Category: The Author’s Photography

  • Maintenance as a Creative | Not Broken, Just Built Differently

    Maintenance as a Creative | Not Broken, Just Built Differently

    There’s this list — never written down in one place, but always hanging over me like the hum of an old fluorescent light. It’s made of things that should be straightforward:

    • Back up the photos.
    • Untangle the art supplies.
    • Organize the sketchbooks.
    • Move the ideas from my head to a place they can breathe.
    • Put the words onto the pages.
    • Clean the brushes.
    • Organize the books.
    • Organize the ideas.

    But they are never straightforward. Not for me. Not for anyone whose mind has a thousand open windows and refuses to shut them just because the world prefers tidy blinds.

    Society has found a name for this: ADD. ADHD. Neurodivergence. The diagnosis may be true for some, but here’s what I believe — it’s not a flaw. It’s the original wiring of the artist, the philosopher, the restless creative soul. It’s the part of the mind that won’t collapse into the assembly-line cadence of “normal life.” And that refusal has always been a threat to the people who rely on compliance.

    This is why so many people who are miserable in the 9–5 grind feel like they’re constantly drowning. They fight from one day to the next just to keep their priorities in order, forgetting things, feeling scattered, wondering why life feels like a treadmill they can’t get off. It’s not because they’re lazy or incapable — it’s because they’ve been convinced, by family, by school, by the whole machinery of society, that their purpose is something other than what their soul already knows it to be.

    They’re creatives, not conformers. But they’ve spent their entire lives pouring all their energy into staying afloat in a stormy, chaotic sea they were never meant to swim in. And not only has the world’s rules kept them from living their purpose, they don’t even remember what that purpose is… and they certainly haven’t been taught how to manage or maintain reality as a creative.

    The problem is, the tools that work for type A people don’t work for type B people — and vice versa. But the world, the powers that be? They don’t want any creatives to thrive. Why? Because thriving creatives don’t line their pockets, and they can’t control what they can’t contain.

    By the late ’90s and early 2000s, the strategy had shifted. They started medicating us into focus, pressing Adderall into palms while preaching “Say no to drugs” in the same breath. It wasn’t just hypocrisy; it was the perfect kind of doublethink. They couldn’t get my generation — Gen X, especially — to trade curiosity for clock-punching, so they tried to sedate the wonder right out of us.

    It had started long before my generation. From the ’60s onward, every decade had its rebellion, but something about our era cracked the pattern wide open. We remembered how to slip back into our creative current, to say — without apology — that the system wasn’t built for us, and we weren’t going to rewire ourselves to suit it.

    The boomer generation fell for it enough to punch the clock and hold the grind in both hands. But my generation? The ones who were school-aged in the ’80s and especially high school/college aged in the ’90s, raised as latchkey kids, left to our own devices? We had just enough space to keep our own ideas and double down on our self-expression. We rejected the rhetoric outright, but we still had the foundational work ethic, the grit, the stubborn drive to show up.

    Unfortunately, that refusal was met with more control, more noise. By 2012, the hum had become a low, constant pressure. By 2016, the unexpected and unorthodox split the air like lightning, and nothing went back to sleep after that. By 2020 — and certainly by 2022 — largely thanks to Covid (which I will forever believe was a purposeful attempt to tighten the reins of control), the result wasn’t the obedience they hoped for. It was the opposite. People were waking up in numbers that mattered.

    And here we are.
    And here I am.

    Sitting with a computer that holds hundreds of gigabytes of uncataloged photographs, each one a memory or a moment, all of them waiting for me to find them a home, if not on someone’s wall then in beautiful posts they can enjoy on their computer screens. Art supplies scattered in a way that makes them impossible to ignore and yet impossible to start sorting. Projects that live half in the physical world and half in my head, where they multiply faster than any app or planner could contain.

    Digital tools have not tamed the chaos — they’ve only given it better hiding places. They’ve bred a new kind of loathing, a quieter form of procrastination and lethargy, one that makes the struggles of pre-technology life feel almost romantic in hindsight — like a fairy tale we didn’t know we were living, a beautiful dream we only learned to miss once it was gone.

    This morning, I pulled a book from my shelf. It’s been there since Ralph died:

    How to Be an Explorer of the World — Portable Art Life Museum.

