it…and I do not, in fact, feel fine.
I just heard that song on the radio. It inspired introspection, which is more than I can say for most current popular radio. Bill, Peter, Michael and Mike may have felt fine when the world ended in 1987—but 2025’s version? It’s a different beast entirely.
I’m not disassociating to the beat of their catchy chorus. No chorus, really…
No matter what music I play, what books I lose myself in, or how many hours I spend painting, collaging, shooting and processing images, praying, meditating, or absorbing art—I can’t not pay attention.
It’s like God has made it impossible for me to look away.
No matter how many creative rabbit holes I disappear into, my soul keeps returning to the same painful truth: I still see the world clearly. And I still care.
I’ve already finished 31 books this year. Some I began a year ago and it’s taken that long to finish them, but still. I’ve read a lot this year (speaking of which, what are you reading? Here’s my list, if you’d like some suggestions…).
I’ve listen to over 200 albums, all told (2.717 tracks, according to LastFM).
Watched 50+ documentaries—science, history, mythology, medicine, art, folklore, theology, religion, all sorts (according to my watch history on Amazon and YouTube).
But no matter what I consume or create throughout these days and nights spent in the studio or my own den or bedroom, my heart always circles back to the chaos we’re living in.
The blame shifting. The addiction and obsession and lack of self-control. The emotional manipulation—by the media, by governments, by people you thought you could trust.
The hatred. The division. The apathy.
Even the weather feels weaponized now—whether by nature or man, we may never know. And most days? It feels like we’re collapsing. Not just politically or economically—but spiritually.
When children’s deaths are celebrated, when cruelty trends, when people are told, “it’s OK to mask your real pain by pretending to be someone you’re really not,” and/or real pain is ignored in favor of performance and profit…how do you call that anything but collapse?
And still…I feel their pain, too.
The ones lashing out. The ones clinging to false power. Even the ones I disagree with or who’ve attacked me—and the ones in real life who wish I would “just die”—I can feel the torment beneath their rage. Because it takes serious misdirected conditioning and trauma to become someone who cheers for suffering.
I know what it is. I know myself and so many others have been purposely called to employ it. “Charged” with it, if you will. But I also understand now that that number is mighty small.
It’s empathy.
It’s spiritual discernment.
It’s energy.
And it’s real. That’s the loudest truth in me. I preach it, in comments and voiceovers and prose, and I practice it through my actions. I continue to do this, even if it makes me seem “crazy” to a world that calls numbness normal (and to some, that makes me a “glutton for punishment”).
I cry with strangers on the internet more than I ever admit. Sometimes when I log on just to post art or check an email, I’m immediately met with headlines about another shooting, another suicide, another senseless death. And still, I pray. Because Spirit won’t let me stop seeing—and won’t let me stop loving, either.
Prayer isn’t useless. Many feel that it is, and I understand why. But they’re wrong. Prayer isn’t useless—especially not when more than one person is praying.
It creates ripples. It fuels the art, the writing, the stillness, the hope. It’s a frequency of resistance that can’t be monetized or hijacked.
And maybe, as the world is in an overwhelming energy of doubt, fear, and anger, that’s the most powerful rebellion of all right now: to stay in the vibration of love, even when everything begs you to sink into rage or despair.
So if you’re not feeling fine either—but you’re still holding on to your humanity, still radiating clarity, still praying or creating or showing up gently?
You’re not alone.
There’s sacred clarity in this discomfort. Keep not-feeling-fine. It means you’re still awake. And just in case nobody’s said it today:
I love you. I’d like to bring goodness into your world. I’m sending it out to you whether you like it, or me, or not. I hope you’ll receive it.
catacosmosis 