    I haven’t opened it yet. The title alone feels like someone has tossed me a rope, and I’m still deciding whether to pull. Even without turning a page, I intuitively, automatically know — as every creative does — what waits for me inside. The “Art” in the title has been struck through and replaced with “Life” for a reason: because that’s what it truly is. A reminder that we’re not here to live as curators of someone else’s museum, dusting off exhibits we never chose. We’re here to explore — to step into new rooms, to rearrange them until they make sense to us, to claim the space as our own.

    And yet, here’s the truth I keep circling: maintenance is the perpetual loop where I always seem to get stuck.

    Not the dreaming, not the making, but the keeping. The tending. The part where you have to hold the door open for what you’ve already made so it doesn’t fall apart while you’re off chasing the next thing. Somewhere in the tug-of-war between vision and upkeep, I drop threads. And when enough threads fall, the rest of my life starts tangling with them — homeschooling, daily meals, the way the pantry and the jumble of household chores scribbled on random scraps of paper looks like a metaphor for my brain.

    This is the quiet battle no one talks about: how to keep creating without losing the things you’ve already created. How to tend your work without caging your mind. How to make room for the next idea without letting the last one turn to dust.

    For people like us, maintenance is never just maintenance. It’s a negotiation between the world’s idea of order and the wild way our minds are built to move. And maybe the truth is that we aren’t the ones in need of repair.

    Maybe the wiring was never the problem.
    Maybe it’s the world that’s broken.

    And what does all of this lead to? Yet another idea tossed onto the pile: maybe I should explore it in an in-depth series of articles here.

    Ha.

    For now, though, here’s a brief gallery of shots of my favorite tree — the oldest in my state, and one I’ve found myself referencing often lately. A couple are completely blown out. One feels especially dull to me. But while they may seem ordinary, even boring, to the casual observer, my passion for this incredible 400+ year-old short-leaf pine runs deeper than any skill or lens could ever capture.

    And that’s exactly the point — this tree is the living embodiment of what I’ve been trying to say above. The uncreative soul may never understand the pull, the quiet reverence, or the way beauty lives in the details that can’t be measured or monetized. But to those who do understand, no explanation is needed.

    I hope you enjoy these images as much as I enjoyed the process of shooting and processing them.

    xo.

    c.

  • The Oldest Tree and the Newest Truth

    The Oldest Tree and the Newest Truth

    Yesterday, I went shooting. I collected over 1,500 photographs in a single morning.

    It’s been a long time since I’ve been that focused, that immersed in the creative energy that sustains me. It felt good to be so deeply aligned with The Flow—Nature’s and God’s flow, not mine, not anyone else’s.

    For hours upon hours, I alternated exploration and randomly sitting still with nature, and with my favorite tree—the oldest documented in my state—for a long time. I quietly observed every detail, inner and outer, letting my mind wander and my spirit settle.

    So long, in fact, the chiggers are still feasting on me. A worthy price, though, for what was finally made clear to me—the missing puzzle piece that’s been keeping me from being able to help others fully grasp my perspective when I talk about grounding and meditation:

    So many people deeply misunderstand meditation.

    Lumix GX7 + Panasonic Lumix 100-300mm Telephoto. VSCO (G6 PRO) + Lightroom (watermark only).

    It’s not about escaping the body, 3D reality, or floating above your life. It’s not about leaving. Healthy, true meditation is the opposite of escape.

    Meditation is about stillness, observation, and rooting in. It’s about grounding into the physical body, and the earth itself, consciously connecting with both.

    It’s about sinking into the body—not running from it. Anything rooted in “escape” isn’t meditation. At any spiritual or energetic level, escapism is a cop-out. Worse, it’s a lie.

    Meditation is about bringing the physical, mental, and emotional into balance so that rising energetically, emotionally, and intellectually becomes not only natural… but possible in the first place.

    This shift in understanding can (and will) change everything for anyone who is willing to open their minds and hearts enough embrace it.

    🙏🦋🕊️

  • Wilderness

    Wilderness

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    The wilderness is the oldest, truest friend a human can have, both in body and in spirit.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    It teaches in silence.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    It speaks without words.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    It holds space for your becoming, your undoing, your return.

    Lumix GX7, Panasonic Lumix 100-300mm Tele-Lens. Handheld. Lightroom (watermark and contrast).

    And it is only “dangerous” when we forget to honor it, or refuse to learn from and respect it.

  • Focal Point

    Focal Point

    It’s as important as perspective. Perhaps even more so…

    We talk so much about perspective—about changing our view, reframing the story, finding the silver lining in the storm cloud.

    But sometimes, perspective doesn’t shift easily.

    Sometimes, circumstance leaves you standing exactly where you’ve always stood. The view is the same. The light hits the same edges. The shadows fall in familiar places.

    But even when the scene remains unchanged…the focal point doesn’t have to.

    Focus is a choice.

    A sacred, stubborn one.

    It’s the difference between staring at the problem and noticing the petal behind it.

    It’s where your attention lands, and where your energy follows.

    It’s learning to zoom in on grace even when grief is still in the frame.

    In these frames, nothing moved.

    Not the flower. Not the light. Not the angle.

    Only the focal point changed.

    And with that subtle shift, a new vision — a new truth— came forward.

    Almost always—including in life, and despite circumstance—the best composition doesn’t come from changing the scene but from learning which part of it to focus on.

    catacosmosis // 2025

  • Lifted

    Lifted

    entry twelve — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH. VSCO (A6 PRO) + DistressedFX + Lightroom (watermark only).

    There is a moment, early in a few blessed summer evenings, when the heat—the oppression—sighs and lets go.

    Not in protest, but in quiet surrender—the sun lingers, the sky softens, and a hush moves in with the rain.

    Steam rises like incense from the bones of the earth.

    You’ve felt that coveted shift.

    It’s not loud. Not showy. Just the heaviness loosening its grip on your ribs as breath returns without warning.

    This is how some battles end—

    Not with victory, but with survival.

    Not with a roar, but with a breeze.

    No fanfare—just rain through fractured light, and the ache leaving your body before you even know it’s gone.

    What remains?

    A field of yellow flowers—bent but blooming.

    Tired, but free.

    And air that smells like something holy—finally lifted.

    catacosmosis // 2025

  • Where Abundance Lives

    Where Abundance Lives

    It’s never been money or material success that has defined wealth for me.

    For most of my life, I chased meaning in moments loud enough to echo—grand gestures, perfect timing, outcomes wrapped in validation. But it was my most treacherous and grueling experiences—the ones that stripped me bare and rebuilt me from the soul up—that taught me something higher.

    They taught me to be still.

    To be quiet.

    To kneel at the altar of the subtle.

    A blurry cloud, simultaneously barely and boldly defining its own form, illuminated at just the right angle.

    Lumix GX7 + Lightroom (watermark only)

    A battered feather, found in the dead center of a forgotten dirt road, caught in evening light.

    Lumix GX7 + Lightroom (watermark only)

    The soft hush of trees at dusk, whispering the memories of the ghosts that still roam underneath them.

    Lumix GX7 + Lightroom (watermark only)

    This is abundance.

    There’s something sacred about catching these quiet offerings—the ones that ask for nothing but your presence. No performance. No hustle. Just your full attention. And I think that’s what I’ve been learning to fully morph into, slowly but surely, all my life.

    I’ve always been in love with nature, and over the past few years, I’ve begun to understand why—consciously, spiritually, viscerally:

    Nature doesn’t demand applause, but it offers everything to those who notice.

    Before caregiving and grief, nature called to me—quietly, consistently—and I always accepted her invitation to explore and to wonder. During caregiving, she became an escape. I retreated there as often as possible, weary and begging for rest that not even sleep could offer…and nature always obliged.

    Now? I don’t go to escape or to retreat, I don’t just visit. Nature meets me. Whether I’m deep in the woods or walking my yard…hiking a trail or running my neighborhood…now, I am always home.

    We live in a world trained to skim, to scroll, to monetize every breath of stillness. But this—this sky, this feather, this light that passes and never repeats—reminds me:

    Presence is the prize.

    It’s all around us, all the time, no matter where we are…but people don’t see it anymore. They no longer observe. Most have forgotten—that observation is a form of reverence. And reverence, when practiced daily, becomes a kind of homecoming.

    “Abundance is not found in money and material gain—at least, not for me. To me, it is found in nature’s unexpected surprises.”

    I wrote that in my memory while standing beneath the canopy of trees shared above as it held the last light of evening. There was no one else there. No applause. Just me, and the divine choreography of stillness.

    In that moment, nature herself invited me to remind you:

    If you’re searching for proof that you’re loved, that you belong, that there’s meaning woven through even the hardest days—

    Look up.

    Look closer.

    Be still.

    The abundance you’re looking for is already here.

    It’s been waiting for your eyes—and your heart— to land on it.

    Be present.

    Pay attention.

    Be observant.

    Your presence in the present matters.

    It’s where abundance lives.

    🪶💜✨

    catacosmosis // 2025

  • The Art of Being Alive

    The Art of Being Alive

    The real you is not a puppet which life pushes around; the real, deep down you is the whole universe. (Alan Watts)

    đź“· Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    The meaning of life is just to be alive. It is so plain and so obvious and so simple. And yet, everybody rushes around in a great panic as if it were necessary to achieve something beyond themselves. (Alan Watts)

    đź“· Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    I stood in the green hush, face to face with a bloom so intricate it felt like a secret whispered by the wild. The passionflower doesn’t need to perform. It simply is. Unapologetically strange. Beautifully complex. Alive.

    đź“· Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    I thought of the two Alan Watts quotes I’ve included above, and I thought of my dead loved ones. This is what I want to remember:

    đź“· Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH
    🛠️ VSCO (06) + Lightroom (watermark only)

    That being fully present—here, now, in the middle of whatever hurts or heals—is enough.

    That passion isn’t always loud.

    Sometimes, it curls quietly out of the forest and dares you to look closer.

    This is what death has taught me about life.

    I’m really grateful I stayed, after they were all gone.

    🪽💜✨

    catacosmosis // 2025

  • Witness

    Witness

    entry eleven — scattered light, fractured grace: a quiet archive of light, loss, and what remains.
    user-image-68787ed5877d68e8874d0289
    đź“· | iPhone 12 Mini
    ⚒️ | Distressed FX, VSCO (AL1 PRO), Lightroom Mobile (watermark only).

    Witness.

    It holds the grief.

    The growth.

    The survival.

    The silence.

    It kept watch over the forest

    as the love was letting go.

    One tree saw what I became,

    as I became it—

    what death could never be.

    Alive.

  • A Reminder to Self (But We ALL Need It)

    A Reminder to Self (But We ALL Need It)

    Reminder to self:

    Disconnection makes you stop reflecting and start reacting. It’s not because you’re a bad person. It’s because you’re lost in the noise.

    Disconnection from awareness breeds reactivity. Connection with awareness invites response.

    đź“· Shot handheld with Lumix GX-7 + Panasonic-Leica DG Macro Elmarit 45mm f/2.8 ASPH.
    🛠️ VSCO (06, 2.5) + Lightroom (clarity +7 + watermark).

    When you’re connected, you pause. You listen, and ask better questions. You observe your own patterns, and stop attacking or blaming others for theirs.

    When you’re connected, you become a space of calm in a world of storms rather than another disruptive, destructive wave in a sea of chaos.

    When you forget how to listen inward, when you stop grounding in self-awareness, you lose your anchor.

    Check yourself before you wreck yourself. It’s not about being perfect. It’s about being aware.

    Pause, and come back to yourself.

    Reconnect, and become the clarity you’ve been searching for.

    Remain connected, and become the clarity that helps to guide others home.

    🕊️💜✨

  • Someday…or Night

    Someday…or Night

    entry ten — scattered light, fractured grace: a quiet archive of light, loss, and what remains.


    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    My mother always told me, in every possible circumstance a child might ever need encouragement, “Do your best, and leave the rest. It’ll all come right some day or night.” 

    It was a line from “Black Beauty, by Anna Sewell.”  

    She was a third grade teacher, a grammar Nazi, and a mother trying her damndest to connect with me and, well, do her best. 

    And, as ornery and difficult a young person as I could often be, she never knew that I believed her…

    …even when I forgot I did.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    There was so much distance between us as I struggled through high school with her overbearing “sin obsessed” guidance, and she struggled to save my soul. 

    Even when the days were so long, when they bled into each other, and when the nights felt like punishments I hadn’t earned, as her brain and body were swallowed by Alzheimer’s. 

    Even when the thread broke, or maybe I cut it, when she died…I honored and nursed a clean, holy wound in the shape of freedom for both of us, from past grievances, from debts yet unpaid, from fear, from tension, from aching hearts and confused minds and the evils of that horrific disease.

    Still, that line stayed, like a soft breath. Like a healing balm. Like the part of her that couldn’t leave, because it lived in me.

    Black-eyed Susan (Rudbeckia hirta),
    a fading ember of late summer—graceful even in decay, still holding the shape of sunlight after the bloom has passed.  Lumix GX7 + Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., VSCO (A10PRO), Mextures (personalized texture formula: MEZPZZC), Lightroom Mobile (watermark only).

    Do your best. Not more than that. Not perfection. Just presence. I tried, truly. 

    Leave the rest… The story. The tragedy. The one who couldn’t stay.

    It will all come right…and maybe it already has.